Talking Movies

February 15, 2018

Ecuador plots daring escape for Julian Assange

A drunken Ambassador who is shamelessly junketing in South Korea to support Ecuador’s sole entrant in the Winter Olympics has accidentally let slip an elaborate long-term plan to get Wikileaks founder Julian Assange out of their London embassy without being arrested by the Met, writes B. Bradley Bradlee from Pyeongchang.

Julian Assange met with Noam Chomsky to discuss the ethics of selling the movie rights to his forthcoming escape. Mr Chomsky insisted he be played only by philosopher Sam Harris.

Hugo de Bradias, speaking on condition of anonymity, revealed over his seventeenth tequila that the Ecuadorean embassy in London had had enough. “You think we really had a package delivered of mysterious white powder last week? Mystery white powder?! We were just, testing, hiccup, the response time of the Met. All our white powder comes from the Bolivian embassy’s chauffeur. Don’t print that. I’ll deeeny I shaid shit.” Ambassador de Bradias then flourished a piece of paper which was headed ‘Julian Assange Escape Plan’ ™. When pressed on why it was trademarked he mumbled about various copyright infringements, and ‘out-chutzpah’.

The document, which will no doubt be of especial interest to London’s Metropolitan Police, details an elaborate escape plan for Julian Assange – to take place on Hallowe’en night 2018. Ambassador de Bradias laughed so hard he fell off his barstool explaining that the final version of the plan had come together after Assange had gone to bed for the night and the embassy staff stayed up and watched recent episodes of Longmire and Blindspot after Olly Murs had caused chaos on Twitter by implying Oxford Street’s Selfridges had become Nakatomi Plaza with Murs himself as an all-singing all-dancing John McClane.

The plan involves a huge amount of simultaneous Tube platform altercations and minor vandalism on busy shopping streets to divert police resources all over London. The Ecuadorean embassy will be hosting a masked ball for some 10,000 partygoers, flooding the building and grounds. Assange will make a speech from his usual balcony, and get a coughing fit mid-tedious tirade. He will duck inside to get a glass of water, a light bulb will blow, but he will soldier on, giving the speech in half-light. But, and Ambassador de Bradias hooted with glee – this will not be the real Assange.

The real Assange will have disappeared when he went for his glass of water, replaced by a double. At this moment of subterfuge all 10,000 partygoers will flood out of the Ecuadorean embassy; and the mask that everyone is wearing will be revealed to be the face of – Julian Assange. The real Assange escapes because the Met are stretched too thin from all the mayhem to search so many civilians without probable cause. That at least is the plan. Obviously such a massive subterfuge, requiring so much materiel and so many personnel, and, strictly confidential, an outlay for a fake party and gunbattle in Harrods to inspire panicked tweets from an influential useful idiot like Kim Kardashian, would be hugely costly for troubled Ecuador.

When pressed on how the embassy would pay for all this Ambassador de Bradias tapped his nose and alluded to the presence in Pyeongchang of Kim Jong-Un’s diabolical sister, the Livia of North Korea. He was more forthcoming on the plan’s urgency, “This man, Assange, he must go. At first, yay, stick it to the Americans. Now, no. Now he pain in ass. BBC 2 make sitcom about him. What do we get? Nada. We try to interest Aaron Sorkin. Hey, come do research, make movie, Assange he is like Man who come to dinner, no? No. Sorkin, no.” When asked if he was not concerned that Assange, a digital Tom Paine, could end up being beaten with sticks about the kidneys in a floating black site not unlike the prison in Stallone/Schwarzenegger vehicle Escape Plan, the Ambassador gave me a withering look and called for more Ferrero Rocher.

B. Bradley Bradlee is fictional editor emeritus of The New York Times. He is currently covering the Winter Olympics for the German weekly Die Emmerich-Zeitung.

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January 28, 2014

2014: Hopes

Filed under: Talking Movies — Fergal Casey @ 3:58 pm
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The Monuments Men

George Clooney stars, co-writes with Grant Heslov again, and directs what seems like a promising mash-up of The Train and Ocean’s 11, arriving sometime in February. Somewhat based on fact, a crack team of art experts and soldiers are assembled in the dying months of WWII to try and rescue priceless works of art from wanton destruction at the hands of nihilistic Nazis. The team includes regular Clooney cohort Matt Damon and the great Cate Blanchett, alongside the undoubtedly scene-stealing comedic duo of Bill Murray and John Goodman, and oddly Jean Dujardin. Can Clooney pull off a more serious art heist from Nazis caper? Fingers crossed he can.

The Grand Budapest Hotel

Wes Anderson returns in March, apparently in thrall to Lubitsch and Lang. Edward Norton did so well in Moonrise Kingdom that he’s invited back alongside Bill Murray, Jason Schwartzman, Tilda Swinton, and Owen Wilson. Newcomers are Ralph Fiennes, Saoirse Ronan, Jude Law, Mathieu Amalric, and F Murray Abraham. Fiennes is the legendary concierge of the titular hotel in inter-war Europe, where any gathering storms are ignored in favour of absurd murder plots, art thefts and family squabbles gone mad, as Fiennes gives his lobby-boy protégé an education in dealing with the upper classes which he’ll never forget; if they escape a sticky end long enough to remember.

