Talking Movies

August 22, 2016

Graham Greene Festival 2016

The Graham Greene Festival returns after a sojourn last year for another hectic long weekend of events in Berkhamsted organised by festival director Mike Hill.

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Hill says of this year’s event “In The Third Man, Graham Greene lampooned earnest literary gatherings by sending a writer of cheap novelettes to answer questions on James Joyce and the stream of consciousness. He might forgive us for organising a literary festival in his honour, an event now in its eighteenth year. People from all over the world will again descend on Berkhamsted to celebrate his life and works – many of them seasoned Greene Festival-goers, some first-time visitors. All are welcome, and all assured of a varied and interesting programme. There may be some earnestness, but there will certainly be friendliness and laughter. I hope you will come along.”

The festival is organised by the Graham Greene Birthplace Trust as Berkhamsted was where Graham’s father was headmaster of the venerable public school which Graham reluctantly attended; a deeply unhappy experience immortalised in the 1971 autobiography A Sort of Life. Greene mellowed towards his hometown though, returning to it imaginatively in late novels The Human Factor and The Captain and the Enemy. The four-day festival is only a half-hour train ride from London Euston, and is well worth the attention of all Greene fans in the Home Counties and beyond. As well as film screenings, gala dinners, and talks by both Greene scholars and film-makers involved in adaptations of his works, the festival has become a venue for launching new works of academic Greene scholarship.

This year’s highlights include the coup of a talk by Labour Big Beast, political biographer, and proud Yorkshireman Roy Hattersley on the recusancy of Shakespeare and the 20th Century revival of an English Catholic literary tradition. There is also an interview with Greene’s daughter and nephew, and a rare chance to see a 1961 version of The Power and the Glory starring Laurence Olivier and George C Scott, as well as two episodes from the 1970s Thames TV series Shades of Greene. The 2014 Festival innovation of a Greene book club is retained and expanded to include eight different titles (including my personal favourite The Ministry of Fear). Festival venues will feature exhibitions including ‘Greene in Theatreland’, and alongside the Festival bookstall’s recherché joys will be Richard Frost’s bookstall, with a large selection of books by and relating to Greene.

 

 

Thursday 22 September

Court House, The Gatsby, The Rex Cinema

Afternoon session (Cost: £5)

Court House, beside St Peter’s Church

2.15 ‘Graham Greene’s Common’: a guided walk (under three miles; includes WW1 trenches) led by Brian Shepherd, with readings from A Sort of Life and The Human Factor by Judy Mead and Richard Shepherd.

Assemble outside the Court House for introduction. Cars/lifts and stout walking shoes required for the start of the walk at Inns of Court War Memorial, New Road car park. If wet, illustrated talk with readings in the Court House.

 

Evening session

The Gatsby

5.30 Social gathering and buffet supper at The Gatsby. -7.15 Two courses and a glass of wine; vegan/vegetarian option. (Limited to 73 tickets. Book by Thursday 15 September at the latest.) Cost: £16

 

Film Night at The Rex Cinema

7.30 The Power and the Glory (CBS Television, 1961 – 90 -9.30 minutes) Director: Marc Daniels. With Laurence

Olivier, George C. Scott, Julie Harris, Cyril Cusack, Roddy McDowall.

Introduced by Professor Neil Sinyard. Cost: £9

 

Tickets are available for purchase online at www.grahamgreenebt.org, or by telephone: 07988 560496

 

Friday 23 September

The Town Hall, The Civic Centre

Morning session (Cost: £15)

The Town Hall

9.45 Journey With Maps: the beginning of Greene’s Quixotic holidays: a talk by Professor Carlos Villar Flor on Greene and Father Leopoldo Duran.

10.45 Break for tea and coffee

11.15 Travels with Auntie: the BBC’s James Naughtie interviews Nick Warburton about his writing career and his radio adaptations this year of The Honorary Consul and The Power and the Glory.

 

Break for lunch

 

Afternoon session (Cost: £15)

The Town Hall

2.30 The Catholic Muse: a talk by Lord (Roy) Hattersley.

Why, until the end of the nineteenth century were there so few distinguished Catholic writers and why were so many of the Catholic poets and novelists of the twentieth century converts? Roy Hattersley – carefully distinguishing between Catholic writers and writers who were Catholics – offers answers to those questions and tries to resolve the age old conundrum, was William Shakespeare, in the language of his age, a Papist?

3.30 Break for tea and coffee

4.15 Graham Greene Book Club: eight discussion groups, each focusing on a different Greene novel: The Man Within, England Made Me, The Power and the Glory, The Ministry of Fear, The End of the Affair, Our Man in Havana, The Human FactorThe Captain and the Enemy.

