Talking Movies

May 12, 2018

Conspiracy Cinema at the IFI: Part II

The IFI presented a season of post-Watergate conspiracy cinema in June 2011, and now it’s having another conspiracy cinema season with a more European flavour. It’s rather appropriate that this German-flavoured season comes just as the GDPR comes into effect, as the GDR experience of surveillance and paranoia (that isn’t actually paranoia because they really are watching you) informs both the regulation and the season. These films reflect a time of political violence internationally by guerrilla groups and government militias, a feeling that anyone could be assassinated at any time, and the continual intrusion into private lives of shadowy forces.

 

Z

Saturday 12th May 2018
16.00

Costa-Gavras’ third feature made his international reputation, winning the Oscar for Best Foreign Film in 1970; and more importantly making it onto Barry Norman’s 100 Best Films of the Century. It was inspired by the killing of Greek politician Grigoris Lambrakis in 1963 and was a defiant artistic gesture against the Generals in Athens. “Any similarity to actual events or persons living or dead is not coincidental. It is intentional” it proclaims in its credits.

127 MINS, FRANCE, 1969, DIGITAL, SUBTITLED

THE DAY OF THE JACKAL

Sunday 13th May 2018
16.00

A right-wing paramilitary group plots to kill French President General De Gaulle in response to his belated granting of Algerian independence. There is only one man for the job, Edward Fox as the professional assassin known as The Jackal. Learning of the conspiracy, police inspector Lebel (Michael Lonsdale before Moonraker) is given emergency powers to conduct his investigation and a game of cat and mouse ensues, with Cyril Cusack playing a memorable part. High Noon director Fred Zinnemann’s amps up the tension in this suspenseful adaptation of Frederick Forsyth’s 1971 novel, which was itself inspired by an actual 1962 attempt on De Gaulle’s life.

143 MINS, UK-FRANCE, 1973, DIGITAL

THE FLIGHT

Wednesday 16th May 2018
18.15

Dr Schmidt (Armin Mueller-Stahl) has had it. He’s had with the GDR, he’s had it with the Stasis, he’s had it with the bureaucracy that pretends to be running a functioning Communist state by its own lights but sets the price of grain based on the market prices reported from Kansas. So he seeks the help of an underground faction to escape to the west. Incredibly Roland Gräf’s film was actually made in East Germany,  bankrolled by the state-owned DEFA studios. Winner of the Grand Prix at the 1978 Karlovy Vary Film Festival, it was the last film Mueller-Stahl made before, in a touch of life imitating art, he bolted from East Germany to West Germany in 1980.

94 MINS, EAST GERMANY, 1977, DIGITAL, SUBTITLED

INVESTIGATION OF A CITIZEN ABOVE SUSPICION

Saturday 19th May 2018
16.00

Director Elio Petri surfed the same zeitgeist as Dario Fo’s play Accidental Death of an Anarchist with this stylish black comedy of endemic police corruption in Italy. Gian Maria Volontè plays a respected police inspector who murders his mistress and then, oh joy, handles the investigation of the murder himself. Like a more satirical riff on Fritz Lang’s The Woman in the Window he begins to drop ever-more obvious clues that he dun it, but nobody wants to know… This won the 1917 Best Foreign Film Oscar, but more importantly it boasts a terrific Ennio Morricone score.

115 MINS, ITALY, 1970, DIGITAL, SUBTITLED

THE PARALLAX VIEW

Sunday 20th May 2018
16.00

Alan J Pakula’s 1974 thriller sees Warren Beatty’s journalist investigating the possibility that powerful corporation the Parallax Organisation was behind a political assassination allegedly carried out by a conveniently dead lone gunman, and then murdered all the witnesses to the truth. Production was affected by a writer’s strike, and it shows, but there is a notable use of sound, as well as a scene where Gordon Willis allegedly cast a huge shadow over Beatty’s hammy breakdown to stop him embarrassing himself. The dazzling and famous highlight comes when Beatty is subjected to a test to see whether he fits the criteria for maladjusted misfit that Parallax likes to use for its lone gunmen. You know, people like say Lee Harvey Oswald, or James Earl Ray…

102 MINS, USA, 1974, 35MM

STATE OF SIEGE

Wednesday 23rd May 2018
18.30

Costa-Gavras again, this time his follow up to Z in 1972 in which he drew attention to US meddling in the internal politics of their near neighbours. Yves Montand is Philip Michael Santore, a CIA agent advising an unnamed Latin American government on the best method of dealing with terrorists. Enhanced interrogation the euphemism is now. Kidnapped by the very leftist guerrillas he’s been training the state to subdue he gets a taste of his own medicine, as he’s used as collateral in a prisoner swap. Media hysteria ensues, and Costa-Gavras critiques the brutality of Kissinger’s realpolitik, propping up right-wing dictatorships to prevent the emergence of left-wing dictatorships.

