Talking Movies

September 6, 2019

From the Archives: 1408

This expedition into the pre-Talking Movies archives doth descry cynical writer John Cusack hacking out books debunking supposedly haunted houses. For the final chapter of his latest tome he checks into a notorious New York hotel room, only to find that this room is actually evil….

Stephen King’s work has been the source for nearly 100 films over the last 30 years and has provided many meaty acting roles. John Cusack, who had a minor role in Rob Reiner’s 1986 King adaptation Stand By Me, is on fine form here as the jaded writer Mike Enslin. The film’s opening act is surprisingly funny as Enslin remains mordantly undaunted despite the best efforts of hotel manager Gerald Olin to dissuade him from checking in to 1408. Even after the room turns on him Enslin’s jaded cynicism still enables him to deliver one-liners. Samuel L Jackson has very little screen time as Olin but is an absolute hoot in his best turn in some years. His delivery of the line “It’s an evil f***ing room” is guaranteed to elicit cheers.

Director Mikael Hafstrom impressively manages to ratchet up tension for pure shocks and also to comically undercut it. The entrance of Mike Enslin into room 1408 for the first time is particularly joyous as music, editing and camera angles all combine to create creeping dread. It’s difficult to discuss the plot without ruining it but suffice it to say that the horrors inflicted on Enslin began quite plausibly as the room sounds him out. Later the terrors become more nightmarish as it becomes clear that the room skims the subconsciousness of guests in order to inflict their darkest fears upon them. Mike Enslin is thus increasingly fleshed out as a character the more the room tries to scare the bejaysus of out him. We find out in snatches what it is that has made him so detached from people.

It’s important at this point to note that there is more humanity in 10 minutes of 1408 than in all of Eli (Hostel) Roth’s oeuvre. It is cheering to see a PG-13 horror film being made, and doing well, in the current climate. It proves that a good script complete with laughs, genuine jumps and a heart can still succeed. Screenwriters Scott Alexander and Larry Karazewski wrote Man on the Moon, Agent Cody Banks and the forthcoming Ripley’s Believe it or Not. Matt Greenberg, the other screenwriter, comes from a gory horror background but he’s been affected here by their sense of fun. It is impossible to enjoy any of those misogynistic exercises in cruelty like Hostel which have been rightly dubbed ‘torture porn’. 1408 is a throwback to the traditional horror film. It does not want you moaning in revulsion while covering your eyes, wondering why you paid money to see such inhuman barbarism, it wants to make you jump in fright and send you away smiling. For that intention and its successful execution it deserves an audience.

3/5

May 6, 2019

R.E.M.: 10 Songs

Talk About The Passion

Driver 8

Fall On Me

It’s The End Of The World As We Know It (And I Feel Fine)

Orange Crush

Losing My Religion

Radio Song

Man On The Moon

Strange Currencies

Imitation Of Life

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