Talking Movies

June 10, 2018

They’re young, they’re in love, and they kill people

The IFI presents a Killer Couples season for the month of June. Extremely notable by its absence is Bonnie & Clyde, which one would have thought essential. In its place there is a grab-bag of noirs, B-movies, black comedies, latter-day B-movies, and art-house drama, ranging from the 1940s to the 1990s, and Hollywood to New Zealand via the Nouvelle Vague.

Double Indemnity

Wednesday 6th June 18:20

Neil Brand claims for Miklos Rozsa’s opening chords the origin of the classic uneasy dissonance of high film noir music. One might note that the writing credits are equally seminal: the knowing dialogue of Raymond Chandler, the cynical plotting of James M Cain, and the chilly irony of director Billy Wilder. Nice guy Fred MacMurray is cast wonderfully against type as an insurance salesman who begins an affair with the wife of a client, Barbara Stanwyck’s definitive femme fatale.

Compulsion

Sunday 10th June 15:45

Orson Welles cameos as a thinly disguised Clarence Darrow pleading, at some length, for mercy for the upstanding rich young psychopaths he’s defending (Braford Dillman and Dean Stockwell). Based on the same infamous Leopold & Loeb murder case of 1924 that inspired Hitchcock’s Rope, director Richard Fleischer, in less fantastical territory than usual for him, chillingly depicts the students outwitting their elders with Nietzschean aphorisms before their abrogation of morality comes a cropper over a (providentially?) misplaced pair of glasses.

The Getaway

Wednesday 13th June 18:20

Cool character Steve McQueen is a hardened criminal in hard-man director Sam Peckinpah’s tough-minded version of hard-boiled novelist Jim Thompson’s brutal pulp novel, adapted by the thinking man’s hard man auteur Walter Hill. Yeah, there was a lot of competing machismo on the development and production of this 1972 movie. Poor Love Story star Ali McGraw got dog’s abuse for her poor acting from a perpetually drunk Peckinpah even as smitten co-star McQueen began a scandalous affair with her.

 

Ascenseur pour l’echafaud

Sunday 17th June 15:30

Louis Malle somehow convinced jazz great Miles Davis to simply improvise a score while watching footage of his 1957 directorial debut. Not technically a Nouvelle Vague film but it seems churlish to deny Malle’s kinship with them on account of two years’ chronology. Jeanne Moreau enigmatically wanders the streets of Paris at night waiting for her lover (Maurice Ronet), after their perfect murder of her husband goes predictably sideways, while a sub-plot sees two younger lovers cause chaos.

 

Pretty Poison

Wednesday 20th June 18:30

Psycho star Anthony Perkins is released from a mental institution under strict conditions but immediately runs into the murderous arms of manipulative teenager Tuesday Weld in this bizarre black comedy. A haze of insane conspiracies, mayhem, and bloodshed ensue, with an RD Laing zeitgeist-surfing vibe that the sane people are the ones in the asylum – the truly crazy people are the ones running around outside in the dramatically disintegrating America of 1968. Who wouldn’t prefer being safely locked up?

 

The Honeymoon Killers

Saturday 23rd June 15:30

French Connection and Jesus of Nazareth actor Tony Lo Bianco stars in Leonard Kastle’s blackly comic thriller as a con man who offers love and marriage to lonely women via lonely hearts newspaper classifieds but has something very different in mind, aided and abetted by his partner Shirley Stoler. A few scenes directed by Martin Scorsese still remain in the picture; astonishingly the exuberant motor-mouth was fired after 4 days because he was working too … slowly. Yep.

 

Natural Born Killers

Sunday 24th June 15:30

I think the IFI rather enjoys showing Oliver Stone’s 1994 throw-every-film-format-and-editing-style-there-is-at-the-wall-and-see-what-sticks media satire/fiasco just to remind everyone how they were prevented from doing so by the boo-hiss censor back in 1994. Now showing in 35mm, this may be your last chance to enjoy this as an original piece of madness before Orson Welles’ The Other Side of the Wind is finally released (soon, allegedly) and we can see the footage that Stone was shown privately pre-JFK and NBK

Gun Crazy

Thursday 28th June 18:30

Rope star John Dall is a naive young man who meets and marries (unhinged) carnival sharpshooter Annie Laurie Starr (Irish actress Peggy Cummins) only to fall into a world of trouble due to her criminal proclivities. Dalton Trumbo co-wrote this while blacklisted, and there is some showy single-take and fixed-position direction by Joseph Lewis. Recent contributor hereabouts Friedrich Bagel somehow fell asleep during a screen 2 showing of this B-movie classic in the IFI some years ago, for shame!

Heavenly Creatures

Saturday 30th June 18:20

Before the unexpected transition to epic fantasy with The Lord of the Rings and after Meet the Freebles was Peter Jackson’s equally unexpected gothic drama based on a real life cause celebre in 1950s New Zealand. Kate Winslet and Melanie Lynskey both made their impressive screen debuts as the teenagers whose obsessive bond and shared fantasy world led to a very savage murder in the here and now. Legendary Weta was formed by Jackson to create that fantasy world.

September 16, 2016

Hunt for the Wilderpeople

What We Do in the Shadows main-man Taika Waititi delivers another blast of New Zealand comedy gold with a warm-hearted and utterly ludicrous chase movie.

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Ricky (Julian Dennison) is moved from the big city to the sticks by the state in the grouchy shape of social worker Paula (Rachel House) and her police minder Andy (Oscar Kightley). Ricky is enthusiastically welcomed to farm life by Bella (Rima Te Wiata), and less enthusiastically tolerated by her gruff husband Hector (Sam Neill). Once Ricky stops trying to run away, and not getting very far, he settles in to this last chance foster home. But then tragedy strikes and he runs away into the Bush rather than be institutionalised. Hec pursues to drag him home, but a series of unfortunate events leave them on the run, pursued by self-righteous hunters, Paula and Andy, and the entire forces of the media and law and order of the island. And all that is before they encounter Psycho Sam (Rhys Darby)…

Taika Waititi’s adaptation of Barry Crump’s novel is a visual delight. At times, such as Paula’s listing of Ricky’s previous misdemeanours and some of the action beats, it feels like Edgar Wright is directing the comedy is so visually driven. Indeed as Waititi builds and builds in his finale, things become so hysterically overblown that it feels like the end of The Blues Brothers. But there’s also a rich spread of verbal comedy from Ricky mangling words like ‘Majestical’, and Paula and Rick arguing over who is Sarah Connor and who the Terminator in their relentless pursuit through the Bush, to Waititi’s delirious cameo as an impressive clergyman to rank beside Peter Cook’s in The Princess Bride, and a jaw-droppingly sustained sequence of misunderstood statements by Ricky about Hec that lands Hec in the most serious of hot water imaginable.

Scott Pilgrim died a horrible death at cinemas, if you don’t see this treat in the cinema you can’t complain when the multiplexes are full of Melissa McCarthy dreck.

5/5

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