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Veronica Mars

AW YEAH!! It was cancelled in 2007 but Kristen Bell’s iconic teen detective snoops again as creator Rob Thomas sends NYC legal eagle Veronica back to sunny Neptune to attend her high school reunion. Present and correct are friends Mac (Tina Majorino) and Wallace (Percy Daggs III), nemesis Madison (Amanda Noret), and frenemy Dick (Ryan Hansen). Dad Keith (Enrico Colantoni) remains a sage, warning against the obvious peril of insipid boyfriend Piz (Chris Lowell) being replaced in her affections by roguish ex Logan (Jason Dohring), who is once again accused of murder and asking for V’s help. Please let the sparks of ‘epic love’ spanning ‘decades and continents’ rekindle!

Frank

Lenny Abrahamson is the opposite of a Talking Movies favourite, but he’s teamed up with the favourite di tutti favourites Michael Fassbender. Thankfully Abrahamson’s miserabilist tendencies and agonising inertness have been put to one side for this rock-star comedy co-written by journalist Jon Ronson, a man with a verified eye for the absurd having written The Men Who Stare at Goats and The Psychopath Test. The original script loosely based on a cult English comic musician follows wannabe musician Jon (Domhnall Gleeson), who discovers he’s bitten off more than he can chew when he joins a pop band led by the enigmatic Frank (Fassbender) and his scary girlfriend Maggie Gyllenhaal.

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Captain America: The Winter Soldier

Literally everything I loved most about the original disappeared with the time-jump. So the major attraction of April’s sequel isn’t Robert Redford as a shady new SHIELD director, but Revenge’s icy heroine Emily VanCamp as the mysterious Agent 13. Samuel L Jackson’s Nick Fury and Scarlett Johansson’s Black Widow regrettably take the place of Tommy Lee Jones and Hayley Atwell in support, but Anthony Mackie as sidekick Falcon is a major boon. The real worry is that directors Joe and Anthony Russo (You, Me and Dupree, yes, that’s right, that’s their resume) will be intimidated by their budget into endless CGI action and precious little else.

X-Men: Days of Future Past

I’m excited and nostalgic, because May 23rd sees the arrival of the X-3 we deserved, but never got. Bryan Singer returns to the franchise he launched for one of Claremont/Byrne’s most famous storylines. In a dystopian future, where mutantkind has been decimated by the Sentinels of Bolivar Trask (Peter Dinklage),Kitty Pryde (Ellen Page) Wolverine (Hugh Jackman – this is a movie, not a comic, it’s all got to be about Wolverine!) is sent back into the past by Professor X (Patrick Stewart) and Magneto (Ian McKellen) to alter history by rapprochement of their younger selves (James McAvoy, Michael Fassbender). Jennifer Lawrence co-stars, with every X-Men actor!

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22 Jump Street
A proper summer blockbuster release date of June 13th for this sequel recognises the hilarious success of the absurd original. Schmidt (Jonah Hill) and Jenko (Channing Tatum) (or was it the other way round?) go undercover in college to crack another drug ring, and once again their fantastic bromance starts to crack under the strain. The original’s unwieldy team of writers and directors are back, as are Ice Cube, Nick Offerman, Rob Riggle and Dave Franco. Amber Stevens and Wyatt Russell are the college kids, but sadly Brie Larson is absent. Jonah Hill appears in full goth gear, which seems to suggest that the absurdity levels remain healthy.

The Trip to Italy

It’s not clear yet if we’ll get this as an abridged film or just be treated to the full version as 6 episodes on BBC 2. In either case Steve Coogan and Rob Brydon reunite to play heightened versions of themselves as they bicker their way around restaurants in Italy for the purposes of writing magazine reviews. 2010’s endearing roving sitcom The Trip, with its competitive Michael Caine impersonations was a joy, and director Michael Winterbottom takes the show on tour here. And no better man for the job, as this originated with their duelling Al Pacinos at the end of his A Cock and Bull Story.

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Magic in the Moonlight
Woody Allen’s latest should hit our screens around September. This time round the cottage industry is giving us a period romantic comedy, set in the south of France, which takes place in the 1920s and 1930s. The cast is as usual intimidating: Emma Stone, Colin Firth, Marcia Gay Harden, the imperious Eileen Atkins (one of the few actresses capable of domineering over Judi Dench), and Jacki Weaver. Will F Scott and his ilk make an appearance? Who knows! There are no details, just stills of open-top cars, drop waists, and cloche hats so this could be a close cousin of Sweet & Lowdown or Midnight in Paris.

