What is one to do with thoughts that are far too long for Twitter but not nearly long enough for a proper blog post? Why round them up and turn them into a twenty-seventh portmanteau post on matters of course!
The Hounds of Hell
There is something finally and karmically wrong about watching The X-Files in full flight while Supernatural is still running almost at full steam. This second return of The X-Files, which we’re encouraged to just call season 11 and pretend it’s normal to have hiatuses between seasons of a decade, has been far better than 2016’s far shorter and less successful comeback. Some of this season’s mythology episodes have been damn good, while the monster of the week ones have frequently knocked it out of the ballpark. In particular ‘Familiar’, a disturbing tale of small-town hysteria with vigilante action going horribly sideways when due process is disregarded. But it’s not just a witch-hunt parable, there really are witches at work. And that’s when it felt like this was a direct challenge to Supernatural as mystical circles, ancient grimoires, and vicious mostly invisible hell-hounds started to appear. Was it a bit weird? Yes. The return in 2016 was a jolt as you realised how everything from Smallville to Supernatural to The Flash had shamelessly lifted their episode structure from The X-Files. So watching Supernatural be appropriated by The X-Files is like watching a father and son competing against each other at the Olympics. But maybe the influence has gone both ways. Season 13 of Supernatural gave Dean Winchester a number of godlike character moments. Here Mulder went by the name Bob to avoid having to explain Fox for the 1000th time in cafes, almost brought about the robocalypse by eschewing tipping robot chefs, and was shamelessly obsessive over old TV sci-fi VHS and Sasquatching. Perhaps it’s an example of what the Greeks called eris – good strife, or competition making both parties better.
Talking Movies 
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