 

Evening session (Cost: £10)

The Civic Centre

7.45 Film night: two episodes from Shades of Greene -9.45 (Thames TV, 1975-6): Two Gentle People (50 mins), with Harry Andrews and Elaine Stritch, and Dream of a Strange Land (40 mins), with Ian Hendry. Introduced by: Dr David Rolinson of

Stirling University.

 

Saturday 24 September

Deans’ Hall and Old Hall, Berkhamsted School

(Castle Street)

Morning session (Cost: £16)

Deans’ Hall

9.30 Current Greene Research: presented by a University of North Georgia panel of students and faculty.

10.30 Break for tea and coffee

11.00 Graham Greene remembered: Vincent McDonnell, author of The Broken Commandment, interviewed by Mike Hill.

12.00 Launch of Graham Greene Studies by Professor -12.15 Joyce Stavick.

 

Break for lunch

 

Mid-afternoon session (Cost: £16)

Deans’ Hall

2.15 Greene and Jews: a talk by Professor Cedric Watts on the paradoxical treatment of Jews in a number of Greene’s nonfictional and fictional works, including The Name of Action, Stamboul Train and Brighton Rock.

3.15 Break for tea and coffee

3.45 Regarding Graham: Caroline Bourget, Greene’s daughter, and Nick Dennys, Greene’s nephew, interviewed by Dr Jon Wise.

 

Late afternoon session (Cost: £12)

Deans’ Hall

5.00 The Birthday Toast: by David Pearce.

5.15 ‘I’ve always wanted to be in a publisher’s office’ (Graham Greene, 1933): a talk by Professor Judith Adamson on Greene the publisher.

 

Evening session (Cost: £35)

Old Hall

7.45 Festival Dinner: three courses with wine and coffee; vegan/vegetarian alternative. (Limited to 60 tickets. Book by Thursday 15 September at the latest.)

 

Sunday 25 September

Careers Library and Old Hall, Berkhamsted School

(Castle Street)

Morning session (Cost: £15)

Careers Library (next to Old Hall)

10.00 ‘Something to catch hold of in the general flux’: Greene’s presentation of religious ideas and longings in his first three novels – The Man Within, The Name of Action and Rumour at Nightfall: a talk by Dr Alice Reeve-Tucker.

11.00 Break for tea and coffee

11.30 Taking liberties: two controversial film adaptations of, and by, Graham Greene: a talk by Professor Neil Sinyard.

 

Lunch (Cost: £24)

Old Hall

1.00 Farewell Lunch: cold buffet, wine and coffee; vegan/vegetarian option. (Limited to 60 tickets. Book by Thursday 15 September at the latest.)

 

 

Tickets

Tickets are available for purchase at http://www.grahamgreenebt.org, or by phone: 07988 560496. A Season Ticket to all events, excluding the film at The Rex and meals, is available for £95. There is free admission to Festival events (excluding the film at The Rex and meals) for under 21s and holders of the Dacorum Card.

Enquiries: grahamgreeneboxoffice@gmail.com

 

Friends

Become a Friend of the Graham Greene Birthplace Trust at http://www.grahamgreenebt.org and receive a quarterly newsletter, a Festival discount of £1 per event (for up to five events), or a Season Ticket to all events, excluding the film at Thee Rex and meals, for £95.

 

Graham Greene Birthplace Trust

On the website (www.grahamgreenebt.org) there are further details of the talks, interviews and speakers, online ticketing service, and information on any changes that may arise. Tickets will be on sale at the door for all events other than the meals and the Rex film, but it would be preferable to book in advance online from the website. Season tickets are available for those who plan to attend all the talks.

September 25, 2014

Graham Greene Festival 2014

It’s the end of September again, so it’s time to head to Berkhamsted for the annual Graham Greene Festival. Highlights include a screening of The Quiet American, Stephen Woolley and Quentin Falk discussing Greene’s cinema, and the launch of Creina Mansfield’s book The Quiet Soldier; a Wide Sargasso Sea to the Jane Eyre of Greene’s The Quiet American.

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Thursday 25 September

Evening Session

The Town Hall

A visual exhibition of Greene’s Berkhamsted, by Jenny Sherwood and Bill Willett (displayed throughout the Festival)

5:15 Film supper in the Great Hall, preceded by drinks

5:15 Festival gathering: at pay bar in the Town Hall

This is a very happy social occasion when old friends meet, and new ones are introduced to our Festival good cheer. It is a chance to meet up with some of those at the centre of the Greene world. All are most welcome.

