Talking Movies

April 14, 2015

Life-Logging or All Watched Over By Machines of Loving Grace

Life-logging is the subject of the current exhibition in the Science Gallery, which explores the way in which we can use data logging to track and improve our lives. HeadStuff is exploring various aspects of data and life logging, and here’s a teaser of my brief survey of life-logging in film and television.

Countless_lives

As a Far Side cartoon has it people have recorded data to improve their lives since the first caveman brought down a woolly mammoth with a single spear to the beast’s heart, and another caveman said maybe they should make a note of that spot for future reference… But let’s jump ahead from that implausible beginning to where we are now. The relentless, exhausting positivity that Facebook encourages is only the digital equivalent of the split between Dr Johnson’s public bonhomie and high spirits, and his private grief over the death of his wife and his agonies over the fate of her soul; which his Anglicanism did not allow him to pray for under the doctrine that as the tree falls so must it lie. But such gaps between public personae and private selves only became apparent through posthumous discoveries of journals and private letters. And for every Victorian keeping a tremendously revealing spiritual diary of their failings for the purpose of self-improvement, there was a Horace Walpole keeping fair copies of letters full of scandalous gossip and little else.

Click here to read the full article (focusing primarily on Nineteen Eighty-Four, Minority Report, CSI: NY, Person of Interest) now on HeadStuff.org.

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December 3, 2011

The Big Year

Steve Martin, Jack Black and Owen Wilson star in a pleasant tale of competitive bird-watching that just stubbornly refuses to take true comedic flight.

Martin plays the retired CEO of a major company who’s trying to belatedly achieve a ‘big year’, in which he would spot more species of birds in North America in a single calendar year than any other birder. That means spotting more than 700 types of bird. This involves trekking all over the continent on hot tips to spot rare birds like the great snowy owl or the pink-footed goose, travelling to the farthest island tip of Alaska (nearer to Tokyo than Anchorage) for a week to see the Asian wildlife landing there, and chasing major storms that will cause migrating birds to touch down unexpectedly on the Gulf Coast. The lengths to which the birders go results in a number of nicely rendered stampedes and diabolical schemes and tricks as well as a charming travelogue of some of America’s prettiest landscapes.

Martin is supported in his absurd quest by his wife, but perpetually harassed by requests from his former lieutenants to head back to NYC to help them with deals. Wilson, by contrast, plays the world-record holder Bostick who is testing the patience of his wife Rosamund Pike to its breaking point. She’s taking hormones to try and conceive, but he’s never around as he’s trying to better his own record to secure his place in the history books as the undisputed best birder of all time. Black is the singleton of the trio, a divorced loser who wants to achieve something with his life, and is aided by his mother Dianne Wiest arranging his travel schedule even as his father Bryan Dennehy despairs of the stupidity of his son’s choice of goal. The adorable Rashida Jones crosses his path from time to time as a fellow birder who he just can’t summon up the courage to ask out.

It’s a delight to see Anjelica Huston crossing swords with her regular Wes Anderson colleague Wilson, over his mutiny on her birding ship in his previous ‘big year’ quest to see a rare bird rather than the whale she was showcasing to tourists. It’s also amusing to see a veritable pantheon of TV comedy actors including Joel McHale from Community, Kevin Pollak, CSI Miami’s Byron quoting British Person in the lab, Network head Jack and the demented impressionist from Studio 60, as well as Sheldon from The Big Bang Theory as a blogger causing trouble. However, this movie while big hearted, solidly acted, perfectly structured, and nicely subversive of the philosophy of winning at all costs, just doesn’t have enough jokes. There’s one sublime gag but mostly you’ll just chuckle and smile.

The verdict must rest with the good doctor, Samuel Johnson: “Worth seeing? Yes. Worth going to see? No.”

2.5/5

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