Talking Movies

January 20, 2020

Hopes: 2020

Filed under: Talking Movies — Fergal Casey @ 3:50 pm

Tenet

Bergman Island

The French Dispatch

Fast & Furious 9

Top Gun 2

Bill & Ted 3

Last Night in Soho

The Trial of the Chicago Seven

Wonder Woman: 1984

Free Guy

A Quiet Place 2

The Kingsman

Death on the Nile

20:20 on 2000

Filed under: Talking Movies — Fergal Casey @ 3:41 pm

1999 the miracle year of modern Hollywood as some would have it of course extended into 2000 here as many of its films, delayed for Oscar consideration, never reached our shores until as late as March and April 2000.

In any event in reality people experience years much closer to a 1999/2000 football season or academic year than the sharp splits preferred at New Year’s Eve beloved of journalists desirous of spurious copy. So we shall check in periodically on how the year 2000 played out.

That Was The 2010s

Filed under: Talking Movies,Talking Radio — Fergal Casey @ 3:37 pm

A sober reflection on Sunday Breakfast with Patrick Doyle on the changing meaning of cinema in the 2010s.

As cinema ceased to be photography of actors in real locations or dressed sets with practical effects to be projected on a big screen in the dark for a communal experience with an audience of strangers gathered for a two hour experience did the term cinema cease to exist in continuity with a century of development?

January 19, 2020

Top Films of 2019

Filed under: Talking Movies — Fergal Casey @ 9:29 am

5) Free Solo

4) Non-Fiction

3) The Mule

2) Apollo 11

1) Balloon

Top Performances of 2019

Filed under: Talking Movies — Fergal Casey @ 9:27 am

Mandatory Credit: Photo by Michelle Quance/VARIETY/Shutterstock (10404629aa)
Noah Baumbach and Adam Driver
Variety Studio at Toronto International Film Festival, Presented by AT&T, Day 3, Canada – 08 Sep 2019

January 13, 2020

From the Archives: Top 10 Films of 2007

From the pre-Talking Movies archives.

[10] 300

Bloodthirsty, outlandish, stupid, just macho to the point of insanity and altogether great quotable fun. I don’t know if this film is objectively any good I just know it’s deliriously entertaining, especially if viewed from the perspective of Irish actor Michael Fassbender who romps his way through it.

[9] Control

Director Anton Corbijn made a fine film debut with this biopic of troubled Joy Division singer Ian Curtis. Control combined thrilling live music performances with kitchen sink realism. That mix between humorously observed period setting and a deep emotional engagement with a rock star’s normal life simply dazzled.

[8] I’m Not There

Deeply crazy not-biopic of Bob Dylan which reinvented a number of Dylan’s greatest songs by using different actors for different aspects of his career set against changes in American culture. Cate Blanchett was disturbingly accurate in her impression of Dylan touring Blonde on Blonde in England.

[6] 3:10 to Yuma

Hats off to director James Mangold who remade a Western classic and actually improved on the original. The acting is uniformly superb with the human substance of the story showing there’s space for drama as well as suspense and bloody gun-battles in the slowly reviving genre.

[6] Enchanted

A hilarious self-parody by Disney which threw their animated characters into the rather different conventions of New York City, this was joyful, sweet and damn near flawless. Everyone involved is clearly having a ball but James Marsden steals every scene he appears in and finally gets the girl.

[5] Hot Fuzz

Less of a straight parody than Shaun of the Dead, but far, far funnier. Simon Pegg and Nick Frost’s double act is a joy to watch and the rip-offs of Michael Bay and his ilk becomes ever more absurd and deliriously enjoyable as the action parodies escalate.

[4] Sunshine

Absolutely meaningless despite its promotional claims, this said nothing about the purpose of existence or religious belief. What it did do was offer a gripping white knuckle ride through an escalating series of catastrophes onboard a claustrophobic space-ship in the hands of a masterful director and committed cast.

[3] Transformers

The feel good hit of the summer was a Michael Bay film for people who hate Michael Bay and far funnier than anyone expected. The CGI robots were dazzling, the action unrelenting and Peter Cullen’s return as the voice of Optimus Prime heart-warming for all us 80s kids.

[2] Atonement

Pitch perfectly played by a terrific ensemble, this was an incredibly structured film that is among the saddest love stories which cinema has ever produced. Director Joe Wright proved through small details as well as the Dunkirk tracking shot that he is a coming force in British film.

