Talking Movies

June 30, 2021

Miscellaneous Movie Musings: Part XL

As the title suggests, so forth.

Tom Cruise is America, or something

I’d been thinking about this for a while, but was finally spurred into action by Megan Garber’s recent Atlantic piece on Top Gun as infomercial for nothing less than the US of A itself. She’s absolutely right. Top Gun exudes Reagan’s America even more purely than Stallone asking in Rambo: First Blood – Part II whether America gets to win Vietnam this time. (Yes, Rambo, of course.) But whither Reagan’s America now? And so to the once boyish now aged Cruiser… It occurred to me when recently watching it on TV that Cruise in Mission: Impossible – Fallout is almost a stand-in for America, maybe even Joe Biden, now. He knows that he is not physically on top of this, but his instincts remain true, and his resolve undimmed though tinged with desperation. The repeated insistence by Cruise that he will find a way, make it work, figure it out – I won’t let you down! almost seems to reflect the figure America currently cuts on the world stage. Hapless, diminished, but bloody determined to live up to its own heroic self-image.

Movie musicals are too long

I was thinking about why I haven’t loved so many of the great filmed Broadway musicals as much as I ‘should’, given that I love musicals onscreen and onstage, and then it hit me. They are too long. It could really be that simple. En masse. And they are too long because… they are too long. To be less simple. Finally watching South Pacific last year I got more out of it than most filmed Broadway musicals hitherto because I gave myself an interval. I paused the movie, made some tea, mooched about the place, reflected on what had happened so far and wondered where things might go next. As one does at an interval in a Broadway musical. I haven’t really tried this out to the extent that I can pronounce a definitive verdict on this theory, but I do think it explains why the likes of West Side Story and My Fair Lady never really seemed to connect with me the way shorter musicals like Kiss Me Kate and The Rocky Horror Picture Show did.

August 4, 2019

Notes on Hobbs & Shaw

Fast & Furious spin-off Hobbs & Shaw was the film of the week much earlier today on Sunday Breakfast with Patrick Doyle.

The Rock and the Stath glittered in the ensemble of the Fast & Furious, but spun out on their own they are less stellar despite regular scriptwriter Chris Morgan being augmented by Drew Pearce. Morgan and Pearce tiresomely mine one vein of comedy for far too much of the movie, let us call it the grande cojones seam. It is a delight when Kevin Hart unexpectedly ends a protracted bout of this anatomical arguing with some character-based comedy, his Air Marshall is desperate to get back in the field with Special Forces and instantly tags the warring duo as spy and soldier. Except that it’s a trio – Vanessa Kirby is the Stath’s estranged MI6 agent sister, forced to go rogue after coming up against Idris Elba’s Black Superman. The casting of Statham and Kirby as siblings isn’t outside the realm of possibility, Vera and Taissa Farmiga prove that, but it makes their 1970s childhood flashbacks nonsensical.

Listen here:

April 6, 2019

You Have Been Listening To…: Part II

It is the third weekend of a personal hiatus from the radio. There will be no more reviews by me of any kind on Dublin City FM 103.2 till May. But here’s a round-up of links to the previous editions of Sunday Breakfast with Patrick Doyle and a list of the films we discussed on each one if you’re eager to explore the back catalogue.

DECEMBER

Review of 2018 (A Quiet Place) + TV Choice Die Hard 2 + Classic Home Alone

Review of 2018 (Mission: Impossible – Fallout, Goldstone) + TV Choice Spectre + Classic Duck Soup

Review of 2018 (Three Billboards Outside Ebbing Missouri, The Old Man and the Gun) + TV Choice Skyfall + Classic Home Alone 2

Preview of 2019 (Once Upon A Time in Hollywood) + TV Choice Edge of Tomorrow + Classic The Great Escape

 

JANUARY

BumbleBee + TV Choice John Wick + Classic Blade Runner

Stan & Ollie + TV Choice In the Line of Fire + Classic Bill & Ted’s Excellent Adventure

Glass + TV Choice Speed + Classic Heat

Vice + Oscars 2019

 

FEBRUARY

Happy Death Day 2U + TV Choice The Social Network + Classic Tom Jones

Cold Pursuit + TV Choice La La Land + Classic The Taking of Pelham 123

 

