Talking Movies

November 29, 2017

Tribes

The Gate reinstates seats for the Dublin Theatre Festival but burns its audience a different way with a coruscating play of spectacular, hilarious family dysfunction.

Nick Dunning is Christopher, the patriarch of an intellectually combative upper-middle-class Jewish family in North London, or is it South County Dublin, we’ll have to get back to that… He is infuriated to have all three of his adult children Billy (Alex Nowak), Daniel (Gavin Drea), and Ruth (Grainne Keenan) living under his roof again, for various reasons. Shouting matches between Christopher and his children, Christopher and his wife Beth (Fiona Bell), the competitive siblings among themselves, and some combination of all the above are frequent, ribald, cutting, and funny. But as Nowak’s Billy is deaf, he misses a lot of it. Mercifully some might say. And others might not, such as his new girlfriend Sylvia (Clare Dunne), who is losing her hearing, and who teaches Billy sign language; setting him on a collision course with his already troubled family…

Now then… where is this play set? Nina Raine wrote it for the Royal Court in 2010 and set it in North London. If you think of North London and argumentative Jewish intellectuals and wordsmiths like the Corens, Milibands, and Aaronovitches that makes perfect sense. Idly relocating Tribes to South County Dublin startles, just as idly relocating an Arthur Miller play from Brooklyn to Buncrana would startle. Tribes was not written in French like God of Carnage, so why did it need that relocation treatment? What next, Harold Pinter done as Roddy Doyle? And why was the relocation so incompletely rendered? Half the cast employ English accents for Blackrock, and Dunning mercilessly pillories people from the North by which he means Yorkshire. It is a meta-moment when characters express (appropriate) surprise Billy will be interviewed in the (foreign) Irish Times.

Dunning is magnificent. He so dominates proceedings that when Conor Murphy’s gleaming modernist kitchen reveals its outré surfaces to be a projection screen for surtitles it is with Dunning’s voice that you read the immortal line “Well, was I right or was I right about the deaf community?” The surtitles that allow us understand the sign language Billy and Sylvia fire at each other also, in Raine’s stroke of genius, express the body language and facial expressions of all. So that Beth, when Billy makes his stand to leave his family’s ‘bigotry’, worries “Why isn’t Billy saying anything?” and then “I feel like I’m in a Pinter play”, before sniping silently with her husband: “I feel completely unapologetic” “Yes, you’re good at that”.

 

I was one of few laughing uproariously at a half-empty matinee, and such sparse attendance was not a one-off for this “huge hit with audiences”. Has the Gate purposefully burnt off its old audience, only to find the new audience that wanted edgy original material instead was largely …imaginary?

4/5

January 18, 2017

ADIFF 2017

The programme for ADIFF’s 15th celebration of cinema is now available to browse and download at www.diff.ie and tickets go on sale tomorrow Thursday January 19th at 10:00am; available by phone on +353 1 687 7974 or in person at DIFF, 13 Ormond Quay.

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World cinema is coming to the Audi Dublin International Film Festival from 16th-26th February 2017 with Vanessa Redgrave, Nathalie Baye, Kerry Fox, Ross Noble, Ben Wheatley, and Anna Friel joining Irish stars Jack Reynor, Moe Dunford, Cillian Murphy, John Butler, and Aiden Gillen on the red carpet.

Grainne Humphreys, Festival Director, said ‘I’m thrilled with the selection of films that not only showcases some of the biggest names in world cinema but features a selection of first time directors from across the globe who will make a serious impression with our audience in this and in coming years. To be able to include new Irish films from Aisling Walsh, Jim Sheridan, Emer Reynolds, Aiden Gillen, John Butler, Neasa Ní Chianán, Juanita Wilson, and Ken Wardrop is an extraordinary testament to the current strength and depth of the Irish film industry. I hope that as many Dubliners as possible take this chance to explore and celebrate the art of film.’

Richard Molloy, Head of Marketing and Product at Audi Ireland, said, “Following a hugely successful partnership between Audi and the Dublin International Film Festival in 2016 we are proud to continue this into 2017.  Audi’s brand philosophy, ‘Vorsprung durch Technik’, really connects with the festival’s ethos of inspiring progressiveness and creativity. Furthermore, our partnership with the festival allows us to celebrate the art of film-making while recognising new and emerging film talent. This year we are delighted to introduce an Audi Gala screening to the festival programme providing festival fans with the ultimate red carpet film experience.”

