Talking Movies

October 2, 2015

9 Days of 90s Horror

Hallowe’en comes to the Lighthouse with 9 days of 90s horror films from 23rd to 31st October culminating in a Scream-themed party before a screening of the late Wes Craven’s third reinvention of horror cinema.

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While the IFI’s Horrorthon unleashes a slew of new genre entries, the Lighthouse will hark back to the 1990s; the origin of the ‘ironic slasher’ sub-genre which was murdered by torture porn, and found-footage, which, like many a horror bogeyman, just won’t die. In association with the Bram Stoker Festival the 90s Vampire strand brings Francis Ford Coppola’s 1992 adaptation of Stoker’s text back to the big screen, placing it beside other 90s vampire movies Blade, From Dusk Till Dawn, and the original iteration of Buffy the Vampire Slayer. The most important film being screened, however, is Scream. Wes Craven redirected the current of horror cinema three times: Last House on the Left, A Nightmare on Elm Street, and Scream. Teamed with razor-sharp screenwriter Kevin Williamson he delivered a totemic movie well worthy of a Scream-themed Hallowe’en night costume party.

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FROM DUSK ‘TILL DAWN

Friday 23rd October 10:30pm

Quentin Tarantino and Robert Rodriguez’s first blood-soaked collaboration is presented in a digital restoration; that won’t make QT happy… A grimy, violent B-movie about a seedy Mexican bar that happens to be crawling with vampires this had its origins in VFX guys wanting a showcase script for their handiwork. So, after some quintessentially Tarantinoesque build-up, with fugitives George Clooney and Tarantino trading taunts and riffs with their hostages Harvey Keitel and Juliette Lewis, Rodriguez’s aesthetic takes over: Salma Hayek and energetic mayhem.

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BLADE I & II – (Double Bill)

Saturday 24th October 9:00pm

Never let a high concept get in the way of a good double bill! Guillermo Del Toro’s 2002 sequel sees humans and vampires form an uneasy alliance to defeat the mutated vampires known as ‘Reapers’, who threaten to infect and/or eat everyone. But first we have to see Wesley Snipes’ vampire superhero take down Stephen Dorff, with some help from Kris Kristofferson, in the 1998 debut of the ‘Daywalker’. All together now: “Some motherf****** are always trying to ice-skate uphill.”

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BUFFY THE VAMPIRE SLAYER

Sunday 25th October 10:30pm

Nothing bad is ever Joss Whedon’s fault. That trope began here. His script for this 1992 teen comedy was apparently neutered in production, leading Whedon to dream it all up again for TV; where, even as show-runner, season 4 was also somehow not his fault. Buffy’s cinematic origin story isn’t a patch on the TV development, and, while Donald Sutherland’s Watcher and Rutger Hauer’s Master Vampire add class to proceedings, this is more interesting as a time capsule (Look! It’s Luke Perry!).

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BRAM STOKER’S DRACULA

Monday 26th October 3:30pm

Director Francis Ford Coppola’s screenplay differs wildly from Stoker’s book. Coppola fixated on a ‘true love never dies’ doppelganger love story between Gary Oldman’s Count and Winona Ryder’s Mina Murray, that shaped Jonathan Rhys-Meyers’ recent steam-punk TV adaptation. Cast adrift amidst outré sets that bellow their obvious artifice, Anthony Hopkins as Van Helsing and Keanu Reeves as Jonathan Harker try to ground things, but the best verdict remains Winona Ryder’s acidic “I deserved an Oscar for the job I did promoting that movie…”

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SILENCE OF THE LAMBS – (Cinema Book Club)

Tuesday 27th October 8.00pm

The Halloween edition of the Lighthouse’s Cinema Book Club is Jonathan Demme’s film of Thomas Harris’ best-selling chiller. Harris’ universe has been thoroughly mined, most recently in Bryan Fuller’s hallucinatory series Hannibal, but this 1991 Oscar-winner was the breakthrough adaptation. Jodie Foster’s FBI rookie Clarice Starling and Anthony Hopkins’ imprisoned cannibal Hannibal Lecter are indelible performances. It’s become fashionable to disparage this in favour of Manhunter, but there’s a reason few people ever saw Brian Cox as Hannibal Lecter…

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THE BLAIR WITCH PROJECT

Wednesday 28th October 8.30pm

The greatest horror producer of the 21st century Jason Blum passed on this at Sundance, and has been kicking himself ever since. Some people at early screenings in 1999 thought that this was real; giving its unnerving ending enough power to create a buzz that made it a sensation. It wasn’t real. It was, however, the moment where found-footage horror stomped into the multiplex and declared it would never leave, all because of an unsettling walk in the woods in Burkettsville, Maryland.

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WES CRAVEN’S NEW NIGHTMARE

Thursday 29th October 8.30pm

Wes Craven wrote and directed this late meta-instalment in the franchise he had kicked off with his original vision of Freddy Kreuger. Heather Langenkamp, Nancy in 1984’s Nightmare on Elm Street, plays herself; plagued by dreams of a Freddy Kreuger far darker than the one portrayed by her good friend Robert Englund. Featuring cameos from several of the original cast and crew Craven produces a postmodern musing on what happens when artists create fictions that take on a life of their own.

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CANDYMAN

Friday 30th October 8.30pm

Bernard Rose’s cult classic, an adaptation of genre legend Clive Barker’s The Forbidden, follows a thesis student who is researching urban legends. Unfortunately for him he discovers the terrifying world of ‘Candyman’, the ghost of a murdered artist who is summoned by anyone foolish to say his name out loud into a mirror five times. Masterfully made, still absolutely terrifying, and the reason we all cheer whenever Tony Todd makes a cameo ever since, this also features the unlikely bonus of a Philip Glass score.

