Talking Movies

September 4, 2020

Any Other Business: Part LIX

As the title suggests, so forth.

A Blacklist Darkly

Well, that was … unexpected. The unintentional season 7 finale of The Black List aired on Sky One last week. And it was half-live action, half-animated. Not at all the expensive rotoscoping over live action of A Scanner Darkly, but clearly that was at the back of someone’s mind as they tried to figure out how to finish the story with the remaining dialogue being phoned in by the actors, and a limited budget to render them and their environments accurately. Leading to such wonderful innovations as little title cards telling us the narrative and emotional import of the facial expressions of the animated characters when there was no time or money to actually make the avatars tell the story that way. One hopes that this approach is not going to catch on…

Golfgate, moral hysteria, and No Deal Brexit

Imagine a world where nobody in the media was allowed to use Twitter or report on Twitter. Imagine a world where government did not respond clumsily and frantically to frenzies whipped up by the tiny fraction of very loud people who use Twitter. In this world the Cork Examiner might still have taken out Dara Calleary, a target that remains highly suspicious, but not Phil Hogan. Instead the Twitter-led moral hysteria brigade have excelled themselves, and Phil Hogan is gone. Now nobody should cry over the end of Phil Hogan’s political career. The man was a boor of long standing and his disastrous quango Irish Water will outlive him. But to go now. For attending a dinner that was perfectly legal. As the Atlantic reported yesterday the rich in America are saving oodles of money because they have nowhere to go right now. If functions which separate people into groups of less than 50 and give them different exits, entrances, and toilets, are to be verboten because somebody might go mental on Twitter – who benefits? The hotels that cease to host such functions and shut down? The staff who cease to work such functions and go home? This is the self-defeating performance of austerity in another guise: where a billionaire decides not to buy a new yacht for fear of it being seen in a poor light, and a number of yacht-builders go on the dole because of the optics. So… less than 6 weeks to go until a deal needs to be ready to present to a top level EU gathering to approve Brexit with an actual trade deal. And the EU has no Trade Commissioner. And whoever comes in, with less than 6 weeks to appoint someone, will be totally clueless as to their brief as opposed to being on top of it from being there all thru the Brexit farrago. Good Job Everyone!!! A satisfying bout of righteous crucifixion during the silly season, and, well, come January, when we will be battling the flu season, the seasonal spike in patients on trolleys in hospitals, a surge in coronavirus as we all stay indoors without any preparation for proper ventilation, and probably another total lockdown we look forward to the final kibosh: 3 weeks of empty shelves, and an eternity of higher prices thereafter, as No Deal Brexit arrives like a tonne of bricks and all our imports from England become hugely expensive, and all our supplies perforce must come thru France at greater uncertainty and therefore a new model of supply chain management involving the resurrection of warehouses which don’t come for free, we can all content ourselves with the knowledge that the Bad Man Was Made Quit and that makes it all okay.

You really mean that this Spotify list is so highly classified you damn people would kill to keep it a government secret?!