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Galas and World Premieres

The Gala Opening Night of ADIFF 2017 will be the Irish Premiere of Maudie, the internationally acclaimed biopic of folk artist Maud Lewis by award-winning Irish director Aisling Walsh (Song for a Raggy Boy) which stars Sally Hawkins and Ethan Hawke. Jim Sheridan’s The Secret Scripture, adapted from the award-winning novel by Sebastian Barry, will receive a Gala Irish Premiere and see ADIFF present a Volta Award to British theatrical royalty Vanessa Redgrave. The Volta Award is the Festival’s most prestigious honour, reserved for those who have made an outstanding contribution to the world of film. Jack Reynor, Cillian Murphy, and Ben Wheatley will attend the Audi Gala screening of Wheatley’s new film Free Fire. ADIFF’s new Centrepiece Gala will be Neasa Ní Chianán and David Rane’s In Loco Parentis documentary study of the Headfort School. World Premieres at ADIFF 17 include Juanita Wilson’s Tomato Red with star Anna Friel in attendance, Dennis Bartok’s terrifying hospital horror Nails, and Aiden Gillen and Jamie Thraves’ Pickups (features Gillen playing a semi-fictionalised version of himself). Ken Wardrop (His & Hers) brings his characteristic warmth and humanity to piano grade exams in The Piano Lesson, while John Murray and Traolach Ó Murchú’s Photo City delves into the celluloid history of Rochester, NY. ADIFF’s prestigious Closing Night Gala is the Irish premiere of Handsome Devil, the new comedy-drama set in an Irish boarding school from John Butler, who directed The Stag.

International Programme

Nathalie Baye, Kerry Fox, and François Cluzet will attend the festival. Baye becomes the target of a dangerous obsession in Moka, Fox is the uncompromising acting teacher in The Rehearsal, and Cluzet stars in stylish paranoia thriller Scribe. ADIFF’s world cinema programme feature films from over 35 countries, from Bhutan to New Zealand, Seoul to Senegal, and Nova Scotia to Manila. There are new films from Festival favourites including Olivier Assayas, Pablo Larraín, Michael Winterbottom, Aki Kaurismäki, Ben Wheatley, Asghar Farhadi, Cristian Mungiu, Lone Scherfig, and Terence Davies. In 2011, Iko Uwais’ flying fists and lightning-fast feet in The Raid brought the house down in the Savoy. Now Uwais returns as the hero of IFI Horrorthon sell-out Headshot, bringing his astounding fighting skills to this tale of amnesia and revenge.

First-time Directors

This year’s programme features a number of new international voices making feature debuts: Juho Kuosmanen’s uplifting Oscar-tipped boxing biopic The Happiest Day in the Life of Olli Mäki, Ben Young’s Australian kidnap nightmare Hounds of Love, British director William Oldroyd’s Lady Macbeth, and Daouda Coulibaly’s thrilling West African crime thriller Wùlu. Irish director Lorcan Finnegan’s deeply creepy walk in the woods eco-horror Without Name marks him out as a talent to watch closely in years to comeThe frustration and unease those in the arts have felt at people uninterested in the arts voting for Brexit and Trump is expressed through acerbic and bitter humour – Dash Shaw’s My Entire High School Sinking Into the Sea!, Sean Foley’s Mindhorn (with Ross Noble in attendance), Anna Biller’s Love Witch, and Kris Avedisian’s comedy of discomfort Donald Cried.

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Special Events and the Surprise Film

Masterclasses include leading British director Ben Wheatley (High Rise, Free Fire, A Field in England, Kill List), and Oscar-winning costume designer Alexandra Byrne (Doctor Strange). Terence Davies, a singular master of film adaptations, will take part in a public interview with Roddy Doyle. Celebrating the current high point in Irish film, an exhibition by Hugh O’Conor features intimate portraits of his colleagues. An annual treat for the brave, the Surprise Film is a tightly guarded secret known only to the Festival Director, and this year the screening is supported by Just Eat, the official food ordering app, who will be offering special discounts and vouchers to the audience.

Fantastic Flix

The Festival’s expanding Fantastic Flix programme brings the world of cinema to the next generation in its packed festival of children’s films from around the globe, workshops, short film selections, the Fantastic Flix Children’s Jury and special events. Highlights include a special selection of films from visiting children’s author Dame Jacqueline Wilson, along with the Golden Globe-nominated animated film My Life as a Courgette, and Michaël Dudok de Wit’s The Red Turtle.

