Talking Movies

November 6, 2016

The Seagull

Corn Exchange took over the Gaiety for a flagship show of the Dublin Theatre Festival; Anton Chekhov’s first masterpiece, The Seagull, in a new version.

seagull

The impecunious teacher Semyon (Stephen Mullan) loves the sullen housekeeper’s daughter Masha (Imogen Doel), who loves the temperamental young artist Constance (Jane McGrath), who loves the flighty girl next door Nina (Genevieve Hulme-Beaman), who loves the cynical famous writer Trigorin (Rory Keenan), who is the lover of the self-absorbed great actress Arkadina (Derbhle Crotty), who had an affair with the dashing doctor Dorn (Louis Lovett), who the downtrodden housekeeper Polina (Anna Healy) still loves after all these years by the lake. No wonder the master of this chaotic Russian household, Sorin (Stephen Brennan), feels that he has never truly lived in his 60 years because he never got married or became an artist but ground away in the government bureaucracy till he had ground himself down. But grinding people down is what life does, as Constance and Nina painfully discover…

Eto Ne Chekhov.

When a company tweaks the work of Joyce, O’Neill, and Chekhov in successive festivals, and in each instance produces a misfiring production, the fault must lie with the company.

1.5/5

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October 3, 2016

A Midsummer Night’s Dream

Director Sean Holmes returns to the Dublin after his bold version of The Plough and the Stars some months back, but this show seems to indicate he was on his very best behaviour for that…

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The implacable Duke of Athens Theseus (Harry Jardine) is distracted from his upcoming nuptials to Hippolyta (Cat Simmons) by romantic problems in his court, specifically the complaint of Egeus (Ferdy Roberts) that Lysander (John Lightbody) has wooed his daughter Hermia, despite Egeus sanctioning her betrothal to Demetrius. Hermia and Lysander run away to the forest beyond the writ of Theseus, but a jealous Helen (Clare Dunne) betrays her erstwhile friend Hermia by telling Demetrius of this deception. As the four lovers stumble thru the forest they fall foul of the machinations of quarrelling fairy royal couple, Oberon and Titania (Jardine and Simmons again). Oberon, aided by his faithful spirit Puck (Roberts again), amuses himself toying with the mortals’ affections, and humiliates his Queen into the bargain by making her fall in love with Bottom (Fergus O’Donnell), transformed into a donkey.

Well, that’s the plot of A Midsummer Night’s Dream. But Holmes and co-director Stef O’Driscoll don’t seem to have much interest in that. Instead the focus is on Ed Gaughan as Peter Quince, Fergus O’Donnell as Bottom, and Keith De Barra as Keith the gentlest drummer in Wicklow three years running – aka The Mechanicals. Who doesn’t love a high concept ditched at the first sign of trouble? Well, I don’t when a large portion of the running time is spent in setting up the conceit that O’Donnell is a Mancunian musician stepping in from the audience to keep the show going after we’ve been told guest star Brendan Gleeson is trapped in a lift and can’t play Bottom so the show can’t go on, and that concept then fades into air, thin air, after generating too much ‘meta-fiction’ hot air.

To paraphrase GK Chesterton, I will not say that what occurred at the Grand Canal Theatre the other night was a production of A Midsummer Night’s Dream, but rather a mixture of stand-up comedy, slapstick nonsense, sub-D’Unbelievables audience interaction, and musical numbers, into which iambs from A Midsummer Night’s Dream were introduced from time to time with a decent show of regularity. If, like Blackadder, you cannot find comedy in Shakespeare’s comedies, you don’t have to do them; you can do something else instead, maybe something that’s more your cup of tea, like Noises Off. I gave tgSTAN’s Cherry Orchard and Holmes’ Plough & Stars enthusiastic standing ovations, but I did not stand and clap this, because to deliver a bold and vibrant interpretation of a classic it is first necessary to engage with the actual text of the classic.

Cat Simmons was magnificently cast as Titania, someday I hope to see her perform the role in a production of A Midsummer Night’s Dream.

2.5/5

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