120 MINS, FRANCE-ITALY, 1972, DIGITAL, SUBTITLED

THE LOST HONOUR OF KATHERINA BLUM

Saturday 26th May 2018
16.00

Released just a year after Willy Brandt was forced to resign as Chancellor, following the explosive revelation that one of his closest advisers was a Stasi agent; undercover for 20 years!; this spoke to West German fears of being completely destroyed by unwitting association. Angela Winkler is Katherina Blum, a maid who sleeps with an attractive man. And also a suspected terrorist, and so she finds herself accused in private and public of being a terrorist too. Not based on BILD, for legal reasons, this was an indictment of media rush to judgement, aided and abetted by out of control forces of law and order.

106 MINS, WEST GERMANY, 1975, BLU-RAY

THREE DAYS OF THE CONDOR

Sunday 27th May 2018
16.00

Sydney Pollack shamelessly muscled in on Alan J Pakula territory with this post-Watergate slice of paranoia. Robert Redford is an unimportant CIA researcher Joe Turner who goes to lunch one day and is thankful that he did and had a long lunch because when he finally returns he finds everybody else in the office got shot. Kidnap a cute hostage (Faye Dunaway), fend off a European assassin (Max Von Sydow), unravel international global conspiracy that he’d accidentally stumbled on? All in a day’s work for a CIA desk jockey. Okay, maybe more than just a day, but still not bad for one unused to the field.

117 MINS, USA, 1975, BLU-RAY

KNIFE IN THE HEAD

Wednesday 30th May 2018
18.30

Angela Winkler again, this time playing the estranged wife of Bruno Ganz; who is Hoffman, another victim of wilful state character assassination. Hoffman is looking for his estranged wife when he gets caught in the suppression of a left-wing rally. He wakes up in hospital, partially paralysed and with severe memory loss. The police accuse him of killing one of their number, the left-wingers hail him as a victim of police brutality, he hasn’t a clue what happened. His attempts to figure out the truth lead to clashes with the authorities, and a grand metaphor for a country haunted by its violent past.

108 MINS, WEST GERMANY, 1978, 35MM

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October 30, 2013

Suggesting Several Screen Siblings

I’ve noticed a few actors who I think would make damn good pairings as siblings, so here’re some suggestions for their team-ups and the movies.

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Tom Hiddleston & Rooney Mara

Who can stand against the combined powers of Loki and Lisbeth Salander? Not many… The Avengers star Tom Hiddleston and Girl with the Dragon Tattoo’s Rooney Mara are con artist siblings specialising in long-cons. They’re within months of pulling off the single greatest job of their career, shaking down a despotic Arabic dictator for a massive investment in a ‘revolutionary fuel research firm’, when Hiddleston falls head over heels in love with the despot’s new American liaison. Mara, however, truly despises Hiddleston’s charming new girlfriend and sets out to sabotage the romance in any way she can. Can Mara succeed in dynamiting her brother’s happiness while keeping him in the dark that she’s doing it? Can Hiddleston keep his focus long enough for the completion of the con? And is the liaison’s arrival as a massive distraction just a bit too perfectly timed to be coincidental? All will be revealed in this sophisticated Hitchcockian comedy-thriller.

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Kristen Wiig & Sarah Paulson

Studio 60 and American Horror Story star Sarah Paulson is a successful but cold marketing executive. Her fabulously wealthy grand-aunt always liked Paulson’s warm-hearted slacker sister better. The slacker sister is, of course, Bridesmaids’ Kristen Wiig. The great-aunt dies, leaving behind a video message for the reading of her bizarre will. Paulson and Wiig will both inherit 700 million dollars in twenty-four months, but … Paulson will only receive her share of the inheritance if she can successfully launch her sister into an independently sustainable career of Wiig’s choice (i.e. not marketing with Paulson’s firm) within twelve months. If Paulson can’t pull it off, her share goes to Wiig; making a whopping 1.4 billion dollars for Wiig and a round 0 for Paulson. Paulson can’t tell Wiig why she’s helping her, and will be trailed by a hunky male P.I. to ensure she doesn’t. It’s an all-female Brewster’s Millions meets My Fair Lady, hilarity ensues.

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Pete Townshend

Werner Herzog & Pete Townshend

Jack Reacher villain Werner Herzog buried his brother in East Germany in 1964. So it’s a shock when his daughter, trawling thru declassified archives, discovers that an empty coffin was buried. Herzog’s brother, Tommy performer Pete Townshend, was actually recruited by the Stasi, who faked his death, and, after extensive training, sent him to England as a sleeper agent. He’s been there ever since, stranded by the fall of the wall… The recently widowed Herzog travels to London with his daughter to meet Townshend’s retired but still consulting Foreign Office official. Townshend is afraid of being rumbled at the very end of his career; even as a spy without a spymaster. Gradually, however, the ice thaws as the widowed Townshend unlearns the English accented German he had perfected and prepares to tell his daughter his true identity. But has she already guessed the truth from witnessing the strange transference of identity between Townshend and Herzog?

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