Awards
Alongside the Volta Awards that recognise outstanding achievement, the ADIFF Discovery Award sees the festival reward emerging Irish talent; the Dublin Film Critics Circle Jury selects the best of the festival for their awards ceremony; and film-goers themselves select their favourite with the AUDI-ence award. The AUDI-ence award-winning film-makers
 will be flown to the Berlin International Film Festival in 2018, where they will enjoy a true VIP Audi experience.

July 31, 2016

Dublin Theatre Festival: 10 Plays

Tickets go on sale for the 2016 Dublin Theatre Festival at 10:00am on Tuesday August 16th. Here are 10 shows to keep an eye on.

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Helen & I 27th September – October 1st Civic Theatre

The great Annabelle Comyn decamps to Druid to direct an original script by newcomer Meadhbh McHugh. Rebecca O’Mara is the ‘I’, returning home to fence with older sister Helen (Cathy Belton) as their father lies dying. It’s always great when Druid tour, and hopefully this will be a return to form for Comyn after the bafflingly praised debacle of The Wake.

 

A Midsummer Night’s Dream 28th September – October 1st Grand Canal

Sean Holmes, responsible for the recent, storming Plough & Stars in the Abbey, returns with co-director Stef O’Driscoll for a Shakespearean rampage. This looks to be very much a ‘This was not Chekhov’ production, but in the best sense, as the text is stripped down to 90 minutes, with live grunge band, nerf gun battle, and an epic food fight.

 

Don Giovanni 29th September – October 2nd Gaiety

Roddy Doyle has for some reason decided to update the libretto to Mozart’s opera about the womaniser par excellence. Eyebrows must be raised at the amount of ‘versions’ he’s doing versus original writing in recent years. Pan Pan’s Gavin Quinn will be directing, while Sinead McKenna follows up her acclaimed diabolist lighting design for The Gigli Concert’s finale with some bona fide operatics.

 

The Father 29th September – October 15th Gate

Just when Michael Colgan had lurched into self-parody by programming The Constant Wife he conjures an ace from nowhere: a piece of new writing from France that has swept all before it on Broadway and Piccadilly. Ethan McSweeney directs Owen Roe as a man suffering from Alzheimer’s, while the supporting cast includes Peter Gaynor and Charlotte McCurry, and Francis O’Connor is set designer.

 

Guerilla 30th September – October 2nd Project Arts Centre

It wouldn’t be a festival without some fellow PIIGS getting bolshy about neo-liberalism, the failure of Europe, and the age of austerity. This year it’s El Conde de Torrefiel company from Spain, presenting the confused inner universe of a group of people inhabiting the same city and collective consciousness, represented by projected text over an electronica concert, Tai Chi class, and conference.

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Death at Intervals 4th October – October 8th Smock Alley

Trailing clouds of glory from its Galway premiere comes an adaptation of Jose Saramango’s novel directed by Kellie Hughes. Olwen Fouere is the grim reaper in retirement, accompanied by her faithful musician Raymond Scannell. Death likes to dance too. A mixture of music, theatre, and dance, with Scannell also co-composing with Alma Kelliher; but he did also compose Alice in Funderland

 

Alien Documentary 4th October – October 8th Project Arts Centre

I’ve read this production’s pitch repeatedly and I’m damned if I can figure out what it is. Director Una McKevitt is apparently mixing transcriptions of real people’s conversations with invented dialogues of her own imagining, so that’s her writing credit sorted. But what exactly is this show? PJ Gallagher, James Scales, and Molly O’Mahony having unconnected deep/comic conversations for 90 minutes?

 

The Seagull 5th October – 16th October Gaiety

Writer Michael West and director Annie Ryan together fashion a modern version of Chekhov’s tale of unrequited loves starring the oft-Fassbendering Derbhle Crotty as well as Genevieve Hulme-Beaman who shone in support in the Abbey’s You Never Can Tell. But will this Corn Exchange production be as hit and miss as their version of Desire Under the Elms that severely downsized O’Neill’s ambition?

 

Donegal 6th October – 15th October Abbey

Frank McGuinness’s new musical/play with music/musical play sounds unfortunately like a pilot for the Irish version of Nashville, as a fading country music star is threatened by a new talent she must curry favour with for her own survival. Director Conall Morrison specialises in exuberance, and grand dames Deirdre Donnelly and Eleanor Methven appear beside Once’s Megan Riordan, but can McGuinness make a comeback?

