Writer/director John Butler follows The Stag with a film that is somehow much better put together yet actually more infuriating.
Ned (Fionn O’Shea) complains volubly to his father and stepmother (Ardal O’Hanlon, Amy Huberman) about being sent back to boarding school. They don’t care. He complains volubly to his principal (Michael McElhatton) about being forced to share his room with a rugby player Conor (Nicholas Galitzine). He doesn’t care. He then complains volubly to the audience about the importance given to rugby in this school; which is apparently meant to be Blackrock, but somehow seems more like Clongowes; and how awful it is to be a gay student in a heteronormative school. Little does he know that his new roommate has a secret, a big one, that by the end of term will change the school forever.
There is a reference to the Berlin Wall as if it’s still standing, and our hero plagiarises The Undertones, so it’s the 1980s, right? Except for the prominently featured poster of the cover of Suede’s debut album, from 1993. But that doesn’t really matter, right? I mean, it’s not like that year has any special significance. It’s only when Ireland decriminalised homosexuality, so it probably doesn’t impinge on the seriousness of Andrew Scott’s teacher being outed to the principal. It is unfortunate for such slapdash writing to reach Irish cinemas mere months after the innovative and spot-on recreation of period detail in Mike Mills’ 20th Century Women, which was actually concerned with replicating the felt experience of life in 1979 California.