Talking Movies

April 28, 2019

Keanu Reeves at the Lighthouse

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The Lighthouse cinema is gearing up for something called Keanurama, a whole season of films starring the inimitable Keanu Reeves. Talking Movies‘ reaction to this news could only be captured by one word – whoa.

There is a veritable feast of Keanu Reeves on offer here, from his team-ups with Winona Ryder in Bram Stoker’s Dracula, A Scanner Darkly and Destination Wedding to his 1990s-defining action movies Point Break and Speed, from his indie classics River’s Edge and My Own Private Idaho to his mainstream hits Parenthood and Devil’s Advocate, from his original breakthrough Bill & Ted movies to his recent John Wick comeback trilogy.

John Wick & John Wick: Chapter 2 DOUBLE BILL

May 10th

Keanu had three movies (Henry’s Crime, Generation Um…, Man of Tai Chi) that didn’t make Irish cinemas but made one hell of a comeback as the principled hit-man universally beloved in the hit-community, the larger underworld, and the small town he retired to. Keanu’s stunt-work was an endearing mix of fluency and occasional rustiness, and he made us love Wick as he rampaged after the mobsters who killed his puppy. The flabby sequel expanded the Man from UNCLE-like Continental universe too much, but featured some memorable fights; especially the Wellesian throwdown with Ruby Rose.

Destination Wedding

May 10th

Fellows 1990s icon and latterly cinematic exile Winona Ryder made her great comeback in Stranger Things in 2016 so it was only fitting that she would reunite for a third time with Keanu in this 2018 rom-com by Mad About You writer /director Victor Levin about two misanthropes travelling to a hopelessly pretentious destination wedding and being lumbered with each other there. In a curious twist it seems that this film, just like 2017’s similarly themed rom-com Table 19 about the people you invite to weddings and seat far away to avoid them, hides some very formalist experimentation behind innocuous trappings.

Bram Stoker’s Dracula

May 10th

Keanu and Winona’s first film together saw them gamely battle with cut-glass English accents as married couple Jonathan and Mina Harker for Francis Ford Coppola’s curate’s egg of a horror movie, that aspires to great fidelity to its source text even as screenwriter James V Hart makes sweeping inventions about reincarnated immortal beloveds so that Gary Oldman’s rejuvenating Count can lust over Winona. Roman Coppola rummages thru the Old Hollywood playbook for practical magic, and Sadie Frost and Monica Bellucci go all out for eroticism, but despite an impressive ensemble (including Anthony Hopkins as Van Helsing) this never catches fire.

John Wick: Chapter 3 – Parabellum

May 15th

Legendary hit-man and lover of dogs John Wick is excommunicado, having conducted business on Continental property. Now Ian McShane has given Keanu one hour’s grace in which he must fight his way out of New York with a $14 million contract on his life and every assassin in the Five Boroughs eager to collect. The production photo of a besuited Keanu riding a horse thru NYC has already taken on a life of its own, and we’re promised an equally tantalising samurai sword fight on motorbikes, as well as a detour to Africa with ally Halle Berry.

Speed 35mm

May 25th

Die Hard cinematographer Jan De Bont made an auspicious directorial debut with this high-concept action blockbuster about a mad bomber targeting an LA bus that has to stay above 50mph in a city known for its congestion. The leads Keanu and Sandra Bullock strike sparks, Jeff Daniels and Joe Morton are terrific in support, and Dennis Hopper chews the scenery as the crazed bomber – sorry, he’s not crazy, “poor people are crazy, Jack, I’m eccentric” – delivering witticisms from the pen of Joss Whedon. Mark Mancina’s score is a triumph of urgency and elation as Keanu attempts to save the day.

A Scanner Darkly 35mm

June 1st

Richard Linklater adapted Philip K Dick’s hallucinogenic novel using his favoured animation technique, rotoscoping, to create a uniquely hellish new world in which an undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result. Keanu is said cop, and he’s romancing Winona Ryder in their second film together. But she, and indeed everyone else, may not be what they seem as the drugs start to take hold. A pre-Iron Man Robert Downey Jr is very, very funny in his role as a rambling, voluble, paranoid junkie.

