Jim Parsons lends his voice to a most curious animated feature about an alien forced to team up with a human child on a road-trip.
Oh (Jim Parsons) is a well meaning Boov who has an unfortunate habit of making hilarious mistakes. Captain Smek (Steve Martin), the leader of the Boov, has an equally ingrained habit of stealing planets as he leads the Boov in their flight from the vengeful Gorg. Smek’s latest conquest is Earth. Thus Oh is kicking it back in a human apartment. When he sends an email to his best friend Kyle (Matt Jones), a traffic cop whose inability to leave his post subjects him to Oh’s chatter, he accidentally cc’s the entire universe. Including the planet-destroying Gorg… Oh runs away from punishment and encounters Tip (Rihanna), who hates the Boov for kidnapping her mother Lucy (Jennifer Lopez) and interning her in Australia with all the other humans. Can Oh and Tip work together to rescue Lucy and un-invite the Gorg?
Yes, the fate of the world rests on cracking Oh’s password and unsending an email. Because, you see, Oh is not like the other Boov; who all follow Captain Smek’s instruction that the password for all accounts should be ‘password’ – to avoid just such screw-ups. Oh is an individualist, because the most important thing, above all, is to just be yourselfzzzzz… Apparently this is the only moral any animated film is capable of containing in this century. Which wouldn’t matter that much except that director Tim Johnson (Antz) and Get Smart screenwriting team Matt Ember & Tom J Astle add almost nothing for adults in adapting Adam Rex’s children’s book The True Meaning of Smekday. And, given that Johnson successfully transposed Woody Allen’s shtick into animated form back in 1998, and that Get Smart had its moments, that’s quite surprising.
Not nearly as surprising though as the relevance of another work of late 90s CGI: Jar Jar Binks. Can you imagine sitting thru a film where nearly everyone talked like Jar Jar? Well, minus the faux accent, Home, courtesy of the jumbled-up English the Boov employ, is pretty much that film. And it grates… Rihanna shamelessly using the movie as a giant music video for song after song is less annoying because it’s explicable. Who thought garbling grammar would be inherently funny? As far as comedy goes Martin has some fun with his vainglorious role (“I admire your cowardice”), particularly one routine with Parsons (“But you might!”), but Parsons curiously stays firmly entrenched in his anti-social Sheldon Cooper rut rather than trying to stretch himself outside his TV show; similar decisions during 24’s run effectively destroyed Kiefer Sutherland’s acting range.
Home is a film for very young children, as its animated slapstick and Rihanna-heavy soundtrack might prove mildly diverting; but for parents it’s likely to be quite a slog.
2/5