Talking Movies

November 29, 2013

Digital Biscuit 2014

The Screen Directors Guild of Ireland (SDGI) officially launched Digital Biscuit 2014 at their Annual Meeting for Irish Directors in Dublin on November 21st last.

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The inaugural Digital Biscuit 2013 proved a resounding success with both the industry and the public with over 4,000 attendees over the 3 day period. Digital Biscuit 2014 places creatives at its core while also serving as a digital expo for new technologies. The 2014 event promises a varied and packed programme: amidst cutting-edge presentations and product unveilings, representatives from the creative industries will deliver talks, discussions and seminars on matters that are crucial to production today, with an aim to not only inspire but also enable and spur on productivity. Digital Biscuit takes place at the Science Gallery, Trinity College, Dublin from January 22nd to 24th 2014 with tickets now available on www.digitalbiscuit.ie. Those in attendance at the AGM of SDGI last week included Irish directors Conor Horgan, Maurice Sweeney, Paddy Breathnach, Steve Woods and Brian Kirk. Irish Film Board representatives were also present and special guest, acclaimed French director, Arnaud Desplechin – fresh from a retrospective of films at the IFI’s French Film Festival.

“The aim is to make directors and people generally aware of the most up to date digital technologies in film making and indeed TV production” says Ciaran Donnelly, Chairman of SDGI and director of The Tudors and Vikings. “The aim of Digital Biscuit is to improve the production capabilities of our most talented creators from the simplest ideas to the highest budgets”. At Digital Biscuit 2014 The Paccar Theatre in the Science Gallery will host screenings, presentations, and panel discussions. This ticket-only area will host talks from exciting global talent and creatives including: Carlos Velasco (CEO, Neurosketch), Christian Fonnesbech (Director, Cloud Chamber), Jack Reynor (Actor, What Richard Did, Delivery Man and Transformers: Age of Extinction), Nick Meaney (CEO, Epagogix), Philip Einstein Lipski (Lars Von Trier Collaborator for Nymphomaniac). The Secret of Kells director, Tom Moore, will be giving the audience an exclusive sneak peek into the making of his upcoming feature Song of The Sea.

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This year’s Honorary Guest Director is Alan Taylor, who has clocked up credits on Mad Men, and then Game of Thrones, and most recently turned to cinematic fantasy with the massive hit Thor: The Dark World. As Honorary Guest Director, Taylor will engage in an informal conversation about his work and career. Meanwhile directors, writers, photographers, producers, editors, directors of photography, students and members of the public once again will have the opportunity to immerse themselves in the bustling displays and demonstrations of new technologies in the KinoPlay Area, which is aimed at enhancing the production process and market for their creators. “We look forward to Digital Biscuit being once again a dynamic hub of national and global industry leaders, concentrated on enabling creativity by focusing on Ireland’s capabilities as a creative and technological leader in innovative film and television production” commented Birch Hamilton, Digital Biscuit’s Executive Director.

Tickets are on sale now on www.digitalbiscuit.ie. Workshop access requires registration on www.digitalbiscuit.ie with a registration fee of five euro, guaranteeing pass holders a place. The printable pass ticket pass is required on the day and will be the only way to gain entry to the workshops. Non ticket/pass holders can still enjoy the KinoPlay area and atmosphere of Digital Biscuit. All information on Digital Biscuit 2014, including information on partners, speakers, and the schedule will be available on www.digitalbiscuit.ie.

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October 16, 2013

Castles, Candles and Kubrick

All Stanley Kubrick fans should move the dial to Newstalk this weekend for a documentary about the truncated Irish shoot of period epic Barry Lyndon.

Kubrick on set of Barry Lyndon

As part of the autumn season of documentary radio on Newstalk 106-108 Pavel Barter produces this look at the story behind the making of Stanley Kubrick’s period adaptation Barry Lyndon in Ireland 40 years ago.

In the summer of 1973, director Stanley Kubrick arrived in Ireland to make his latest film Barry Lyndon. Having run massively over-schedule and over-budget with his space epic 2001: A Space Odyssey, Kubrick had followed that sci-fi folly up with a cheap and nasty quickie, A Clockwork Orange, which had proven massively controversial; its ultraviolence and rape coming in the same year as Dirty Harry and Straw Dogs. Now Kubrick was ready to take on Thackeray’s novel with the unlikely personage of Ryan O’Neal as the titular hero. All seemed to be going well as Kubrick shot in the Irish countryside with hundreds of costumed extras. But on an overcast night in January 1974, the director fled Ireland on a ferry from Dun Laoghaire. Within 48 hours the entire production had also abandoned their stations.

Castles, Candles and Kubrick tells, for the first time, the story behind the making of Barry Lyndon in Ireland, featuring interviews with cast and crew from the film. What role did Ireland play in the production of Barry Lyndon? Did Kubrick’s preceding film, Clockwork Orange, affect the production? It was widely rumoured he fled Ireland after a death threat which also caused him to withdraw A Clockwork Orange from circulation in Britain and Ireland until its posthumous re-release in 2000; a move that unjustly fostered its reputation as a great classic lost to censorship. It’s equally rumoured that he misinterpreted the death threat, which was from the IRA; enraged at the sight of hundreds of extras dressed as British soldiers in deepest Tipperary. Hopefully Barter’s documentary will get to the bottom of these urban legends.

Castles, Candles and Kubrick features contributions from Brian W. Cook (The Wicker Man, The Shining), Luke Quigley (Braveheart, In The Name of The Father), Terry Clegg (Gandhi, Out of Africa), Patti Podesta (Memento), and Gay Hamilton (The Duellists). They’ll shed light on working with the notorious perfectionist. Kubrick surpassed Hitchcock in the endless self-promotion stakes because he only directed 13 films, a fraction of Hitchcock’s output. Kubrick did endless takes without explaining what he wanted done differently, and shot every one of his few film with emotionless Ophuls glides, regardless of whether it suited that particular subject matter; yet his very reclusiveness and these eccentricities in shooting made him revered. Why is Barry Lyndon considered the greatest movie ever by fellow directors such as Martin Scorsese and Lars Von Trier? Tune in and find out.

Castles, Candles and Kubrick will air on Newstalk 106-108 on Saturday October 19th at 7:00am, with a repeat airing on Sunday October 20th at 6:00pm.

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