Parenthood

June 5th

Director Ron Howard bade farewell to the 1980s with this ensemble comedy led by Steve Martin dealing with his ever-expanding Midwestern American family. The impressive cast includes Dianne Wiest, Mary Steenburgen, Jason Robards, Joaquin Phoenix, and Rick Moranis. Keanu stretches his comedic muscles as Tod, the not too bright but thoroughly amiable boyfriend to Martin’s fiery oldest daughter Julie (Martha Plimpton), a small but memorable turn. It’s tempting to draw a direct line from Keanu’s performance here to that of Reid Ewing as Dylan, the nice but dim boyfriend to the eldest Dunphy daughter in this current decade’s defining sitcom Modern Family.

River’s Edge

June 7th

Keanu and Dennis Hopper co-star again in a far more sombre movie than Speed. A group of high school friends including Keanu, Ione Skye, Crispin Glover, and Roxana Zal must come to terms with the fact that one of their gang, Daniel Roebuck, has unapologetically killed his girlfriend. This look at the private lives of teenagers; their misdemeanours, code of honour, betrayals; consciously courted controversy by basing the grim tale on a real-life occurrence in California. This is one of Keanu’s earliest roles, agonised and soulful, in a haunting and pitch-black 80s teen drama that almost seems to have invited Heathers.

The Devil’s Advocate

June 14th

Keanu’s up and coming Florida lawyer Kevin Lomax accepts a high-powered position at a New York law firm headed by legal shark John Milton (Al Pacino). Meanwhile, Keanu’s wife, Mary Ann (Charlize Theron in her first Hollywood iteration) begins to have frightening hallucinations warping her sense of reality. Kevin quickly learns that his mentor’s life isn’t about simply winning court cases without scruples. Pacino and Connie Nielsen have something far darker in mind. Pacino literally being the Devil in this gaudy thriller featuring creatures by the legendary Rick Baker; he of the lycanthropic transformations in An American Werewolf in London.

My Own Private Idaho

June 18th

Writer/director Gus Van Sant followed up his hit Drugstore Cowboy with a far looser movie featuring one of Keanu’s most nuanced performances and an affecting turn by River Phoenix. This key work of the New Queer Cinema follows two street hustlers, Phoenix’s Mike and Keanu’s Scott, as they embark on a road-trip from Portland, Oregon to Mike’s hometown in Idaho, and then eventually to Rome in search of Mike’s mother.  All the while Scott Favor has no intention of leading this street life forever. Van Sant incorporates Henry IV better than you’d believe possible with Keanu as bisexual Hal.

Bill & Ted’s Excellent Adventure

June 21st

Bill S Preston (Alex Winter) and Ted Theodore Logan (Keanu) are in danger of failing their history final most heinously. This will result in Ted’s disciplinarian cop father sending him to military school. And that would be the end of Wyld Stallyns, the band the pair are trying to make into an MTV sensation despite a total lack of musical ability. It turns out, as Rufus (George Carlin), a dude from the future tells them, it would be the end of the world too. And so comedic time-travelling and borrowing historical figures ensues to ace the history final!

 

Bill & Ted’s Bogus Journey

June 22nd

Keanu’s major sequel problem (John Wick: Chapter 2, The Matrix Reloaded, The Matrix Revolutions, and being blacklisted by 20th Century Fox for passing on Speed 2) began with this bogus journey. William Sadler is sublime as the Grim Reaper, straight out of Ingmar Bergman’s The Seventh Seal, and crummy at Battleship. There is some wonderful set design, but, despite multiple robot versions of our heroes and more time-travelling and time-travel fuzzy logic than you can shake a stick at, this just isn’t as much goofy good-natured fun as its underdog predecessor. Third time’s the charm next year dude?

So first you watch one film with us, and then you watch another film with us, right after?

Bill & Ted DOUBLE BILL

June 23rd

WHOA! Two heads are better than one dude!

“Will you be at this party?” “Definitely.”

Point Break 4th July Party

July 6th

“Vaya Con Dios…”

Point Break

July 11th

Keanu leads this hybrid undercover cop in too deep/surfing/action heist/bromance Point Break with alternately lyrical and muscular direction from Kathryn Bigelow and a script polish by James Cameron. A string of bank robberies in Southern California where the villains disguise themselves as former US presidents sees hot-shot FBI agent and former college football star Johnny Utah (Keanu) assigned the dead-end case and Gary Busey’s gruff veteran. Keanu and Busey realise their crazy theory is correct – these bank-robbers are surfers! Keanu goes undercover, and romances Lori Petty’s surfer while growing closer to the gang’s leader Bodhi (Patrick Swayze). Will he arrest him?

And coming directly after all that is the 20th anniversary re-release of … The Matrix.

