Talking Movies

March 2, 2016

Time Out of Mind

Actor/producer Richard Gere teams up with The Messenger writer/director Oren Moverman for a portrait of homelessness in New York City.

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George (Gere) is rudely awakened from his slumber in a bathtub by Frank (Steve Buscemi) and thrown out of an apartment that his friend Sheila has been evicted from. George is a nuisance in Frank’s eyes, in fact he’s a nuisance to most people. Nurse Maire (Geraldine Hughes) tells him he can sleep in the ER waiting room but an orderly countermands her compassion. Private schoolboys and frat boys mock and prank George when he’s at his most vulnerable. His estranged daughter Maggie (Jena Malone) can’t stand the sight of him. When he falls at his feet at a shelter he’s quickly intimidated by the younger, physically stronger Jack (Jeremy Strong). But there he also makes an unlikely friend, former jazz musician and current garrulous optimist Dixon (Ben Vereen). Can Dixon steer George back on to the straight and narrow?

That description makes Time Out of Mind sound almost plot-driven. It’s not. To a fault. At an ADIFF Q&A last week actor/producer Gere was proud of how he and Moverman had worked hard to strip away almost all elements of plot from the movie. There is no true arc nor backstory. We begin abruptly in media res ,and our feelings of disorientation are heightened by a chaotic sound mix; reflecting the long-lens cinematography of Bobby Bukowski that captures from afar the astonishing verite of real people blanking Richard Gere because of his shabby apparel, as well as emulating 1960s anti-Magnum photography by wrapping images in and thru reflections. But this lack of backstory greatly hurts the father/daughter dynamic. Without context Maggie appears hypocritical and narcissistic, her repeated ‘What else?’ reminiscent of and as irritating as Diane Keaton’s ‘As what?’ refrain in Reds.

Time Out of Mind lacks the bravura camerawork Bukowski and Moverman deployed on 2011’s Rampart, but there are numerous long-takes that are so unobtrusive you start with surprise when you suddenly realise that minutes have passed without a cut. Gere doesn’t match the recent gold standard of his barnstorming turn in Arbitrage, because he’s essentially a passive, if occasionally self-destructive, figure. Instead Vereen remains long in the memory. His Dixon is a comic creation given to lengthy monologues, but also gifted incredibly affecting notes of despair and delusion that come to a head when he hesitates agonisingly over playing an out of tune piano. Moverman’s previous directorial effort Rampart was just as much a character study, but it was driven by a ferociously complex and layered character actively moving through a reasonably fleshed out plot. Moverman’s pared back too much…

Time Out of Mind is that most frustrating of things: an important film. It’s incredibly depressing, paints a not too rose-tinted picture of urban homelessness, and is exceptionally well-intentioned. It’s just not great film-making.

3/5

January 28, 2016

ADIFF: 2016

The Audi Dublin International Film Festival launched an impressive 14th programme today, featuring over 80 films from 27 countries, which will welcome over 40 guests to the capital over this 11 day celebration of film.

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Bookended by highly anticipated Irish films, the Festival will open on Thursday 18th February with the European premiere of Sing Street, attended by director John Carney and cast members Jack Reynor, Ferdia Walsh Peelo and Lucy Boynton, and closes on Sunday 28th February with director Paddy Breathnach’s stunning Viva. Stars Dublin bound this February for the days in between include Richard Gere, Rebecca Miller, Angela Lansbury, Claudia Cardinale, Neil Jordan, Ben Wheatley, Killian Scott, and  David Hare.

 Speaking at the Programme Launch, Festival Director Gráinne Humphreys said:

“This year’s Festival is a Valentine to Cinema, celebrating world and Irish film, and championing the work of both established and emerging talent. With a guest list that includes Richard Gere, Angela Lansbury, Claudia Cardinale, David Hare, Ben Wheatley, Serge Bromberg, Joachim Trier, Margarethe Von Trotta, Rebecca Miller and many, many more. It’s a programme to savour and I hope that our audiences find much to enjoy and love.”

 

Humanitarian and screen icon Richard Gere will attend the Arnotts Gala screening of Time Out of Mind, joining a host of stellar guests including legendary acting talents Claudia Cardinale, who will attend the Italian Gala with Peroni Nastro Azzurro, and Angela Lansbury, alongside acclaimed directors Rebecca Miller with her comedy Maggie’s Plan, Ben Wheatley with his JG Ballard adaptation High Rise, Joachim Trier with Louder than Bombs, and Neil Jordan for the 20th anniversary celebration of Michael Collins.