MARCH

The Aftermath + TV Choice Hunt for the Wilderpeople + Classic The Third Man

Fighting with my Family + TV Choice Boyhood + Classic The Italian Job

Classic The Enemy Below + Classic The Woman in the Window

January 7, 2019

Top 10 Films of 2018

10) First Reformed

Ethan Hawke goes green

As only Schrader would think:

God’s taxi driver

9) Hereditary

Artist loses head

When daughter loses her head

Demons are the worst

8) 120 BPM

Click your fingers and

Act Up, throw pig’s blood, shout loud

Fight to save your life

7) Cold War

Love in black and white

Here, there, and everywhere

Polish misery

6) Isle of Dogs

Wes returns to form

Dog lovers of the world – cheer!

(Frost on windowpane)

5) A Quiet Place

Don’t make a sound, and

watch where you step, and accept

kids are your downfall

4) Mission: Impossible – Fallout

A chase, by car, bike,

chopper, on foot, and truly

THE FIGHT for an age

3) Goldstone

Strong silent type cop

ruffles rich Outback feathers

in odd homecoming

2) Three Billboards Outside Ebbing, Missouri

Woody H insists

Truth in Advertising has

gone too damn far here

1) The Old Man and the Gun

‘Over the hill’ gang:

Repartee a specialty,

Catch them if you can

December 9, 2018

You Have Been Listening To…

It is time to discreetly begin to draw the curtains for Christmas. There will be no more reviews by me of new releases on Dublin City FM 103.2 this year. But here’s a round-up of links to the previous editions of Sunday Breakfast with Patrick Doyle and a list of the films we discussed on each one if you’re eager to explore the back catalogue.

JUNE

Jurassic World 2

Hereditary + TV Choice Sicario + Classic The Living Daylights

 

 

JULY

Sicario 2 + TV Choice Alien + Classic Once Upon a Time in the West

The First Purge + TV Choice Three Kings  + Classic The Truman Show

Hotel Artemis + TV Choice Mission: Impossible – Rogue Nation  + Classic Invasion of the Body Snatchers ’78

Mission: Impossible – Fallout + TV Choice X-2  + Classic The War of the Worlds ’53

 

 

AUGUST

Ant-Man and the Wasp + TV Choice Nightcrawler  + Classic Star Trek IV

The Meg + TV Choice Fruitvale Station + Classic Heathers

 

 

SEPTEMBER

Searching + TV Choice Vertigo + Classic The Age of Innocence

The Seagull + TV Choice Dredd + Classic Monsieur Hulot’s Holiday

The Predator + TV Choice Die Hard + Classic Superman

Mile 22 + TV Choice The Nice Guys + Classic From Russia, with Love

Cold War + TV Choice Bone Tomahawk + Classic The Birds

 

 

OCTOBER

Venom + TV Choice Hell or High Water + Classic The Dark Knight

Hallowe’en ’18 + Hallowe’en ’78 + Donnie Darko + Scream

 

NOVEMBER

Juliet, Naked + TV Choice Bridge of Spies + Classic The Invisible Man

Widows + TV Choice Goldeneye + Classic Jurassic Park

Overlord + TV Choice JFK + Classic Billy Liar

Assassination Nation + TV Choice The Martian + Classic Sherlock Holmes in Washington

 

DECEMBER

The Camino Voyage + TV Choice Gideon of Scotland Yard + Classic Rope

July 29, 2018

Notes on Mission: Impossible – Fallout

Mission: Impossible – Fallout is the only possible choice for movie of the week. Here are some notes on’t, prepared for Dublin City FM’s Sunday Breakfast with Patrick Doyle early this morning.

Mission: Impossible – Fallout is a more serious film than its two immediate predecessors. There are far fewer jokes, and even the colour palatte is grimmer: Berlin, Paris, London, and snowy Kashmir. No jaunts to Dubai or Morroco here. Instead we have a film that marks 10 years since The Dark Knight with a very Batman/Joker dynamic between Cruise’s Ethan Hunt and the diabolical mastermind he refused to kill, Sean Harris’ Solomon Lane. Just like Batman and the Joker, Hunt’s refusal to take one life may result in many more lives being lost; where is the morality in that? There’s even an elaborately planned assault on a prisoner transfer as Lorne Balfe’s score knowingly dives into the Zimmer Bat-soundscape of ostinato synthesiser and strings.

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