Talking Movies

April 28, 2019

Filed under: Uncategorized — Fergal Casey @ 10:54 pm

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Keanu Reeves at the Lighthouse

The Lighthouse cinema is gearing up for something they call Keanurama, a whole season of films starring the inimitable Keanu Reeves. Talking Movies‘ reaction to this news could only be captured by one word – whoa.

There is a feast of Keanu on offer here, from his team-ups with Winona Ryder in Bram Stoker’s Dracula, A Scanner Darkly and Destination Wedding to his 90s-defining action movies Point Break and Speed, from his indie classics River’s Edge and My Own Private Idaho to his mainstream hits Parenthood and Devil’s Advocate, from his original breakthrough Bill & Ted movies to his recent John Wick comeback trilogy.

John Wick & John Wick: Chapter 2 DOUBLE BILL

May 10th

Destination Wedding

May 10th

Bram Stoker’s Dracula

May 10th

John Wick: Chapter 3 – Parabellum

May 15th

Speed 35mm

May 25th

A Scanner Darkly 35mm

June 1st

Parenthood

June 5th

River’s Edge

June 7th

Devil’s Advocate

June 14th

My Own Private Idaho

June 18th

Bill & Ted’s Excellent Adventure

June 21st

 

Bill & Ted’s Bogus Journey

June 22nd

Bill & Ted DOUBLE BILL

June 23rd

“Will you be at this party?” “Definitely.”

Point Break 4th July Party

July 6th

Point Break

July 11th

 

And coming directly after that the 20th anniversary re-release of … The Matrix.

April 25, 2019

Prince: 10 Songs

1999

Purple Rain

When Doves Cry

Raspberry Beret

Sign ‘O’ The Times

U Got the Look

I Could Never Take the Place of Your Man

Kiss

Cinnamon Girl

Baltimore

April 21, 2019

Any Other Business: Part XXIX

What is one to do with thoughts that are far too long for Twitter but not nearly long enough for a proper blog post? Why round them up and turn them into a twenty-ninth portmanteau post on matters of course!

“Nah, I don’t like it”

This ad has been annoying me for months, to an unusual degree because of its omnipresence in the inescapable setting of a cinema. From the start I thought of the moment in Castle when his daughter’s layabout boyfriend questions what colour sofa Castle was proposing to give them  – “What colour?? Free!” That’s the lack of gratitude which offended me greatly from the start, taking a gift and just tossing it aside; like the inscribed books in second-hand bookstores I wrote about here some years back. There’s the fuzzy logic at work, you must buy a new sofa to put your own stamp on the place. Well, surely you must also only buy new build houses or else how could you possibly put your own stamp on the place? But then I suffered this ad after David Attenborough’s jeremiad about climate change. One of the talking heads featured said we need to lead a less wasteful life, and that this wouldn’t impact on our standard of living very much at all. We just need, in his example, to buy a good washing machine, care for it, and make it last. Well, this ad now offends on a whole other level. As well as the two elements that got my goat such obliviousness towards a comfortable, generously gifted sofa will end civilisation and the existing ecosystem.

April 20, 2019

Filed under: Uncategorized — Fergal Casey @ 3:14 pm

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April 19, 2019

5 Modern Works for mourning

Arvo Part: Cantus in memoriam Benjamin Britten

Richard Strauss: Metamorphosen for 23 Strings

Olivier Messiaen: Quartet for the End of Time

Krzysztof Penderecki: Threnody for the Victims of Hiroshima

Samuel Barber: Adagio for Strings

April 14, 2019

Miscellaneous Movie Musings: Part XI

As the title suggests here are some short thoughts about the movies which aren’t quite substantial enough for each to merit an individual blog posting.

The means defeat the ends: Part III

Bob Iger has declared a hiatus because of Star Wars fatigue. People he thinks can have too much of a good thing. Well, certainly people have can too much of a good thing. But that is not the problem with Star Wars. People are clamouring for more Fast & Furious movies and Mission: Impossible at a faster rate until Tom Cruise’s body gives out. But Disney has managed the incredible feat of draining the Star Wars cash cow dry in just 4 movies. The decision to make three Star Wars movies between 2015 and 2019 was always rather suspect, because it would inevitably lead to what indeed happened – not a singular creative force like George Lucas or Christopher Nolan or Christopher McQuarrie driving decisions, but instead development and execution by committee. And it is not for nothing that they say a camel is a horse designed by a committee. I bought some Star Wars socks just before Christmas in Marks & Spencer and they amusingly summed up what went so catastrophically wrong for Disney. The packaging was festooned with images of Rey, Finn, and Poe, who we are all meant to find enthralling beyond belief. And yet the socks themselves featured stitched in renditions of R2-D2, Darth Vader, Boba Fett, a stormtrooper, and the Star Wars logo. Because they knew that nobody would buy the socks if they featured Rey, Finn, Poe, Kylo, and Rose. And so the socks themselves were entirely OT, and you could throw the packaging away with a maniacal laugh. Much like the end of the new Star Wars trailer.

Seraphim Falls Revisited

I recently watched Seraphim Falls for the first time since I saw it in the cinema in 2007 as it popped up on TV in an eerie coincidence. From a distance of twelve years I was surprised by how much I remembered of the physical details of the chase, even as I’d forgotten the particulars of the revenge, how the trippy ending took up less screentime than it did in my remembering, and also how it seems to inhabit a grittier version of the same fantasy Old West populated by Irishmen as Michael Fassbender’s Slow West. This is the film in which John Healy first pointed out to me what I later referred to in my review of The Revenant as “Pierce Brosnan’s grunting and moaning in pain school of physical acting”. It’s especially interesting watching Liam Neeson play a man out for revenge the year before Taken, when he was still riding high off playing two bearded mentors in 2005’s Batman Begins and Kingdom of Heaven.

Any Other Business: Part XXVIII

What is one to do with thoughts that are far too long for Twitter but not nearly long enough for a proper blog post? Why round them up and turn them into a twenty-eighth portmanteau post on matters of course!

Doesn’t suit you, sir

I’m not sure exactly what happened at the end of the 1960s to cause it, but it seems to me that suits suddenly became considerably less sharp. The final post-Mrs Peel seasons of The Avengers see Steed’s suits bend more and more towards the hippy Carnaby Street style pilloried by excess in Austin Powers, but also just become less distinguished somehow. It’s tempting to attribute this to mere ego, that Patrick MacNee was designing his own outfits more and more and displacing Pierre Cardin’s wares. But that doesn’t explain what happened to that less suave spy of the era more or less simultaneously. Watching Diamonds Are Forever with the awareness it is by the director of Goldfinger is a major jolt on several levels, as it lacks the sophistication that comes through so naturally in nearly every aspect of the former. Sean Connery wasn’t attempting to tailor his own look though, so it really does say something about the fashions of the era that the suits in his final Eon outing look very shabby next to his mid-60s outfits.

Filed under: Uncategorized — Fergal Casey @ 2:38 pm

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April 10, 2019

The Smiths: 10 Songs

This Charming Man

Heaven Knows I’m Miserable Now

That Joke Isn’t Funny Anymore

How Soon Is Now

Cemetery Gates

The Boy With The Thorn In His Side

Bigmouth Strikes Again

Panic

There Is A Light That Never Goes Out

Girlfriend In A Coma

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