Talking Movies

May 25, 2018

At least we still have…

The first in an occasional new series in which I try to cheer myself up by remembering what still exists in the world and cannot ever be taken capriciously away.

For starters, there is this delivery of one single word by Gary Oldman in Leon, which still floors me with laughter no matter how many times I see it. The deliberate OTT take, that Oldman warned the sound recordist he was about to do, which of course Luc Besson ended up using in the final cut, launched a thousand GIFs.

And then there is the ‘Ode to Joy’ finale of Beethoven’s 9th Symphony, which I am going to experience in person for the first time in the National Concert Hall tonight. I think I can make a good case that this piece of music which permits of no encore, was written by a composer who had completely lost his hearing, requires considerable resources to perform, and triumphantly promotes a spirit of universal brotherhood, is the very pinnacle of Western Civilisation.

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August 18, 2011

Glee: The 3-D Concert Movie

Glee: The 3-D Concert Movie is less concert film, featuring most of the cast of Glee performing in character, and more socio-political manifesto by Ryan Murphy.

The film opens with backstage interviews with the Glee cast. Oddly some of them stay in character and some don’t. Their character names then flash up on screen during their on-stage introduction and Artie stays in his wheelchair just to hammer home that they’re performing in character as New Directions, sort of. If the film wants to refer to the performers by character name, I’m happy to oblige and save myself a visit to IMDb. Proceedings begin, of course, with the trademark god-awful cover of Journey’s ‘Don’t Stop Believing’. The words ‘of course’ apply to most of the numbers. This is a greatest hits package of songs that the show has affixed to particular characters, all of whom get the chance to step up and strut their stuff.

Miss Holliday cameos for one Ce Loo song, but Mr Schuster is conspicuously absent. Puck, Mercedes and Artie all get to show off with solo songs but the most notable turn is Britney’s energetic performance of ‘I’m a Slave 4 U’, which is outrageously sleazy, and leads to the thought that 3-D works well for horror and animation but is perhaps also something that could enhance musicals. Not that it works particularly well here, the choreography is too basic for there to really be anything to show off, but there are moments when it adds something. But while they fail to exploit the third dimension these are good performances – Mike Chang can dance! As indeed can the other secondary characters. But then the lead characters can really sing. Rachel belts out ‘Firework’, and, as Nadine O’Regan has noted, Katy Perry’s lungs resemble those of a blue whale.

Regrettably this is not solely a concert film. There are endless inserts following three Glee fans. Apparently Glee cures Asperger’s, makes dwarves (their term) popular and enables gay students survive high school. Apparently I hallucinated three hilarious pre-Glee seasons of Ugly Betty valorising a hopeless nerd, celebrating difference and positively depicting a fabulous high school student… Lady GaGa’s ‘Born This Way’ is the show-climaxing statement of socio-political intent, but Glee cannot sustain this solving-all-the-world’s-problems-with-a-soft-shoe-shuffle pomposity – what could? Glee is just a TV show with glaring limitations. It’s a blender which flattens all music. Beethoven’s ‘Ode to Joy’, Dylan’s ‘Mr Tambourine Man’ and Massive Attack’s ‘Inertia Creeps’ would all emerge sounding the same, as deeply over-produced pop. I previously criticised its lack of ambition beside Julie Taymor’s Across the Universe, and here Kurt performs ‘I Want to Hold your Hand’ – precisely as Taymor reinterpreted it! Even their innovations are derivative!!

This is a genuinely enjoyable concert, but the documentary segments are actually mildly disturbing…

2/5

(P.S. Stay on after the credits for another signature song…)

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