Talking Movies

June 23, 2019

Miscellaneous Movie Musings: Part XIV

As the title suggests here are some short thoughts about the movies which aren’t quite substantial enough for each to merit an individual blog posting.

Edge of Tomorrow, and Tomorrow, and Tomorrow

I blundered into the middle of Edge of Tomorrow aka All You Need is Kill aka Live. Die. Repeat. recently, at a time when I couldn’t commit to watching something, but was a bit annoyed that I couldn’t catch the first 20 minutes before turning off. Then realised that I could do something better, because it was showing on a channel with a +1 option. So I started switching between the two channels, one of them about 15 minutes in, the other 1 hour 15 minutes in. Back and forth, back and forth, even as Tom Cruise tried to explain to Emily Blunt how all this had happened to him before and how he’d got better at navigating this world, death by farcical death. An exposition lecture I was illustrating by channel-hopping. There is a peculiar joy to be derived from rewatching temporally trippy films in such a temporally scrambled way. I have fond memories of watching Interstellar with my Dad two years ago when RTE premiered it at a time of critically low DVR capacity. As a result of something running over we were forced to tape and watch, tape and watch, until eventually we found ourselves fatally behind, and forced to watch live until an ad-break because we couldn’t tape. And once the ads came we were able to finish the few minutes of taped material we needed in order to delete that chunk, setting us back nearly an hour in the story, and then we could start taping again while beginning the remaining 30 minute chunk of taped material. Dad complained at the end, not unreasonably, that he couldn’t make heard nor tail of the last three hours of gibberish.

The MARVELlous Mr Renner?

It’s slightly depressing to think that Jeremy Renner, despite having been pretty vocal about the shoddy writing of his character Hawkeye after The Avengers, is going to spend part of a second decade chained to him. As has been noted hereabouts the cinematic Hawkeye is a pale shadow of his immediate comic-book antecedent in Mark Millar’s The Ultimates. As indeed are all the cinematic Avengers, which is what makes the Marvel Studios juggernaut so very depressing when it exists at the same time in history as Fast & Furious 5-thru 8. Looking back at this decade, as is becoming depressingly unavoidable, it’s clear that what Renner did when he jumped off the Marvel juggernaut was when he really shone: The Town, Mission: Impossible – Ghost Protocol, The Bourne Legacy, Hansel & Gretel: Witch Hunters, The Immigrant, American Hustle, Kill the Messenger, Mission: Impossible – Rogue Nation, Arrival, Wind River, The House, Tag. Renner lights up the two M:I movies, with Christopher McQuarrie dubbing him a fantastically funny ad-libber. His supporting turn in The Town is a masterpiece turning what is often a one-note character in heist movies into a wonderful imp, and in Arrival and Wind River he is superb at grounding sci-fi and Western noir in humanity.

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January 8, 2018

Top 10 Films of 2017

10) The Meyerowitz Stories (New and Selected)

Old Dustin Hoffman

Grumbles so loquaciously

His kids just despair

 

9) Thor: Ragnarok

Marvel does funny!

Or Taika Waititi

does Marvel, more like

 

8) Ingrid Goes West

Aubrey Plaza mad

Aubrey Plaza not bad though

Instagram’s to blame

 

7) La La Land

They sing and they dance

Might they fall in love perchance?

Well yes, all that jazz

 

6) Wind River

Two cold Avengers

Can’t believe it’s not Longmire

Till the hymn to wolves

 

5) Logan Lucky

Soderbergh returns

‘Ocean’s 7-11’

Hoot and a holler

 

3) Personal Shopper

Hip Kristen Stewart

Sees ghosts, shops for clothes, and waits

but who’s haunting her?

3) Dunkirk

Nolan does Dunkirk

Ticking clock horror movie

Don’t need words, just feel

2) Fast & Furious 8

Fire will not burn Vin

Bullets will not pierce The Rock

They forgive The State

1) 20th Century Women

Ode to older mums

The past lived as the present

True ’79

January 17, 2017

Hopes: 2017

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John Wick: Chapter 2

Keanu Reeves’s unstoppable assassin returns,

with a new dog in the mix,

and old mentors and enemies.

 

The Fate of the Furious

Don’t the Furious need Walker?

Will Helen Mirren win an Oscar here?

Can the nonsense still prevail?

 

Guardians of the Galaxy: Vol. 2

Elizabeth Debicki joins the cast,

can James Gunn sprinkle more comedy gold,

to again disguise Marvel formula?

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Wonder Woman

Snyder co-wrote the story but…

Geoff Johns and OC writer wrote script,

can Diana’s solo movie soar?

 

Dunkirk

Christopher Nolan shoots on film,

shoots Germans shooting at beached British soldiers ,

can retreat be cinematically heroic?

 

Baby Driver

Edgar Wright makes a film!

But why cast Ansel Elgort as driver?

And why call driver Baby?

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Salt and Fire

Werner Herzog does volcanoes fictionally,

Michael Shannon and Diego Luna butt heads,

but this is not Pompeii.

 

Golden Exits

Alex Ross Perry hits Brooklyn,

reunites with Jason Schwartzman for family dramas,

with a mostly female cast.

 

Death Note

Adam Wingard directs a remake,

but oddly the original sounds like Lullaby,

is Palahniuk big in Japan?

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Lady Bird

Greta Gerwig finally directs again!

Saoirse Ronan’s comedic adventures in Northern California.

Who needs Noah Baumbach anyway?

 

Wind River

Taylor Sheridan writes AND directs!

Sicario man drops deserts for snowy wastes,

teams FBI and Native Americans.

 

Blade Runner 2049

Denis Villeneuve does more sci-fi,

with the blessing of Ford, Scott, Fancher,

Ryan Gosling the new Ford.

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Goldstone

Ivan Sen made Mystery Road,

Measured, beautiful, and suspenseful Aussie crime thriller,

and now here’s his sequel.

 

The Glass Castle

Destin Cretton adapts acclaimed memoir,

starring Brie Larson who commanded Short Term 12,

this should be something icy.

 

Three Billboards Outside Ebbing, Missouri

Grieving Frances McDormand freaks out,

attacks Woody Harrellson and Sam Rockwell’s cops,

yes, it’s Martin McDonagh’s repertory.

 

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Under the Silver Lake

It Follows meets Raymond Chandler,

Andrew Garfield investigates stranger than usual case,

Riley Keough is the femme fatale.

 

Vox Lux

Brady Corbet shoots on 65mm,

Rooney Mara’s pop star scored by Sia,

his first feature was… imposing.

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