6:00 Supper (waitress-served, with wine): beef bourguignon with new potatoes and green beans; crème brulee; coffee and mints. Gluten-free vegan option: Mediterranean vegetable stack served with a tomato and basil sauce, followed by fruit salad.

Book by Thursday 18th September at the latest.

7:15 for 7:30 Film: Loser Takes All, 1956
Directed by Ken Annakin, and starring Glynis Johns, Rossano Brazzi and Robert Morley. Introduced by Mike Hill.

Supper and film: £28

Film only: £10
Friday 26 September

All the day’s events are in the Town Hall, Berkhamsted

Morning Session

9.45 Book launch: Creina Mansfield’s The Quiet Soldier, launched by Prof. Joyce Stavick

10:15 Graham Greene and Film Noir, by Prof. Brian McDonnell

Break for tea and coffee

11:30 Graham Greene in Mexico: A Hint of an Explanation, by Rubén Moheno

Morning session: £14

Break for lunch. Please make your own arrangements

Afternoon Session

2.15 Merriment or Make-Believe? Reflections on the Congo Journal, Missionaries, and a Home Video Showing Graham Greene in the Belgian Congo, by Prof. Michael Meeuwis

3:15 Journeys to the Border: W.H. Auden, Christopher Isherwood, and Graham Greene, by Prof. Andrew Biswell

Break for tea and coffee

4:30 Divided Selves: Graham Greene and Psychoanalysis in Interwar Britain, by Dr Tracey Loughran

5:30 Creative Writing Awards. Presented by Prof. Richard Greene

Afternoon session: £14

 Evening Session at The Civic Centre

7:30 Film: The Quiet American, 2002. Directed by Phillip Noyce, and starring Michael Caine, Brendan Fraser and Do Thi Hai Yen. Introduced by Quentin Falk.

Evening film: £10

 

Saturday 27 September

Dean’s Hall, Berkhamsted School

An exhibition of Greene’s Berkhamsted will be on show

Morning Session

10:00 The Unseen Greene: Researching Graham Greene in the UK and USA – A Work in Progress by Dr Jonathan Wise

Break for tea and coffee

11:30 Book Launch: Travels in Greeneland: The Cinema of Graham Greene (revised and updated 4th edition) by Quentin Falk, in conversation with prolific British filmmaker Stephen Woolley, producer of The End of the Affair (1999).

12:30 Sandwich lunch in the Kings Arms Hotel with optional book club
Selected books Monsignor Quixote, A Burnt-Out Case, Stamboul Train. Those who wish to join the book club conversation may read one or all books. Lunch by courtesy of the Management of the Kings Arms Hotel.

Morning session: £16

Mid Afternoon Session

2:30 Spying on Writers: Graham Greene’s Interviews, by Dr Rebecca Roach

Break for tea and coffee

3:45 The Company of Others: On Graham Greene and Endo Shusaku, by Prof. Darren Middleton

Mid afternoon session: £16

Late Afternoon Session

4:45 The Birthday Toast to Graham Greene, by Prof. Judith Adamson

5:00 Reflections, by Prof. Judith Adamson

Toast and Judith Adamson Talk: £12

7.30 DinnerDinner: Old Hall, The School

Four courses with wine: seared salmon on a bed of leaves; roast rump of lamb with a redcurrant and mint coulis OR sweet potato, red pepper and asparagus risotto (vegan and gluten-free); garlic and rosemary roast potatoes, seasonal vegetables; chocolate and vanilla cheese cake and Baileys Cream; cheese board; coffee and mints.
Book by Thursday 18th September at the latest.

Dinner: £35

 

Sunday 28 September

Morning Session

VIth Form Centre, Berkhamsted School, Castle Street – upstairs from Old Hall

10:15 The Invisible Japanese Gentlemen: Graham Greene’s Literary Influence in Japan, by Dr Motonori Sato

Break for tea and coffee

11:30 ‘The worst potboiler I ever perpetrated’ (Graham Greene), The Confidential Agent: the novel and the film considered, by Mike Hill

Morning session: £16

1.00 The Farewell Lunch Old Hall

Buffet with wine. A selection of cold cuts of gammon ham, beef, poached salmon, vegetable quiche (vegan), prawns, mixed leaves, tomato, red onion and basil, coleslaw, new potatoes, crusty bread, dressings, fresh fruit salad, cream, coffee and mints.

Book by Thursday 18th September at the latest.