Spotify these 60 songs for a 70s mood

Edwin Starr – War // Talking Heads – Life During Wartime // Blue Oyster Cult – Don’t Fear the Reaper // David Bowie – Station to Station // David Shire – The Taking of Pelham 123 theme // Led Zeppelin – Kashmir // Lou Reed – Sweet Jane live // Boston – More Than a Feeling // Iggy Pop – The Passenger // Bob Dylan – One More Cup of Coffee Before I Go // Creedence Clearwater Revival – Who’ll Stop the Rain // The Beatles – Across the Universe // Simon & Garfunkel – Bridge Over Troubled Water // Arvo Part – Cantus in Memoriam Benjamin Britten // The Doors – Hyacinth House // Bob Dylan – Tangled Up in Blue // Blondie – One Way or Another // Roxy Music – Love is the Drug // Talking Heads – Psycho Killer // Creedence Clearwater Revival – Up Around the Bend // The Doors – LA Woman // Lynyrd Skynyrd – Freebird // ABBA – Voulez-Vous // David Bowie – Starman // T-Rex – Children of the Revolution // Kansas – Carry On My Wayward Son // Alice Cooper – School’s Out // Blondie – Heart of Glass // Stevie Wonder – Superstition // The Rolling Stones –Brown Sugar // The Clash – London Calling // Pink Floyd – Us and Them // Led Zeppelin – The Rain Song // Creedence Clearwater Revival – Have You Ever Seen the Rain // Bob Dylan – Shelter from the Storm // John Lennon – Imagine // Queen – Bohemian Rhapsody // The Doors – Love Her Madly // ABBA – S.O.S. // Blondie – Call Me // The Kinks – Lola // The Buzzcocks – Ever Fallen in Love // The Who – Won’t Get Fooled Again // John Williams – Jaws theme // David Bowie – Life on Mars // Van Morrison – Moondance // The Band – The Night They Drove Old Dixie Down // Lou Reed – Satellite of Love // John Williams – Superman march // David Bowie – D.J. // Gil Scott-Heron – The Revolution Will Not Be Televised // Lou Reed – Walk on the Wild Side // Talking Heads – Memories Can’t Wait // David Shire – All the President’s Men finale // Glen Campbell – Rhinestone Cowboy // ELO – Mr Blue Sky // John Williams – Star Wars march // Led Zeppelin – Stairway to Heaven // The Knack – My Sharona // The Sex Pistols – Pretty Vacant // ABBA – Waterloo

March 18, 2020

Miscellaneous Movie Musings: Part XXIX

As the title suggests, so forth.

I didn’t realise it was social distancing at the time in 2017, I thought I was just going to deeply unpopular films

“Siri, what is a ‘cinema’?”

The cinemas have closed all over Ireland, all over America, and some may never re-open. As it looks like this global pandemic is going to last long enough for a latter-day Daniel Defoe to write a modern Journal of the Plague Year you have to wonder if cinema as we understand it will come back from this enforced hiatus. As the streaming wars ramp up just as everyone is suddenly stuck at home and at a loose end, will the idea of spending multiples of your monthly streaming fee to take a one-off punt on a film in a cinema full of obnoxious strangers coughing germs at you, flashing their phones, and shouting their conversations in your face become absurd? Will wasting time going somewhere else to buy over-priced snacks to watch something you can’t pause or rewind, when you could just stay where you are and stream instantly in your sedate cosy living room with your own snacks whenever you wish to pause or rewind, become as antique as the notion of carefully composing your message into as few words as possible in order to afford the telegram you are about to dictate? Stop.

Aloha and the xkcd challenge

I recently rewatched Aloha on RTE 1, and the knowledge that it had been beaten senseless by the critics made me suddenly think about the xkcd challenge [https://xkcd.com/2184/]. To wit, it is easy to prove your independent streak by disliking films universally beloved, but what about proving your independent streak by liking films universally reviled? Randall Munroe gave under 50% on Rotten Tomatoes as the target, [the other two parts of the trifecta being that they came out in your adult life post-2000 and are not enjoyed ironically] and gosh darn if poor old muso turned writer/director Cameron Crowe’s Aloha and Elizabethtown aren’t both under 50%, standing at a measly 20% and 29% respectively. And you know what, their critical pasting is undeserved. They’re not great movies, but they’re not nearly as bad as reputed, and I would happily watch either again. Elizabethtown has a number of ideas and scenes in it that I still treasure years after my single viewing of it on DVD, such as the distinction between a failure and a fiasco and the imperative to finish the rock-out of ‘Freebird’ over-riding all concern of personal safety, while Aloha has a vein of melancholy running thru it in the acceptance but continuing regret over squandered opportunities in life choices that is quite rare in Hollywood movies while the two silent conversations between Bradley Cooper and John Krasinski are a thing of joy.

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