[1] Zodiac

David Fincher’s gripping procedural epic followed three characters as they destroyed their lives in an obsessive hunt for 1970s San Francisco serial killer The Zodiac. Eschewing his usual Fincherisms for the most part this was All the President’s Men for a new generation, but with a serial killer.

December 22, 2019

Miscellaneous Movie Musings: Part XXIV

As the title suggests, so forth.

“Name” “Bond, James Bond” “And you are?” “Moneypenny, Miss Moneypenny”

Having seen the trailer for No Time to Die I think Daniel Craig should have retired with Spectre as he has clearly gone beyond the point where he is too old for the role of 007. He may be younger than Roger Moore was when he finally hung up the Walther PPK, but he is showing his age badly next to the even older Tom Cruise who is enthusiastically committed to TWO more Mission: Impossible films. But where to go next? Has, as John Fahey suggested to me, this iteration of Bond now exhausted the possibilities of its approach just as Brosnan’s did? Perhaps. Well then, we must recast, and rethink. First off, just cast Tom Hiddleston already before he gets to be too old to play the damn part. Next, cast Emily Blunt as Miss Moneypenny. Having seen Moneypenny in the field in Skyfall it should not be a stretch to imagine her in the field again. But in a rather different capacity. I started thinking about this when Patrick Doyle began wishing for a millionaire to finance his one hour episode versions of Ian Fleming stories done faithfully and therefore requiring Colin Firth. I noted Firth had somehow played both Bond and Mr Steed in Kingsman: The Secret Service. Oho! If Craig’s Bond leaned towards Jason Bourne, then Hiddleston’s Bond should lean towards John Steed. Imagine the elegant repartee of Steed and Mrs Peel in The Avengers becoming the verbal fencing of Bond and Moneypenny. Imagine Emily Blunt in black leather dispatching villains with judo kicks to the head. Imagine routinely getting a Bond film every two to three years made with practical stunts and action but more witty dialogue scenes and a production air of sprezzatura rather than the agony in the garden atmosphere that has produced only five films in 14 years for Craig.  What’s not to like?

December 8, 2019

You Have Been Listening To: Part III

It is time to discreetly begin to draw the curtains for Christmas. There will be no more reviews by me of new releases on 103.2 Dublin City FM this year. But here’s a round-up of links to the previous editions of Sunday Breakfast with Patrick Doyle and a list of the many films we discussed since June if you’re eager to explore the back catalogue.

JUNE

X-Men: Dark Phoenix + Classic Ghostbusters II + Classic The Matrix
https://www.mixcloud.com/patrickdoyle/9619-the-sunday-breakfast-show-with-patrick-doyle/
Balloon + TV Choice The Accountant + Classic Dr Strangelove
https://www.mixcloud.com/patrickdoyle/16619-the-sunday-breakfast-show-with-patrick-doyle/
Brightburn + TV Choice Dial M for Murder + Classic Mean Girls
https://www.mixcloud.com/patrickdoyle/23619-the-sunday-breakfast-show-with-patrick-doyle/
Yesterday + TV Choice Casino Royale + Classic Superman II
https://www.mixcloud.com/patrickdoyle/30619-the-sunday-breakfast-show-with-patrick-doyle/
JULY
Apollo 11 + TV Choice Bullitt + Classic Rear Window
https://www.mixcloud.com/patrickdoyle/7719-the-sunday-breakfast-show-with-patrick-doyle/
Stuber + TV Choice Jaws + Classic Ma Nuit Chez Maud
https://soundcloud.com/patrickseandoyle/the-sunday-breakfast-show-film-review-14719
The Current War + TV Choice Arrival + Classic Gone with the Wind
https://soundcloud.com/patrickseandoyle/the-sunday-breakfast-show-film-review
AUGUST
Hobbs & Shaw + TV Choice The Guest + Classic It Happened One Night
https://soundcloud.com/patrickseandoyle/the-sunday-breakfast-show-film-review-1
The Art of Racing in the Rain + TV Choice Patriots Day + Classic Phase IV
https://soundcloud.com/patrickseandoyle/talking-film-on-the-sunday-breakfast-show
Once Upon A Time… In Hollywood + TV Choice Dirty Harry + Classic Army of Shadows
https://soundcloud.com/patrickseandoyle/talking-film-on-the-sunday-breakfast-show-1
Pain and Glory + TV Choice White House Down + Classic Little Women

