Talking Movies

April 22, 2018

And he built a crooked house

Stephen Errity, who has occasioned a few pieces like this, prodded me to mark 10 years since the first spark of this blog in 2008.

Talking Movies proper began on Sep 1st 2009, but April 22nd 2008 saw the staking of this claim in the digital terrain; and there is an obvious topic to hang an anniversary post on. Just over a week later the first review went up – Iron Man… 10 years later, that bloated business plan known as the Marvel Cinematic Universe is about to finally pay-off (HA!! Yeah, right…) in the shape of (The) Avengers (3): Infinity of Characters War. I will not be going to it. It’s not just that I don’t care about Thanos, of many of the other characters, or the Infinity Stones that have become a deadly serious ‘Fetch’. Marvel Studios’ omnipresence have made the last 10 years seem very long indeed, and have successfully killed off my interest in their characters, comic-book movies, and comic-books themselves. “Oopsies!”

I’ve charted my obvious decline of interest in the Marvel movies below. I saw the bold in the cinema, the italics on DVD, and the others remain unwatched.

Iron Man

The Incredible Hulk

Iron Man 2

Thor

Captain America

The Avengers

 

Iron Man 3

Thor 2

Captain America 2

Guardians of the Galaxy

The Avengers 2

Ant-Man

 

Captain America 3

Doctor Strange

Guardians of the Galaxy 2

Spider-Man

Thor 3

Black Panther

The Avengers 3

Working my way through the archives in the last week I find myself complaining over time that the Marvel movies lack the outrageous fun of Mark Millar’s comic extravaganza of these same characters, The Ultimates. I vividly remember being pedantically lectured by a bore on how audiences wouldn’t accept a scene as outré as the ultimate Millar action movie fantasy beat where Black Widow jumps from building to building and calls for a gun to be dropped from a chopper above her so she can grab it in mid-air and crash into the next building spraying bullets to save Hawkeye. Clearly, audiences wouldn’t accept this. I mean 3 movies into the MCU audiences had already accepted a bank vault being towed and used as a prehensile wrecking ball in Fast & Furious 5, and would later accept an endless runway in Fast 6, a man running up a falling truck at the same speed and so remaining in situ in Fast 7, and, oh yeah, cars driving out of one skyscraper, into another skyscraper, out of that skyscraper, and into another one. But yeah, Marvel actually adapting a panel from one of their own comics, clearly, audiences would rebel. Just as they howled in outrage and ripped up the seats when X-Men: First Class put the characters in their original yellow and blue outfits rather than the fetish leather that we were told was the only choice in 2000 because audiences wouldn’t accept those silly costumes. Oh wait, they didn’t.

November 29, 2013

Digital Biscuit 2014

The Screen Directors Guild of Ireland (SDGI) officially launched Digital Biscuit 2014 at their Annual Meeting for Irish Directors in Dublin on November 21st last.

DB-small-300x245

The inaugural Digital Biscuit 2013 proved a resounding success with both the industry and the public with over 4,000 attendees over the 3 day period. Digital Biscuit 2014 places creatives at its core while also serving as a digital expo for new technologies. The 2014 event promises a varied and packed programme: amidst cutting-edge presentations and product unveilings, representatives from the creative industries will deliver talks, discussions and seminars on matters that are crucial to production today, with an aim to not only inspire but also enable and spur on productivity. Digital Biscuit takes place at the Science Gallery, Trinity College, Dublin from January 22nd to 24th 2014 with tickets now available on www.digitalbiscuit.ie. Those in attendance at the AGM of SDGI last week included Irish directors Conor Horgan, Maurice Sweeney, Paddy Breathnach, Steve Woods and Brian Kirk. Irish Film Board representatives were also present and special guest, acclaimed French director, Arnaud Desplechin – fresh from a retrospective of films at the IFI’s French Film Festival.

“The aim is to make directors and people generally aware of the most up to date digital technologies in film making and indeed TV production” says Ciaran Donnelly, Chairman of SDGI and director of The Tudors and Vikings. “The aim of Digital Biscuit is to improve the production capabilities of our most talented creators from the simplest ideas to the highest budgets”. At Digital Biscuit 2014 The Paccar Theatre in the Science Gallery will host screenings, presentations, and panel discussions. This ticket-only area will host talks from exciting global talent and creatives including: Carlos Velasco (CEO, Neurosketch), Christian Fonnesbech (Director, Cloud Chamber), Jack Reynor (Actor, What Richard Did, Delivery Man and Transformers: Age of Extinction), Nick Meaney (CEO, Epagogix), Philip Einstein Lipski (Lars Von Trier Collaborator for Nymphomaniac). The Secret of Kells director, Tom Moore, will be giving the audience an exclusive sneak peek into the making of his upcoming feature Song of The Sea.

thor-2-gets-director-alan-taylor

This year’s Honorary Guest Director is Alan Taylor, who has clocked up credits on Mad Men, and then Game of Thrones, and most recently turned to cinematic fantasy with the massive hit Thor: The Dark World. As Honorary Guest Director, Taylor will engage in an informal conversation about his work and career. Meanwhile directors, writers, photographers, producers, editors, directors of photography, students and members of the public once again will have the opportunity to immerse themselves in the bustling displays and demonstrations of new technologies in the KinoPlay Area, which is aimed at enhancing the production process and market for their creators. “We look forward to Digital Biscuit being once again a dynamic hub of national and global industry leaders, concentrated on enabling creativity by focusing on Ireland’s capabilities as a creative and technological leader in innovative film and television production” commented Birch Hamilton, Digital Biscuit’s Executive Director.

Tickets are on sale now on www.digitalbiscuit.ie. Workshop access requires registration on www.digitalbiscuit.ie with a registration fee of five euro, guaranteeing pass holders a place. The printable pass ticket pass is required on the day and will be the only way to gain entry to the workshops. Non ticket/pass holders can still enjoy the KinoPlay area and atmosphere of Digital Biscuit. All information on Digital Biscuit 2014, including information on partners, speakers, and the schedule will be available on www.digitalbiscuit.ie.

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