Talking Movies

December 8, 2019

You Have Been Listening To… : Part III

It is time to discreetly begin to draw the curtains for Christmas. There will be no more reviews by me of new releases on 103.2 Dublin City FM this year. But here’s a round-up of links to the previous editions of Sunday Breakfast with Patrick Doyle and a list of the many films we discussed since June if you’re eager to explore the back catalogue.

JUNE

X-Men: Dark Phoenix + Classic Ghostbusters II + Classic The Matrix
https://www.mixcloud.com/patrickdoyle/9619-the-sunday-breakfast-show-with-patrick-doyle/
Balloon + TV Choice The Accountant + Classic Dr Strangelove
https://www.mixcloud.com/patrickdoyle/16619-the-sunday-breakfast-show-with-patrick-doyle/
Brightburn + TV Choice Dial M for Murder + Classic Mean Girls
https://www.mixcloud.com/patrickdoyle/23619-the-sunday-breakfast-show-with-patrick-doyle/
Yesterday + TV Choice Casino Royale + Classic Superman II
https://www.mixcloud.com/patrickdoyle/30619-the-sunday-breakfast-show-with-patrick-doyle/
JULY
Apollo 11 + TV Choice Bullitt + Classic Rear Window
https://www.mixcloud.com/patrickdoyle/7719-the-sunday-breakfast-show-with-patrick-doyle/
Stuber + TV Choice Jaws + Classic Ma Nuit Chez Maud
https://soundcloud.com/patrickseandoyle/the-sunday-breakfast-show-film-review-14719
The Current War + TV Choice Arrival + Classic Gone with the Wind
https://soundcloud.com/patrickseandoyle/the-sunday-breakfast-show-film-review
AUGUST
Hobbs & Shaw + TV Choice The Guest + Classic It Happened One Night
https://soundcloud.com/patrickseandoyle/the-sunday-breakfast-show-film-review-1
The Art of Racing in the Rain + TV Choice Patriots Day + Classic Phase IV
https://soundcloud.com/patrickseandoyle/talking-film-on-the-sunday-breakfast-show
Once Upon A Time… In Hollywood + TV Choice Dirty Harry + Classic Army of Shadows
https://soundcloud.com/patrickseandoyle/talking-film-on-the-sunday-breakfast-show-1
Pain and Glory + TV Choice White House Down + Classic Little Women

 SEPTEMBER

Crawl + TV Choice Gone Girl + Classic Whiskey Galore!
IT: Chapter 2 + TV Choice X-Men: Days of Future Past + Classic The Italian Job
https://soundcloud.com/patrickseandoyle/talking-film-on-the-sunday-breakfast-show-2
Extra Ordinary + TV Choice Batman Begins + Classic Ghostbusters
https://www.mixcloud.com/patrickdoyle/15919-the-sunday-breakfast-show-with-patrick-doyle/
Ad Astra + TV Choice Glen Campbell: I’ll Be Me + Classic The Godfather: Part II
https://www.mixcloud.com/patrickdoyle/22919-the-sunday-breakfast-show-with-patrick-doyle/
Ready or Not + TV Choice L’Avenir + Classic Butch Cassidy and the Sundance Kid
https://www.mixcloud.com/patrickdoyle/29919-the-sunday-breakfast-show-with-patrick-doyle/
OCTOBER
Joker + Judy + Classic White Heat
https://www.mixcloud.com/patrickdoyle/61019-the-sunday-breakfast-show-with-patrick-doyle/
Gemini Man + TV Choice Now You See Me + Classic Fight Club
Dark Lies the Island + TV Choice Good Night, and Good Luck + Classic Crimes & Misdemeanours
Countdown + TV Choice The Shallows + Classic Them!
https://www.mixcloud.com/patrickdoyle/the-halloween-show-with-patrick-doyle/
NOVEMBER
Doctor Sleep + TV Choice Kingsman: The Secret Service + Classic Girl, Interrupted
https://www.mixcloud.com/patrickdoyle/101119-the-sunday-breakfast-show/
Le Mans ’66 + TV Choice Funeral in Berlin + Classic Rio Bravo
DECEMBER
Marriage Story + TV Choice World War Z + Classic Field of Dreams
https://www.mixcloud.com/patrickdoyle/

September 29, 2019

Notes on Ready or Not

Shlocky horror-comedy Ready or Not was the film of the week much earlier today on Sunday Breakfast with Patrick Doyle.

It is semi-remarkable that this is the work of directing duo Matt Bettinelli-Olpin and Tyler Gillett, who made the found footage Rosemary’s Baby riff Devil’s Due that (apparently unwittingly) used the Euro sign as a Satanic symbol. Admittedly Ready or Not boasts a far better script, by Guy Busick (Urge) and (no, not that) Ryan Murphy, but it also looks gorgeous. Andrew M Stearn’s production design for the De Lomas mansion and grounds are lit by Brett Jutkiewicz to bring out the warmth of the wood panelling and lamps and to cast us into a more Fincheresque colour scheme outdoors. Meanwhile in support John Ralston as major-domo Stevens gamely plays a kitchen sequence of Hitchcockian delight and a truly delirious conceit that would do Scream proud; featuring the most improbable and incredibly inopportune rocking along to Tchaikovksy’s 1812 Overture imaginable.

Listen here:

September 24, 2019

Ready or Not

Samara Weaving follows up McG’s The Babysitter with a considerably more tonally consistent horror-comedy from the directors of Devil’s Due.

Grace (Weaving) is getting married to Alex (Mark O’Brien). Alex is a scion of the fabulously wealthy Le Domas family, headed by Tony (Henry Czerny) and Becky (Andie MacDowell). Grace is unsure of her welcome to this dynasty. Aunt Helene (Nicky Guadagni) seems to silently hate her guts. Alex’s brother Daniel (Adam Brody) is creepily attentive, his wife Charity (Elyse Levesque) contemptuous; her default setting. Alex’s drug-addled sister Emilie (Melanie Scrofano) and her husband Fitch (Kristian Bruun) only finally arrive for the afters. But Grace feels wildly unwelcome when she pulls the wrong card from a vintage box for the wedding night ritual family game. Instead of cribbage or old maid she gets hide and seek. And when the family fortune derives from a pact to literally make devilishly good board games, hide and seek will be a lethal affair…

It is semi-remarkable that this is the work of directing duo Matt Bettinelli-Olpin and Tyler Gillett, who made the found footage Rosemary’s Baby riff Devil’s Due that (apparently unwittingly) used the Euro sign as a Satanic symbol. Admittedly Ready or Not boasts a far better script, by Guy Busick (Urge) and (no, not that) Ryan Murphy, but it also looks gorgeous. Andrew M Stearn’s production design for the De Lomas mansion and grounds are lit by Brett Jutkiewicz to bring out the warmth of the wood panelling and lamps and to cast us into a more Fincheresque colour scheme outdoors. Meanwhile in support John Ralston as major-domo Stevens gamely plays a kitchen sequence of Hitchcockian delight and a truly delirious conceit that would do Scream proud; featuring the most improbable and incredibly inopportune rocking along to Tchaikovksy’s 1812 Overture imaginable.

4/5

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