Gone Girl

The start of October sees the great David Fincher return, with his first film in three years, and it’s another adaptation of a wildly successful crime novel. Nick (Ben Affleck) and Amy (Rosamund Pike) are seemingly the perfect couple, but when she disappears suddenly on their 5th wedding anniversary, Nick becomes the prime suspect as he discovers his wife told friends she was scared of him. Could he have killed her? Or is the truth far more twisted? Gillian Flynn has adapted her own work, and, incredibly, penned an entirely new third act to keep everyone guessing. The unusually colourful supporting cast includes Neil Patrick Harris and Patrick Fugit.

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The Interview
The pitch is that an attractive talk show host and his producer unwittingly get caught up in an international assassination plot. So far so blah, if that was say Ben Stiller and Owen Wilson directed by Shawn Levy, except that the host is actually James Franco, the producer is Seth Rogen, the interview is in North Korea, and the awesome Lizzy Caplan is the rogue femme fatale CIA agent who drags them into all sorts of mischief. And it’s written and directed by Rogen and Evan Goldberg who distinguished themselves with 2013’s best comedy This is The End. This is very likely to mop up the non-Gone Girl audience.

Interstellar

Christopher Nolan tries to redeem himself after TDKR with a small personal project, taking the same release date as The Prestige did. Well, small, in that the WB needed Paramount to stump up some cash for it, and personal, in that Spielberg spent years developing it; albeit with the assistance of Jonathan Nolan. Scientists attempt to observe a wormhole into another dimension, and that’s about all we know, other than vague speculations about ecological crises. Matthew McConaughey 2.0 stars alongside Anne Hathaway, Casey Affleck, Matt Damon, John Lithgow, Jessica Chastain, and, yes, Michael Caine – who is now as essential a part of the signature as Bill Murray for Wes Anderson.

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The Hunger Games: Mockingjay – Part I

Jennifer Lawrence goes for third biggest hit at the North American box office for the third year in a row with her latest turn as rebel heroine Katniss Everdeen on November 21st. Having survived the Quarter Quell and the destruction of her District, she discovers President Snow has Peeta hostage, and that the rebellion has a leader, President Coin (Julianne Moore), ready to embark on a full-scale bloody war of rebellion against the Capitol. Recount writer (and Buffy shmuck) Danny Strong is the new screenwriter, and Elementary star Natalie Dormer joins the cast, but director Francis Lawrence remains in situ, with his considered visual style.

April 12, 2013

Red Dawn Remake Reignites Korean War

Red Dawn sat on the shelf for three years as the studio worried that its replacing of the original Soviet villains with Chinese villains would hurt it in the Chinese market. Little did they suspect their ingenious post-production fix would reignite the Korean War writes B. Bradley Bradlee from Pyongyang.

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This horse is confirmed by three deep background sources to have worked on The Hobbit films as a saboteur for North Korean intelligence.

The evil empire of Soviet Russia never once held the same importance as somewhat Communist China does now when it comes to overseas box-office receipts for the American film industry. So it was that the studio behind the remake of Red Dawn, regularly cited as one of the top 5 films of the 1980s alongside Raging Bull, decided to use extensive CGI to convert the film’s invading Chinese army into an invading North Korean army. Sources refused to comment on whether the marketing department planned to use even more extensive CGI to convince Chinese cinemagoers this CGI villain-swap-out never happened.

But now that Red Dawn (2013) has finally been released in overseas territories around the world it has had the unexpected effect of reigniting the Korean War. Since M*A*S*H ended its run in 1983 the conflict has been justly dubbed the forgotten war, and, bar a flurry of interest around the time of the season one finale of Mad Men, has not troubled the public imagination until the recent reminder that the War never officially ended – an armistice had just put it on permanent suspension; not unlike the dormant 2012 Campaign of Rick Santorum for the Republican Nomination for President.

Little is known for sure about Kim Jong-Un’s character or his foreign policy intentions, but a number of recent off the record comments from former classmates at his elite Swiss school suggest an ironic love of bombastic action movies. This must make us fear the worst according to a senior analyst at the FBI who specialises in cinematic cliché. Clearly Kim Jong-Un has seen the remake of Red Dawn, and, inspired by the film’s first act depiction of an invasion so successful that Washington DC cedes Washington State to North Korea, has ramped up the rhetoric on the international stage.

He does so with an ace up his sleeve, derived from his father’s complete collection of David Mamet-scripted films. Kim, inspired by 1998’s satire Wag the Dog, obviously intends to convince his people that they have successfully attacked mainland America by screening selected scenes from Red Dawn on state television as news footage of their invasion. Recurring Hawaii Five-O guest star Will Yun Lee will be hailed as a great hero of the North Korean people. There can be no doubt that Kim is counting on his people’s ignorance of Chris Hemsworth’s career. He did not suppress Thor for nothing…

B. Bradley Bradlee is the fictional editor of The New York Times. This article was first published in the weekly German magazine Die Emmerich Uhr.

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