 SEPTEMBER

Crawl + TV Choice Gone Girl + Classic Whiskey Galore!
IT: Chapter 2 + TV Choice X-Men: Days of Future Past + Classic The Italian Job
https://soundcloud.com/patrickseandoyle/talking-film-on-the-sunday-breakfast-show-2
Extra Ordinary + TV Choice Batman Begins + Classic Ghostbusters
https://www.mixcloud.com/patrickdoyle/15919-the-sunday-breakfast-show-with-patrick-doyle/
Ad Astra + TV Choice Glen Campbell: I’ll Be Me + Classic The Godfather: Part II
https://www.mixcloud.com/patrickdoyle/22919-the-sunday-breakfast-show-with-patrick-doyle/
Ready or Not + TV Choice L’Avenir + Classic Butch Cassidy and the Sundance Kid
https://www.mixcloud.com/patrickdoyle/29919-the-sunday-breakfast-show-with-patrick-doyle/
OCTOBER
Joker + Judy + Classic White Heat
https://www.mixcloud.com/patrickdoyle/61019-the-sunday-breakfast-show-with-patrick-doyle/
Gemini Man + TV Choice Now You See Me + Classic Fight Club
Dark Lies the Island + TV Choice Good Night, and Good Luck + Classic Crimes & Misdemeanours
Countdown + TV Choice The Shallows + Classic Them!
https://www.mixcloud.com/patrickdoyle/the-halloween-show-with-patrick-doyle/
NOVEMBER
Doctor Sleep + TV Choice Kingsman: The Secret Service + Classic Girl, Interrupted
https://www.mixcloud.com/patrickdoyle/101119-the-sunday-breakfast-show/
Le Mans ’66 + TV Choice Funeral in Berlin + Classic Rio Bravo
DECEMBER
Marriage Story + TV Choice World War Z + Classic Field of Dreams
https://www.mixcloud.com/patrickdoyle/

Notes on Marriage Story

Noah Baumbach’s Marriage Story was the catch-up film of the week much earlier today on Sunday Breakfast with Patrick Doyle.

Mandatory Credit: Photo by Michelle Quance/VARIETY/Shutterstock (10404629aa)
Noah Baumbach and Adam Driver
Variety Studio at Toronto International Film Festival, Presented by AT&T, Day 3, Canada – 08 Sep 2019

Adam Driver’s fourth collaboration with Baumbach this decade is a film that is very good, and yet also very hard to recommend. It is a film which will stay with you, from the unusual narrated opening montages, to Driver’s astonishing one-take delivery of a Stephen Sondheim song, to the absurdity of a court appointed observer silently judging a parent without ever having observed how parents handle raising their children. When it is funny it is hilarious, but the emotion and financial agony of a divorce is represented in excruciating detail where throwaway comments are weaponised and Driver’s character ends up accepting the fiction that he has always lived in LA when he has never lived in LA because that’s the narrative the court wants to hear.

Listen here:

November 30, 2019

Miscellaneous Movie Musings: Part XXIII

As the title suggests, so forth.

Mandatory Credit: Photo by Michelle Quance/VARIETY/Shutterstock (10404629aa)
Noah Baumbach and Adam Driver
Variety Studio at Toronto International Film Festival, Presented by AT&T, Day 3, Canada – 08 Sep 2019

Contours of the Decade: Noah Baumbach

In the continuing struggle to perhaps impose some sort of order and coherence on a decade of cinema in time to produce a Top 10 list at the end of the year it’s interesting to consider how Noah Baumbach has fared as director. Greenberg, Frances Ha, While We’re Young, Mistress America, The Meyerowitz Stories (New and Selected), Marriage Story. Six films as writer/director is a pretty good decade’s work by anybody’s estimate, and more so when you realise that only one of those six is not top drawer. It’s been a decade of collaboration, four films with Adam Driver in some capacity, two films with Greta Gerwig as co-writer and star as well as one with her in a supporting role, and three films with Ben Stiller rediscovering his talent. Perhaps most interestingly while critics seemed to shape a narrative that, after the exhaustingly abrasive Greenberg, Baumbach’s films had been given soul by Gerwig, that demonstrably was not the case. Even after While We’re Young it was clear Baumbach was more optimistic even without Gerwig than he had been previously. The Meyerowitz Stories (New and Selected) made clear that in fact the change in Baumbach was one of maturity. Where Gerwig without Baumbach stuttered with the cliched and sour Ladybird, Baumbach without Gerwig was operating on a new plane. Compare the fathers played by Jeff Daniels in 2005 and Dustin Hoffman in 2017 and you will be struck by the notion that this is essentially the same character, but now viewed by an older artist with a correspondingly more mature and therefore forgiving eye.

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