Talking Movies

April 9, 2015

The Man in Two Pieces

Stephen Brennan and Gerard Adlum weave a web of fraudulent magic in 1920s rural Ireland in Theatre Upstairs’ new work The Man in Two Pieces.

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Vivid red curtains with an occasionally projected moon above them are the backdrop for this glimpse behind the scenes at Kerrigan’s Vaudeville Troupe. Kerrigan (Stephen Brennan) has been touring the Irish countryside for thirty years; arriving without notice, disappearing without trace, in such unlikely venues as “Gorman’s fourth field”. He keeps the same names and patter for the acts, even as he changes the artistes: his new Italian Adonis is from Sligo, and hypnotist the Great Gustavo is not really from the Black Forest, as his real name, Gordon McAleer, might give away. But just as The Boy runs away with the troupe, entranced by their magical show, the realities of the Anglo-Irish War are about to trump magic as Kerrigan insists on playing Middleton, against warnings both from his artistes and from a menacing local IRA man in Cork…

“We deal in magic” says Kerrigan, and half the trick of his trade is the audience’s desire to believe. Ironically it is just such desire, a wilful self-delusion; that politics can be ignored; which lays Kerrigan low. Brennan is on fine form as Kerrigan, a composite of canny entrepreneur, talented song and dance man, and self-mocking ringmaster who has lied so well, so often, that now all lies sound equally truthful to his ears. He may have come to Ireland from London in pursuit of a Galway girl with a beautiful voice who he made his first vaudeville attraction. He may be from Golden, Tipperary; where he expects a hero’s welcome. There are echoes of Faith Healer in Kerrigan’s contradictory narratives and this impulse to destruction; returning, like Frank Hardy’s Ballybeg, to a place where he must demonstrate his magic.

Playwright Gerard Adlum is the narrator as The Boy, who charmingly remains mute but physically expressive in his scenes with Kerrigan, and also plays the Adonis and Gustavo. He renders one with a cap and a Sligo accent, the other with a Northern accent and, in ‘character’, a German accent akin to Cabaret’s MC but with a notable punctiliousness of gait and business. Such quick changes of character are expertly accomplished through accents, physicality, props, rolling up and down of shirtsleeves, and elegant, fluid blocking by director Sarah Finlay. Finlay seems to enlarge the small playing space of Theatre Upstairs, with Kerrigan’s leaps off the stage for exits and entrances, and the constant feeling that Rebekka Duffy’s colourful and cluttered set of suitcases, brushes, and weights is only part of a wider backstage world that extends off-stage in either direction.

The Man in Two Pieces, even down to Adlum and Nessa Matthews’ two songs, is an affecting and sad play concerned with those left behind, uncomprehending, by political sea-change.

3.5/5

The Man in Two Pieces continues its run in Theatre Upstairs until the 18th of April.

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March 28, 2015

Fast Intent present The Man in Two Pieces

Fast Intent are Theatre Upstairs’ Company in Residence 2015, and are about to begin their tenure with an original work, The Man in Two Pieces.

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“Life is tough, lad, rotten tough, and when you get to my age you’ll see there’s no remedy to it, ‘cept magic” – Kerrigan.

The Man in Two Pieces is set in Ireland in 1921. After midnight Kerrigan’s Vaudeville Troupe rolls to a halt on the outskirts of a country town that could just as well be any country town. The Adonis unloads boxes, The Great Gustavo tries to look busy, and Kerrigan counts the takings from the night. Amidst this winding down a young boy sleepily pokes his head out from the back of the wagon and thinks ‘this must be the place’. A two-hander starring Gerard Adlum as The Boy and Stephen Brennan as Kerrigan, this is described as a play about the dreams that sustains us, the delusions that destroy us, and the magic that binds us together.

This is the first appearance in Theatre Upstairs by Stephen Brennan, a commanding presence at the Gate Theatre (The Real Thing, Hay Fever) and elsewhere (Phaedra), and is the first original play by Gerard Adlum, who has run the Theatre Upstairs’ Readers Group for several years. Some of Fast Intent’s previous productions in Smock Alley and Dublin Castle (Macbeth, Dracula) have been reviewed on this blog. The members of Fast Intent were later heavily involved in Dublin Fringe Festival-nominated premiere How to Build Your First Robot; with Gerard Adlum starring, Sarah Finlay directing, and Nessa Matthews creating the soundscape. Flying under their own banner again The Man in Two Pieces is directed by Sarah Finlay, with set design by Rebekka Duffy, sound design by Paul Farrell, visual design by Ste Murray, and original songs by Gerard Adlum & Nessa Matthews.

The Man in Two Pieces runs in Theatre Upstairs from 7 April to 18 April, and marks the beginning of Theatre Upstairs’ shift from lunchtime to evening performances. Show times are 7.00pm Tuesday-Saturday with 1.00pm matinees on Wednesday and Saturday. Tickets are 10e/8e concession, with light lunch included at matinee performances. Any tickets booked before midnight tonight receive an early bird 20% discount, and there is an opening offer of 7.50e for all tickets on the opening night. You can book at http://www.theatreupstairs.ie/the-man-in-two-pieces or 0857727375.

 

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