The Festival is delighted to announce a brand new Fantastic Flicks season of family films, featuring classics such as Beauty and the Beast, exciting studio animations Kung Fu Panda 3 and Zootropolis, the hilarious live action Antboy films from Denmark, Norwegian drama Brothers, and Simon Fitzmaurice’s life-affirming My Name is Emily.

ADIFF will showcase international award-winning cinema including Golden Globe winner Mustang, Cannes Grand Prix winner Son of Saul, London Film Festival Best Film winner Desierto, Berlin International Film Festival Best Feature winner Nasty Baby, and Miguel Gomes’ multi-award-winning Arabian Nights trilogy. In addition there are Irish premieres of the Coen brothers’ Hail Caesar!, Charlie Kaufman’s Anomalisa, Toronto International Film Festival opener Demolition, Jaco Van Dormael’s hilarious Brand New Testament, and the soon to be cult crime/horror Green Room.

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The strength of Irish film is evident throughout the programme: Irish premieres of Rebecca Daly’s Mammal, Declan Recks’ The Truth Commissioner, and debut features Staid, and Traders starring Killian Scott. Thought provoking Irish documentaries will investigate people and place – Johnny Gogan’s Hubert Butler: Witness to the Future, Atlantic from the makers of The Pipe, an exploration of Irish poetry Fís na Fuiseoige, the story of Irish missionary ‘deserters’ The Judas Iscariot Lunch, and Reel Art documentaries Further Beyond and We Are Moving – Memories of Miss Moriarty. The Festival continues to champion Irish filmmakers with the Discovery Award, which seeks to encourage new and emerging talent by selecting 15 filmmakers from actors to directors, producers and writers to profile and support.

The marriage of film and music runs throughout the Festival, from Miles Ahead, the documentary celebrating the legendary Miles Davis, to Agnieszka Smoczynska’s genre defying ‘musical horror’ The Lure. There are also a number of special events: Oscar winning composer Jan A. P. Kaczmarek presents a seminar on Composing for Film, while film preservationist Serge Bromberg returns to the Festival with a new live score to accompany a screening of Buster Keaton.

One of the Festival strengths is discovering exciting new films from around the world and bringing the filmmakers to Dublin to discuss their work. This year there are gems from Romania with guests director Tudor Giurgiu in Dublin with his legal thriller Why Me, and Lucile Hadžihalilovic with her beautiful Évolution, Margarethe Von Trotta’s meditation on sisterhood The Misplaced World, and Michal Rogalski to discuss his coming-of-age drama Summer Solstice.

Special events throughout the Festival include industry masterclasses, seminars on wide ranging topics from scriptwriting to adapting texts, capturing history on film to festival programming. The Festival literally goes global this year with an innovative and very special outreach programme, Dublin Here, Dublin There, that will see the Festival short film programme screened in towns and villages in the US that share the name Dublin! Audi Dublin International Film Festival will celebrate Stills photography with a fascinating exhibition by Festival photographer Pat Redmond in the beautiful setting of the Irish Georgian Society.  Pat Redmond, 25 Years is a captivating gallery of the many world-class filmmakers who have attended the Festival. There will also be a #SetLife exhibition in The Light House Cinema, illuminating images of the inner workings and special moments that happen behind the camera.

Richard Molloy, Head of Marketing at Audi Ireland, said:

“It’s fantastic to launch the Audi Dublin International Film Festival programme. The depth, variety and diverse nature of the 2016 programme demonstrate why this festival is one of the most important cultural events in Ireland. The programme encourages visitors to experience the best in film-making. We’re really excited to bring ADIFF, and the Audi brand, to a wider audience and engage with some of the world’s most talented actors and filmmakers. Both Audi and the Dublin International Film Festival share a drive for creativity and innovation, as well as an enduring passion for the art and craft of filmmaking.”

 

Audi Dublin International Film Festival Box Office

DIFF House

13 Lower Ormond Quay, Dublin 1

Opening Hours: Mon to Sat 10am–6pm, Sun (from 18th Feb) 12pm–6pm

There will be pop-up box offices in place at each venue from 30 minutes prior to each screening

Phone: 01 687 7974

Email: info@diff.ie

Website: www.diff.ie

 

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