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January 11, 2018

Fears: 2018

The Post

Hanks fights Nixon – yay!

But at wrong newspaper – boo!

Spielberg, what the hell?

 

Phantom Thread

Day-Lewis swansong

There Will Be Bodices (sic)

Somewhat overwrought?

 

The Shape of Water

Del Toro is back

Less Gothic, more Creature-y

and boo hiss Shannon

 

Red Sparrow

J-Law needs a hit

This will not be it. Too bad.

Ersatz Nikita.

Annihilation

Portman and a man

Odd that, but Garland ‘writes well’

And directs again

 

New Mutants

Fox does X-horror

X-Men that is, obscure ones

They’re affordable

 

The God Particle

Cloverfield in space

Elizabeth Debicki

Looks on earth aghast

 

Pacific Rim

Exit Del Toro,

Enter Steven S DeKnight,

Thanks a bunch, China

Solo

Disney paid a lot

You must help them make it back

Han: the Wall St. Years

 

Avengers: Infinity War

The infinity

is really the damn cast list

Makes LOST seem restrained

 

Sicario 2

Blunt has not come back

Instead the wolf is let loose

Del Toro, that is

 

Ocean’s 8

Cinema’s great hug

Retconned as male privilege;

All girl cast fixes that

 

The Man Who Killed Don Quixote

Critics applaud, not

because the thing is done well

but because it’s done

 

A Wrinkle in Time

‘Oprah for ’20!’

It starts here! Diverse sci-fi.

Love this or get coat

 

Mute

Duncan Jones does ‘Hush’

Berlin barman tracks girlfriend

His fists speak for him

X-Men: Dark Phoenix

It’s X-3 remade,

with little context for Jean,

who cares? C.G.I!

 

John F Donovan

We have waited long,

Too long for Dolan anglais,

Now we fear for Snow

 

Holmes and Watson

Will Ferrell bromance

Can’t be worse than Downey/Law

A dumb comedy

 

December 9, 2013

Christmas Movies in Meeting House Square

‘Christmas on the Square’ takes place this year in Meeting House Square, Temple Bar from December 17th – 21st. 11 festive screenings over 5 days will play Old Hollywood gems such as Some Like it Hot and Holiday Inn alongside more recent classics like Annie Hall and Die Hard and perennial family favourites such as Elf and The Muppet Christmas Carol.

MHS Screen 2

Online booking is now open at www.entertainment.ie/meetinghousesquare. Free blankets will be handed out to keep warm and a selection of hot drinks (including traditional mulled wine, hot chocolate, tea, and coffee) and festive food will all be available for purchase.

Tuesday, December 17th

How the Grinch Stole Christmas, 5pm

Ron Howard’s remake of the classic cartoon about a creature intent on stealing Christmas throws a ton of CGI and crazy sets at the screen and elides a good deal of the absurdity of Dr Seuss’ original rhymes, but Carrey’s improvisations impress.

Cast: Jim Carrey and Taylor Momsen

Running time: 104 mins

Cert: PG

Holiday Inn, 8pm

At an Inn which is only open on holidays, a crooner and a hoofer vie for the affections of a beautiful up-and-coming performer. Based on a story idea by Broadway song-writing legend Irving Berlin this flick also includes an animated sequence mocking FDR.

Cast: Bing Crosby, Fred Astaire and Marjorie Reynolds

Running Time: 100 mins

Cert: G

Wednesday, December 18th

Elf, 5pm

After inadvertently wreaking havoc on the elf community due to his ungainly size, a man raised at the North Pole is sent by Santa Claus to the U.S. in search of his true identity. Can he romance a cute colleague (Zooey Deschanel) and reconnect with his father?

Cast: Will Ferrell and James Caan

Running Time: 97mins

Cert: PG

Some Like it Hot, 8pm

When two musicians witness the St Valentine’s Day Massacre, they flee 1920s Chicago in an all female band disguised as women, but complications set in when they meet singer Sugar Kane… Think of it as Billy Wilder doing Shakespeare’s cross-dressing rom-coms.

Cast: Marilyn Monroe, Jack Lemmon and Tony Curtis

Running Time: 120 mins

Cert: PG

Thursday, December 19th

Polar Express, 5pm

On Christmas Eve, a doubting boy boards a magical train that’s headed to the North Pole and Santa Claus’ home. Director Robert Zemeckis uses motion capture to allow Tom Hanks play multiple roles but the uncanny valley phenomenon sinks scenes that aren’t spectacular musical numbers.

