Berkhamsted Revisited

‘Only beggars and gypsies say that one must never return where one has been before’ – Soren Kierkegaard

Prof. Peter Evans and Dr. Fergal Casey

The annual Graham Greene Festival at Greene’s birthplace (Berkhamsted, Hertfordshire) is about to kick off, so I thought I’d cast a belated backward glance at the 2012 Festival. I travelled to Berkhamsted at the end of September to collect two prizes in the Festival’s Creative Writing awards. I won best short screenplay for Sir Joshua’s Macaw, a comedy of bad art criticism, and best prose fiction for my comedy of workplace anxiety, ‘For Whom H.R. Tolls’. I had previously won the best prose thriller category in 2011 for my story of murderous identical brothers ‘Dieu et Mon Droit’.

The festival is organised by the Graham Greene Birthplace Trust as Berkhamsted was where two different branches of the extended Greene family lived, and Graham’s father was headmaster of the venerable public school which Graham reluctantly attended; a deeply unhappy experience immortalised in the 1971 autobiography A Sort of Life. Greene mellowed towards his hometown though and returned to it imaginatively in the last decades of his life in books like The Human Factor and The Captain and the Enemy. The four-day festival includes film screenings and gala dinners, and many talks by both academic Greene scholars and film-makers involved in adaptations of his work. It has become a venue for launching new works of Greene scholarship, and having completed a PhD on the Irish influence on GK Chesterton and Hilaire Belloc in 2007 in UCD such a milieu of intense discussion of an English Catholic writer feels very familiar.

I was aware of Greene’s great liking for Chesterton’s novel The Napoleon of Notting Hill but had never studied Greene academically, remaining merely an avid reader and fan of works like The Ministry of Fear and The Third Man. I didn’t attend any lectures last year, but in 2011 I had the good fortune to hear Professor Michael Brennan’s lecture on Greene’s creative use of the Manichean heresy, in Brighton Rock and Stamboul Train among others, which was a truly stunning piece of scholarship. His patient explanation of the bizarre beliefs of the Manicheans and careful analysis of just how Greene used this good/evil, soul/body, man/woman set of dichotomies for his own (occasionally mischievous) purposes was one of the most dazzling lectures I’ve ever attended.

A major draw of the festival’s programme for me was a day-long creative writing workshop with two of the judges of the creative writing awards, novelist Rebekah Lattin-Rawstrone and screenwriter William Ivory. The creative writing awards emulate Greene’s own range and include screenwriting, travel writing, and two prose categories – for fiction and thriller; much like Greene’s inimitable distinction between his novels and his ‘entertainments’. 2012 saw Lattin-Rawstrone and Ivory focus on Greene’s screenplay for The Third Man and his short story ‘The Basement Room’ to examine the importance of story and character in their talks on how to write convincing characters, who are then sent on meaningful journeys. The importance of tactile detail in communicating emotion was hammered home, as was the equal importance that when an important event befalls a character the reader should also viscerally feel just how important it is. The workshop includes an intense practical component in the afternoon. I did the screenplay option with Made in Dagenham screenwriter Ivory, who is a true disciple of Greene in his use of philosophical and theological concepts in his gritty screenplays. He also throws his pupils in at the deep end, plotting out an original movie scenario and characters from some pictures of actors; and then asking everyone to write a sample scene after some group discussion to fine-tune the characters and plot.

Lee Langley and Fergal Casey

Away from this intensive writing in the basement theatre of Berkhamsted School (irresistibly reminiscent of UCD Dramsoc’s now lost LG1 space), in the Civic Centre I greatly enjoyed seeing on a big screen Lee Langley’s 1980s adaptation of Greene’s lost 1940s ‘scriptment’ into the complex and tense film The Tenth Man starring Anthony Hopkins and Kristin Scott Thomas; not least as Langley had presented me with my Creative Writing prize in 2011 and the exhortation to keep writing. As an added bonus director Jack Gold was on hand to discuss the film, revealing some of Anthony Hopkins’ acting mannerisms along the way. Once all the prizes had been given out, the birthday toast proposed, and the talks concluded it was time for the Gala Dinner in the luxurious surroundings of Berkhamsted’s venerable Public School, with an after-dinner talk by actor Clive Francis. I had the good fortune to be seated for it alongside Cathy Hogan, a previous winner in the writing awards, and Dermot Gilvary, previous director of the Festival.

I think everyone will find that there is one Graham Greene work that speaks to them. For me it’s The Ministry of Fear, for other people I know I could say The End of the Affair or Twenty One Short Stories. Why not find out which one speaks to you?

Welcome to Greeneland

I wrote some months ago about an impending trip to Graham Greene’s birthplace (Berkhamsted, Hertfordshire) for the Graham Greene Festival 2011, which took place at the start of October. I thought I’d cast a slightly belated eye back over proceedings.

I had won the thriller category of the creative writing awards for my short story ‘Dieu et Mon Droit’ and was lucky enough to collect my prize from festival guest speaker Lee Langley, who adapted Greene’s lost 1940s ‘scriptment’ The Tenth Man into a complex and tense film starring Anthony Hopkins and Kristin Scott Thomas in the late 1980s. Berkhamsted is only a half-hour train ride from London, and the festival is always worth the attention of any Greene fans in the Home Counties. The interesting line up of talks and screenings this year included rising film director and screenwriter Rowan Joffe introducing his Brighton Rock adaptation, and the launch by Dermot Gilvary and Darren Middleton of their edited book of critical essays Dangerous Edges of Graham Greene. I sadly missed a lot of the festival’s events but what I did catch was most impressive. Professor Joyce Stavick gave an interesting account of how American military college students responded surprisingly positively to Greene’s prescient warnings about Vietnam in The Quiet American, Lee Langley gave a very funny account of how she adapted The Tenth Man for the screen only to watch her most prized original dialogue scene that for her summed up the whole film get thrown onto the cutting room floor by the director as pointless padding, and Professor Steven Chibnall (fresh from excavations in the archives) gave an imposingly detailed examination of the two contrasting film adaptations of Brighton Rock.

I must though single out Professor Michael Brennan’s lecture on Greene’s creative use of the Manichean heresy, in Brighton Rock and Stamboul Train among others, was a truly stunning piece of scholarship. I’d have to rank this patient explanation of the bizarre beliefs of the Manicheans and careful analysis of just how Greene used this good/evil, soul/body, man/woman set of dichotomies for his own purposes as one of the very best lectures I’ve ever heard. On the basis of this talk alone I’d recommend Prof. Brennan’s new book on Greene to all Greene scholars and indeed anyone working in the wider field of English Catholic literature. Once all the prizes had been given out and the talks concluded it was time for the Bourget-Greene Gala Dinner in the luxurious surroundings of Berkhamsted’s venerable Public School. Despite my complete unfamiliarity with ‘Ed Reardon’ I greatly enjoyed the BBC Radio 4 comedy character’s short after dinner talk spuriously linking himself to Greene throughout his own fictional life. I also greatly enjoyed talking with a number of other Greene fans including Cathy Hogan, a fellow Irish winner in the writing awards. Andrew Bourget, Greene’s eldest grandson and the new and very gracious patron of the Festival, has launched a website intended as the primary resource on the web for all things Greene related – http://www.greeneland.com. I think it’s a great idea, using a signature concept, and one that deserves all the support that Greene fans can muster.

I think everyone will find that there is one Graham Greene work that speaks to them. For me it’s The Ministry of Fear, for other people I know I could say The End of the Affair or Twenty One Short Stories. Why not find out which one speaks to you?