Talking Movies

November 11, 2020

Any Other Business: Part LXIII

As the title suggests, so forth.

The Manchurian Candidate and the GOP

I was reading Richard Condon’s 1959 novel The Manchurian Candidate in the last few days and was extremely disconcerted to find what seemed to be the language of the present moment.

I will be representing the Senate, you might say – and I will be there to remind the forgetful rulers of Europe and England that the United States was established not as a democracy but as a Federal Union and Republic that is controlled by the United States Senate, at this moment in our history, through a state-equality composition designed to maintain this establishment and that it exists, in the present moment of our history, to protect minorities from the precipitate and emotional tyranny of majorities.

There is no list…

Spotify these 60 songs for a 90s mood

John Williams – JFK theme // Smashing Pumpkins – Tonight Tonight // Garbage – I’m Only Happy When it Rains // Natalie Imbruglia – Torn // Sixpence None the Richer – Kiss Me // Nirvana – Heart-Shaped Box // Blur – To the End // Thomas Newman – Dead Already // Red Hot Chili Peppers – I Could Have Lied // Garbage – Stupid Girl // REM – Radio Song // U2 – Hold Me, Thrill Me, Kiss Me, Kill Me // John Williams – Jurassic Park theme // Smashing Pumpkins – Porcelina of the Vast Oceans // Massive Attack – Angel // Madonna – Bedtime Story // U2 – Numb // Radiohead – Let Down // Portishead – All Mine // Smashing Pumpkins – Today // Guns’n’Roses – You Could Be Mine // Madonna – Ray of Light // Garbage – I Think I’m Paranoid // U2 – The Fly // Massive Attack – Risingson // Red Hot Chili Peppers –Under the Bridge // Angelo Badalamenti – Twin Peaks theme // Pixies – Motorway to Roswell // Bjork – Isobel // Madonna – Vogue // Beastie Boys – Sure Shot // Metallica – Enter Sandman // White Town – Your Woman // Gala – Freed from Desire // Underworld – Born Slippy // Republica – Ready to Go // Pixies – Alec Eiffel // Alan Silvestri – Point of No Return // The Chemical Brothers – Hey Boy, Hey Girl // Massive Attack –Safe from Harm // Blur – Trimm Trab // Nirvana – Lithium // REM – Losing My Religion // Blur – The Universal // Green Day – Time of Your Life (Good Riddance) // Blur – Parklife // Portishead – Glory Box // Radiohead – Just // Pixies – Velouria // Beastie Boys – Intergalactic // Kula Shaker – Tattva // Portishead – Strangers // Happy Mondays – Step On // Red Hot Chili Peppers – Give it Away // REM – Man on the Moon // Nirvana – Smells Like Teen Spirit // John Williams – Duel of the Fates // Beastie Boys – Sabotage // Radiohead – Creep // Pulp – Common People

June 8, 2018

At least we still have… : Part II

The second entry in an occasional series in which I try to cheer myself up by remembering what still exists in the world and cannot ever be taken capriciously away.

Why, there’s Dom and Nic’s trippy video for the Chemical Brothers’ ‘Setting Sun’, prominently featuring the vocals of Noel Gallagher. The autumn of 1996 in a bottle. I still don’t really do dance music, but this was the first single I ever bought (and on tape!). It had the power to move me to cross the dug-in trenches of genre. It seems odd I never knew they were directing so many key videos; ‘Hey Boy, Hey Girl’, ‘Ava Adore’, ‘I’m Afraid of Americans’, ‘Block Rockin’ Beats’, ‘D’You Know What I Mean’; but it seems odd now that MTV played them!

And then there’s the immortal Snoopy Dance. Some weeks ago a younger co-worker did an end of shift dance which I thought was like the Snoopy Dance. She was highly offended by this, which was puzzling. When she did it again later I used her term, the end of shift dance, only for her to call it the ‘Stupid Dance’. Ah! Sorting out this mishearing involved grabbing a co-worker closer to my age who knew what the Snoopy Dance was and instantly pulled up on his big-screen laptop the above clip to showcase the glory of Charles Schulz’ creation. On seeing it there was a pause, and then an admission that that was kind of like her dance alright… On reflection the end of shift dance is probably closer to Jenny Lindberg’s dance in Warpaint’s ‘Disco//Very’ but that’s another post.

July 11, 2010

Ride the Lo-Fi Country

My beloved 1993 CD player died yesterday, forcing me to turn to its sister tape player for the first time in years, and muse over living lo-fi in a hi-tech world…

Not only is my beloved 2004 Auf der Maur album stuck in the CD player with no means of escape, I can’t listen to her new CD (which I just bought) on the thunderous speakers which echo around the room, instead I have to settle for throwing it into the laptop and listening to the tiny volume that it delivers in comparison. Small wonder that I’ve instantly turned to my long-neglected tape collection to still use the speakers and their great potential for noise. As a result I’ve spent the last two days listening to the Stone Roses, Bryan Ferry, The Beatles, and the Chemical Brothers. And that was just picking the tapes that were at the top of the pile. I know that somewhere in the dusty stash is The Goon Show not to mention the Pixies, Lightning Seeds, Bowie, Ash and The Doors.  And then there’s all the tapes I’ve forgotten I even made, which is going to be a treasure-trove of 1992-2004 time capsules for me to dig through.

But this has happened when I’ve just seen Tom Stoppard’s dazzlingly clever and utterly hilarious Arcadia which is nonetheless a simple enough play to stage, and as I’m ploughing my way through Jonathan Franzen’s epic family drama as state of nation saga The Corrections which is modern in style and content but very old in its ambitions, and as thoughts, possibly blog-worthy, possibly not, about each mull around in my mind. These pieces of work are very old-fashioned, lo-fi, if you will, but still impressive, just as the music I’m blaring from my tapes is fantastic, regardless of the ancient method of its delivery. It’s brought home to me just how at ease I still am at living a lo-fi life in a hi-tech world, how what’s dismissed as ‘obsolete’ is really often just ‘different’, and how the obsession with instant gratification can blind us to the qualities of older forms and the greater rewards provided by work that demands more active engagement. After all, filling out an 8-track led to Parklife

I write a weekly blog but posting it can be the only time I venture on-line each week, as I write on a lap-top with no internet connection, about films which, for the most part, I have seen once in the cinema and then analyse from memory. This to me is normal, but I can imagine other people being crippled without access to IMDb or YouTube, just as I can imagine few people would be able to understand that I improvised dictation of nearly a year’s worth of articles down the phone to my co-writer for the University Observer, and wrote nearly half of my PhD thesis long-hand and had it supervised in that way.

I still am lo-fi, it’s just the world that upgraded.

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