Cast: Tom Hanks and Chris Coppola

Running Time: 100 mins

Cert: PG

Bridget Jones, 8pm

A British woman is determined to improve herself while she looks for love in a year in which she keeps a personal diary. King of the British rom-com Richard Curtis pens the screenplay for this incredibly commercially successful contemporary riff on Jane Austen scenarios.

Cast: Renee Zellweger, Colin Firth and Hugh Grant

Running Time: 97mins

Cert: 15

Friday, December 20th

The Muppet Christmas Carol, 5pm

The Muppet characters tell their idiosyncratic version of Charles Dickens’ classic tale of an old and bitter miser’s redemption on Christmas Eve. Michael Caine is rather good as Scrooge, but this is all about Kermit, the Great Gonzo and Miss Piggy as Dickensian characters.

Cast: Michael Caine and Dave Goelz

Running Time: 85

Cert: G

Trading Places, 8pm

A snobbish investor and a wily street con artist find their positions reversed as part of a bet by two callous millionaires. Writer/director John Landis came to this off a streak of classic comedies that included Animal House and The Blues Brothers.

Cast: Eddie Murphy, Dan Aykroyd and Jamie Lee Curtis

Running Time: 116 mins

Cert: 15

Annie Hall, 11pm

Neurotic New York comedian Alvy Singer falls in love with ditzy singer Annie Hall in Woody Allen’s classic 1977 breakthrough. The many highlights include the Marshall MacLuhan cameo, Christopher Walken’s crazed monologue, and Alvy’s flashbacks to his Brooklyn childhood; depressed by the universe’s finite expansion.

Cast: Diane Keaton and Woody Allen

Running Time: 93 mins

Cert:  PG

Saturday, December 21st

Monty Python’s Life of Brian, 8pm

Brian (Graham Chapman) is born on the original Christmas, in the stable next door to Jesus. He spends his life being mistaken for the messiah, but along the way gets lessons in Latin from a centurion, and ponders Roman’s rule’s good points.

Cast: Graham Chapman, John Cleese and Michael Palin

Running Time:

Cert: 15

Die Hard, 11pm

Vacationing NYPD cop John McClane tries to save estranged wife Holly Gennaro when her office party is taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles. Director John McTiernan spectacularly orchestrates arguably the ultimate action film.

Cast: Bruce Willis and Alan Rickman

Running Time: 131 mins

Cert: 15

Ticket prices:

Adults: 5 euro

OAP/Student: 4 euro

Child: 3 euro

Family (2&2): 15 euro

Group of 10 people: 45 euro

Meeting House Square (MHS) is a unique outdoor space and venue in the heart of Temple Bar, Dublin’s Cultural Quarter. You can simply turn off the rain at the flick of a switch as the new bespoke retractable canopy blooms on Meeting House Square.

‘Christmas on the Square’ is presented by Temple Bar Cultural Trust and Dublin City Council.

March 15, 2010

Oscar Schmoscar

There’s been an odd prevalence of live blogs surrounding this year’s “goddamn meat-parade” – as George C Scott so memorably described the Oscars. This blog did not do a live commentary on the Oscars for three reasons. Firstly, I rather like sleeping at night and think that many other people share this strange attitude. Secondly, I don’t believe that even Stephen Fry and Hugh Laurie writing together could possibly write anything funny or insightful enough LIVE! to justify a live blog. Thirdly, the Oscars are (whisper it) (no in fact bellow it!) POINTLESS!

There are 5,777 voting members of the Academy. These individuals do not have a better idea of what makes a great film than any other 5,777 random individuals around the world. There was a reason that JFK told Ben Bradlee what he’d learned from the Bay of Pigs was this – “Don’t assume that because a man is in the army that he necessarily knows best about military strategy”. If you doubt that consider these three facts.

The Academy in its wisdom thought that Alfred Hitchcock, director of The 39 Steps, The Lady Vanishes, Rebecca, Foreign Correspondent, Shadow of a Doubt, Rope, Strangers On a Train, Rear Window, Dial M for Murder, To Catch a Thief, Vertigo, North by Northwest, Psycho and The Birds, was not truly exceptional enough in his field to win a Best Director Oscar.

The Academy in its wisdom thought that Ron Howard, director of The Da Vinci Code, was.

The Academy nominated both Apocalypse Now and Kramer Vs Kramer for Best Picture of 1979 and thought that the film which would have most impact on popular culture, which pushed the boundaries of film-making, and which would endure and be fondly remembered was…Kramer Vs Kramer. I love the smell of dumbness in the Kodak.