HOCUS POCUS, Kathy Najimy, Bette Midler, Sarah Jessica Parker, 1993

HOCUS POCUS, Kathy Najimy, Bette Midler, Sarah Jessica Parker, 1993

HOCUS POCUS

Saturday 31st October 3.00pm

A token film for the kids is 1992’s Hocus Pocus. Why the misfiring hi-jinks of Bette Midler, Sarah Jessica Parker, and Kathy Najimy’s trio of Salem witches is perennially on TV is a mystery, but to present it as the essential kids’ Hallowe’en film is an enigma wrapped inside a riddle. Especially when Nicolas Roeg’s film of Roald Dahl’s The Witches, starring a scary Anjelica Huston as the Grand High Witch, dates from 1990…

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SCREAM I & II – (Double Bill & Party)

Saturday 31st October 9.30pm.

Neve Campbell confidently carries this 1996 classic, a blackly hilarious self-aware dissection of slasher clichés which is also a brilliant slasher filled with tense sequences. Williamson’s delicious dialogue (“Movies don’t create psychos, they just make psychos more creative…”) is brought to memorable life by an ensemble on truly top form, with star-making turns from Jamie Kennedy, David Arquette, Rose McGowan, and Skeet Ulrich. 1997’s sequel isn’t quite as good, but Kevin Williamson’s dialogue remains a joy, there are some nail-biting moments, it’s as subversively self-aware as 22 Jump Street of its sequel status, and uses Timothy Olyphant, Sarah Michelle Gellar, Jerry O’Connell, and David Warner to great effect.

‘9 Days of 90s horror’ ends with a Scream-themed Hallowe’en party preceding the Scream double bill, beginning at 8pm. Dress as your favourite 90s horror icon and enjoy the ironically-named cocktails, soundtrack of 90s hits, and general japery all related to Wes Craven’s classic slasher.

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TICKETS FOR 90S VAMPIRE FILMS:

http://www.lighthousecinema.ie/newsarticle.php?sec=NEWS&_aid=8323

 

TICKETS FOR 90S HORROR FILMS:

http://www.lighthousecinema.ie/newsarticle.php?sec=NEWS&_aid=8455

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September 3, 2010

They Call Me Mister Screen…

So, much to my surprise, my team again won the Screen Cinema Film Quiz and its prize of a free private screening in the cinema – but the film to be finished by 2pm.

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I arrived back from Kuala Lumpur, Malaysia at about 9:00am on the morning of the quiz and was battling the jet-lag of the damned when I staggered in to Doyle’s pub at 7:20pm (being 2:20am KL time which I was still on) to discover that Pete Moles had been replaced in the team by Emmet Ryan at the last minute as a result of a mishap with public transport. So 4/5ths of the line-up that won the quiz back in June was ready to fight again. Emmet brought to the table a deep love of bombastic action movies and sports movies, Paul Fennessy brought an encyclopaedic familiarity with art-house and foreign films, James Ward brought knowledge of the arcane lore of Shakespeare and The Lion King amidst other specialities, Dave Neary brought mental lists of Oscar nominations and foreign film titles, and I brought an extremely frazzled version of the fergalMDB. We sallied forth under the gloriously entertaining (to us at any rate) team-name Roland Emmerich’s DEATH in Venice, a remake that would make half the world’s critics kill themselves on general principles, and one which we exulted in coming up with insane plot-points for between rounds. Indeed James won two spot-prizes for his absurd/inspired doodling of promotional posters for this dream/nightmare project. All together now in that deep American trailer voice: “Godzilla is back, and he wants his 327,000 lbs of flesh”.

The quiz had not only changed venue from MacTurcaills but had also been re-imagined from the previous time with the purpose of thwarting our victory by ditching the rounds we had got perfect scores in last time: quotes from films, matching actors to roles and roles to actors, naming foreign films from their original titles. I was confident of getting trounced even before we started and ironically this feeling only increased when I noticed that Donald Clarke’s dream-team of film critics were absent. Hilariously enough though we scored perfectly respectably in the rom-com round designed to cripple us, instead suffering dismal failures in a movie music round and the cult film round where I somehow subconsciously remembered approximately how long Donnie Darko was told by Frank he had till the end of the world, but got it wrong by one frickin’ minute (It’s 28 days, 6 hours, and 42 minutes, not 28 days, 6 hours, and 43 minutes). But we triumphantly scored 17/18 in the brain-freezing round devised by the Sunday Business Post’s film critic John Maguire, who rendered 1940s films without vowels and then misleadingly spaced the consonants: The Life and Death of Colonel Blimp as ‘THLFNDDTHFCLNLBLMP’, and, yeah…

We started off around 6th place, but slowly crawled up the leader-board thanks to miracles like Dave remembering the name of the creator of the replicants in Blade Runner, the man who headed an eponymous corporation, he looks like Lou Reed and has his eyes gouged out by Rutger Hauer, and his name is, is, is…Tyrell! But there was an insurmountable gap between us and the leaders even as we somehow bludgeoned our way into second place. So we were cackling at the prospect of multiple free films comprising season tickets for either the second 1980s season or the first 1990s season, the prize for second place, when to our astonishment we weren’t named in third or second place. We were wondering what questions we could have blown in the final round to slip into fourth when to our genuine shock we discovered that we had won it again – tying with the leaders who imploded in the final round. So we jointly won, having never led at any point, and also took the trophy, bobble-headed Frodo, on a tie-breaker, and as successful defenders of our title.

Now let’s see which of us joint champions can retain the title next time…

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