Farewell lunch: £24

September 24, 2013

Berkhamsted Revisited

‘Only beggars and gypsies say that one must never return where one has been before’ – Soren Kierkegaard

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Prof. Peter Evans and Dr. Fergal Casey

The annual Graham Greene Festival at Greene’s birthplace (Berkhamsted, Hertfordshire) is about to kick off, so I thought I’d cast a belated backward glance at the 2012 Festival. I travelled to Berkhamsted at the end of September to collect two prizes in the Festival’s Creative Writing awards. I won best short screenplay for Sir Joshua’s Macaw, a comedy of bad art criticism, and best prose fiction for my comedy of workplace anxiety, ‘For Whom H.R. Tolls’. I had previously won the best prose thriller category in 2011 for my story of murderous identical brothers ‘Dieu et Mon Droit’.

The festival is organised by the Graham Greene Birthplace Trust as Berkhamsted was where two different branches of the extended Greene family lived, and Graham’s father was headmaster of the venerable public school which Graham reluctantly attended; a deeply unhappy experience immortalised in the 1971 autobiography A Sort of Life. Greene mellowed towards his hometown though and returned to it imaginatively in the last decades of his life in books like The Human Factor and The Captain and the Enemy. The four-day festival includes film screenings and gala dinners, and many talks by both academic Greene scholars and film-makers involved in adaptations of his work. It has become a venue for launching new works of Greene scholarship, and having completed a PhD on the Irish influence on GK Chesterton and Hilaire Belloc in 2007 in UCD such a milieu of intense discussion of an English Catholic writer feels very familiar.

I was aware of Greene’s great liking for Chesterton’s novel The Napoleon of Notting Hill but had never studied Greene academically, remaining merely an avid reader and fan of works like The Ministry of Fear and The Third Man. I didn’t attend any lectures last year, but in 2011 I had the good fortune to hear Professor Michael Brennan’s lecture on Greene’s creative use of the Manichean heresy, in Brighton Rock and Stamboul Train among others, which was a truly stunning piece of scholarship. His patient explanation of the bizarre beliefs of the Manicheans and careful analysis of just how Greene used this good/evil, soul/body, man/woman set of dichotomies for his own (occasionally mischievous) purposes was one of the most dazzling lectures I’ve ever attended.

A major draw of the festival’s programme for me was a day-long creative writing workshop with two of the judges of the creative writing awards, novelist Rebekah Lattin-Rawstrone and screenwriter William Ivory. The creative writing awards emulate Greene’s own range and include screenwriting, travel writing, and two prose categories – for fiction and thriller; much like Greene’s inimitable distinction between his novels and his ‘entertainments’. 2012 saw Lattin-Rawstrone and Ivory focus on Greene’s screenplay for The Third Man and his short story ‘The Basement Room’ to examine the importance of story and character in their talks on how to write convincing characters, who are then sent on meaningful journeys. The importance of tactile detail in communicating emotion was hammered home, as was the equal importance that when an important event befalls a character the reader should also viscerally feel just how important it is. The workshop includes an intense practical component in the afternoon. I did the screenplay option with Made in Dagenham screenwriter Ivory, who is a true disciple of Greene in his use of philosophical and theological concepts in his gritty screenplays. He also throws his pupils in at the deep end, plotting out an original movie scenario and characters from some pictures of actors; and then asking everyone to write a sample scene after some group discussion to fine-tune the characters and plot.

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Lee Langley and Fergal Casey

Away from this intensive writing in the basement theatre of Berkhamsted School (irresistibly reminiscent of UCD Dramsoc’s now lost LG1 space), in the Civic Centre I greatly enjoyed seeing on a big screen Lee Langley’s 1980s adaptation of Greene’s lost 1940s ‘scriptment’ into the complex and tense film The Tenth Man starring Anthony Hopkins and Kristin Scott Thomas; not least as Langley had presented me with my Creative Writing prize in 2011 and the exhortation to keep writing. As an added bonus director Jack Gold was on hand to discuss the film, revealing some of Anthony Hopkins’ acting mannerisms along the way. Once all the prizes had been given out, the birthday toast proposed, and the talks concluded it was time for the Gala Dinner in the luxurious surroundings of Berkhamsted’s venerable Public School, with an after-dinner talk by actor Clive Francis. I had the good fortune to be seated for it alongside Cathy Hogan, a previous winner in the writing awards, and Dermot Gilvary, previous director of the Festival.

I think everyone will find that there is one Graham Greene work that speaks to them. For me it’s The Ministry of Fear, for other people I know I could say The End of the Affair or Twenty One Short Stories. Why not find out which one speaks to you?

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