According to the Academy the best 10 films of the Zeros were Gladiator, A Beautiful Mind, Chicago, The Return of the King, Million Dollar Baby, Crash, The Departed, No Country for Old Men, Slumdog Millionaire, and The Hurt Locker.

Not Memento, Moulin Rouge!, The Two Towers, Master & Commander, The Bourne Supremacy, Good Night and Good Luck, Casino Royale, Atonement, The Dark Knight and The Private Lives of Pippa Lee.

Or Amores Perros, The Fellowship of the Ring, The Rules of Attraction, X-2, Mean Girls, Brick, The Prestige, Zodiac, Hunger and Up in the Air.

We don’t need the Academy to tell us that Christoph Waltz gave a great performance in Inglourious Basterds. We don’t need the Academy’s nominations to help us tell the difference between a good blockbuster with commercial clichés and a bad Oscar-baiter with its own set of equally rigid (but more idiotic because they’re ‘edgy’) clichés (Little Miss Sunshine, I’m looking at you). Maggie Mayhem tells Bliss in Whip It “Be your own hero”. Follow her advice, trust your own instincts…

January 22, 2010

Top 10 Films of 2009

(10) Crank 2 Jason Statham rampages thru the streets fighting mobsters, electrocuting himself, humiliating Amy Smart and generally incarnating lunacy in celluloid form. I saw it in a ‘private screening’ in Tallaght UCI and my brain is still slowly recovering.

(9) Star Trek I still have issues with the intellectual con-job involved in its in-camera ret-conning plot, and its poor villain, but this was a truly exuberant romp that rejuvenated the Trek franchise with great joy and reverence, down to the old familiar alarm siren, even if Spock (both versions) did act new Kirk off the screen. Here’s to the sequels.

(8) Mesrine 1 & 2 A brassy, bold piece of film-making, this French two-parter about the life of infamous bank-robber Jacques Mesrine saw Vincent Cassell in sensational form aided by a supporting cast of current Gallic cinematic royalty. Sure, this was too long and had flaws, but it had twice the spark of its efficient but autopiloted cousin Public Enemies.

(7) Moon Playing like a faithful adaptation of an Isaac Asimov tale this low-budget sci-fi proved that a clever concept and good execution will always win out over empty special effects and bombast as this tale of a badly injured worker having an identity crisis in a deserted moon-base was both intellectually and emotionally satisfying.

(5) (500) Days of Summer It’s not a riotous comedy, but it is always charming, it is tough emotionally when it needs to be and its systematic deconstruction of the rom-com is of great importance, as, bar The Devil Wears Prada, Definitely Maybe and The Jane Austen Book Club, that genre produces only bad films and is moribund, hypocritical and, yes, damaging.

(5) Frost/Nixon It was hard to shake the wish that you had seen the crackling tension of the stage production but this is still wonderfully satisfying drama. Sheen and Langella are both on top form in their real-life roles, backed by a solid supporting cast, and the probing of the psyches of both men, especially their midnight phone call, was impeccable.

(3) Inglourious Basterds Tarantino roars back with his best script since 1994. Historical inaccuracy has never been so joyfully euphoric in granting Jewish revenge on the Nazis, QT’s theatrical propensities have never been better than the first extended scene with the Jew-hunter and the French farmer, the flair for language is once again devoted to uproarious comedy, and the ability to create minor characters of great brilliance has returned.

(3) The Private Lives of Pippa Lee An intimate female-centred film this was a refreshing joy to stumble on during the summer and, powered by great turns from Robin Wright and Blake Lively, this was an always absorbing tale of a woman looking back at a life lived in an extremely bizarre fashion. Rebecca Miller inserted a great message of hope for the possibility of renewing yourself if you could only endure in an ending that averted sentimentality.

(2) Milk For my money a far more important landmark than Brokeback Mountain as Gus Van Sant, directing with more focus and great verve than he has shown for years, melded a convincing portrait of gay relationships with an enthralling and inspirational account of the politics of equal rights advocator and ‘Mayor of Castro’, the slain Harvey Milk.

(1) Encounters at the End of the World After a slow start Werner Herzog’s stunning documentary melds breathtaking landscape and underwater photography and a warning on the dangers of global warming with a typically Herzogian journey into madness whether it be an insane penguin or the eccentric oddballs and scientists who live in Antarctica’s bases.

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