 

First Love 12th October – 16th October O’Reilly Theatre

Reminding us why he was important before the age of austerity Michael Colgan directs Gate stalwart Barry McGovern in a solo Beckett outing. This time they head up the road to Belvedere College for a Beckett novella turned into a one-man show about a rather existentialist-sounding refusal of a man to fall in love with a woman who’s in love with him.

October 18, 2013

Axis Cinema

Axis Cinema on Ballymun Main Street is home to The Pictures, which started as a monthly film club and has grown to become a great social network for the over 55s in Ballymun. The Pictures will be presenting a season of ‘book to film’ screenings, including The Commitments, in partnership with access>Cinema and, for the first time, Ballymun Library; who will be making copies of the books available to borrow the month before the film.

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Dracula (with short film Suansceal)

Presented by Dublin City Council Arts Office and axis in association with access>Cinema and Ballymun Library

Date: 21st Oct 2.30pm

Tickets: €2 Members / €4 Non-Members / Membership: €3

October’s ‘Book to Screen’ film is, very appropriately, Hammer Horror’s Dracula starring an enigmatically terse Christopher Lee as Bram Stoker’s vampiric Count and Peter Cushing as his nemesis Van Helsing. Few actors have ever inhabited those parts to such indelible effect, and this is a rare opportunity to see Hammer’s lurid blood-soaked vision on a big screen. This screening will be preceded by Irish short Suanscéal, a visually beautiful, delicately told, tale of a young boy’s need for companionship and an old man’s need to leave his legacy. Director Colm Ó Foghlú will be in attendance on the day to introduce the short as part of Borradh Buan, axis’ Irish language festival; celebrating its 10th anniversary.

 

A Scare Before Bedtime: Axis Horror Screening

Presented by axis in association with access>Cinema

Date: 30th Oct 9pm

Tickets: €2

This is a chance for audiences to feel the fear at a secret screening of a favourite horror movie! As Halloween approaches, axis will be asking the people of Ballymun to vote for their favourite horror film to show on the big screen. I’d vote for Scream, but with the new Carrie coming out soon that could be a contender. What will win? All will be revealed on the night!

 

The Commitments

Presented by Dublin City Council Arts Office and axis in association with access>Cinema

Date: 25th Nov 2.30pm

Tickets: €2 Members / €4 Non-Members / Membership: €3

November’s ‘Book to Screen’ film is British director Alan Parker’s celebrated 1991 adaptation of The Commitments, Roddy Doyle’s 1980s novel of recessionary north side Dublin. Only the music scene is rich in this landscape, and so Jimmy Rabbitte envisions combining the raw talent of musicians, including Glen Hansard, Bronagh Gallagher and Maria Doyle Kennedy, with soul music to shake the Hibernian metropolis.

 

Breakfast at Tiffany’s

Presented by axis & Dublin City Council Arts Office in association with access>Cinema and Ballymun Library

Date: 16th Dec 2.30pm

Tickets: €2 Members/€4 Non-Members / Membership: €3

December’s ‘Book to Screen’ film is Blake Edwards’ 1961 toned-down adaptation of Truman Capote’s scandalous novella Breakfast at Tiffany’s. Audrey Hepburn’s most iconic poses, costumes and (dubbed) singing are modelled against a fantasy NYC as Holly Golightly’s naive eccentricity bedazzles George Peppard’s struggling writer when he moves into her apartment building. Try to ignore Mickey Rooney’s outrageously racist Japanese character…

 

Anna Karenina

Presented by axis& Dublin City Council Arts Office in association with access>Cinema and Ballymun Library

Date: 27th Jan 2.30pm

Tickets: €2 Members/€4 Non-Members Membership: €3

January’s ‘Book to Screen’ screening is Joe Wright’s 2012 film of Anna Karenina. Anna (an on-form Keira Knightley) falls uncontrollably in love with Count Vronsky (a callow Aaron Johnson), with tragic consequences when she leaves husband (a surprisingly empathetic Jude Law). Leo Tolstoy’s classic story of doomed love is adapted by the great Tom Stoppard as a determinedly theatrical tour-de-force; to hit-and-miss effect.

 

axis: Ballymun is a creative hub of stage, galleries, workshop spaces and a recording studio. More information at http://axis-ballymun.ie/, and do follow @axisBallymun on Twitter.

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