Talking Movies

August 15, 2017

100 Best Films of the Century (sic)

Poring over Barry Norman’s ‘100 Best Films of the Century’ list last month set off musings on what a personal version of such a list would be. All such lists are entirely personal, and deeply speculative, but it’s time to be more ambitious/foolhardy than heretofore and nail this blog’s colours to the mast. Norman unapologetically focused on Old Hollywood, but Talking Movies has more regard than he for the 1980s and 1990s. The years to 1939 are allocated 10 films, and each decade thereafter gets 10 films, with an additional 10 films chosen to make up any egregious omissions. What is an egregious omission, or addition for that matter, is naturally a matter of opinion. Like the truest lists this was written quickly with little revision. If you don’t trust your own instincts why would you ever trust anyone else’s?

Gone with the wind

 

The first day to 1939

Nosferatu

The Lodger

M

King Kong

It Happened One Night

The 39 Steps

A Night at the Opera

Top Hat, Secret Agent

The Adventures of Robin Hood

Gone with the Wind

TheBigSleep-011

1940 to 1949

His Girl Friday

Rebecca

Citizen Kane

The Maltese Falcon

Casablanca

Shadow of a Doubt

The Big Sleep

The Stranger

Rope

The Third Man

1950 to 1959

Strangers on a Train

The Lavender Hill Mob

Singin’ in the Rain

Them!

Rear Window

High Society

Moby Dick

Vertigo

North by Northwest

Rio Bravo

1960 to 1969

Last Year in Marienbad

The Manchurian Candidate

The Birds

The Great Escape

Billy Liar

Dr. Strangelove

Goldfinger

Dr. Zhivago

The Sound of Music

The Good The Bad And The Ugly

Once Upon a Time in the West

Ma Nuit Chez Maud

The Italian Job

 

 

1970 to 1979

Kelly’s Heroes

Aguirre the wrath of God

The Godfather

Dog Day Afternoon

Jaws

All the President’s Men

Annie Hall

Star Wars

Superman

Apocalypse Now

1980 to 1989

The Blues Brothers

Chariots of Fire

Raiders of the Lost Ark

Blade Runner

Ghostbusters

Back to the Future

Ferris Bueller’s Day Off

Aliens

Blue Velvet

Wall Street

Au Revoir Les Enfants

Die Hard

1990 to 1999

JFK

My Own Private Idaho

The Silence of the Lambs

Terminator 2

The Age of Innocence

Jurassic Park

Pulp Fiction

Speed

The Usual Suspects

Scream

The Matrix

Fight Club

 

2000 to 2009

Memento

Almost Famous

Moulin Rouge!

Ocean’s Eleven

Donnie Darko

The Rules of Attraction

The Lord of the Rings

Team America

Brick

Casino Royale

Atonement

The Dark Knight

2010 to the present day

Inception

Scott Pilgrim Vs the World

Incendies

Skyfall

Mud

This is the End

X-Men: Days of Future Past

Birdman

High-Rise

20th Century Women

Advertisements

February 3, 2015

2015: Fears

Filed under: Talking Movies — Fergal Casey @ 11:20 pm
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

jupiter-ascending-channing-tatum-mila-kunis-636-380

Jupiter Ascending

The Wachowskis return, oh joy, in 3-D, more joy, with a tale of a young woman (Mila Kunis) who discovers that she shares the same DNA as the Queen of the Universe, and goes on the run with a genetically engineered former soldier (Channing Tatum), oh, and he’s part wolf… The unloveable Eddie Redmayne is the villain, but the extremely loveable Tuppence Middleton is also in the cast, and, oddly, there’s a cameo from Terry Gilliam, whose work is said to be an influence on the movie. Alongside Star Wars, Greek mythology, and the comic-book Saga it seems…

 

Fifty Shades of Grey

Jamie Dornan is Christian Grey, Dakota Johnson is Bella Swan Anastasia Steele, Universal are terrible gamblers. Take one novel: which is 100pp of hilariously obvious Twilight homage leading to pornography for hundreds more and an unsatisfactory ending; a sensation because of the ability to secretly read it. Now hire art-house director Sam Taylor-Johnson to make an R-rated film focused on the romance, after 5 Twilight movies of said romance shtick; and force people to say out loud what film they’re seeing, or at least be seen going to it. Sit back, and watch this gamble fail.

o-BLACKHAT-facebook

Blackhat

Michael Mann returns with his first film since 2009’s uninspired Public Enemies. Chris Hemsworth, now officially a god in Iceland again, plays a hacker who gets a free pass from jail to help Viola Davis’ FBI agent liaise with her Chinese counterpart (pop star Wang Leehom) following a devastating cyber-attack in China which led to a nuclear incident. Hemsworth is distracted in his mission by Lust, Caution’s Chen Lien, and, if you’ve read the vituperative reviews, an appalling script. Mann’s been on a losing streak for a while, and his hi-def video camera infatuation only doubles down on that.

 

In the Heart of the Sea

March sees director Ron Howard take on Moby Dick. Or rather, tell the true story that inspired Moby Dick, rather than try and out-do John Huston. Chris Hemsworth, Cillian Murphy, Ben Whishaw, and Brendan Gleeson are among the hapless crew of the whaling ship Essex out of New England that runs afoul of a curiously vindictive sperm whale in 1820. Martin Sheen starred in a rather good BBC version of this disaster its grisly aftermath at Christmas 2013. Who knows if Howard will match that, but he’ll definitely throw more CGI at the screen.

aou4

Avengers: Age of Ultron

Joss Whedon takes off the Zak Penn training wheels and scripts this sequel to 2012’s hit solo. James Spader voices the titular evil AI, unleashed by Robert Downey Jr’s Iron Man when fiddling about in Samuel L Jackson’s Pandora’s Box of Shield secrets. The great Elizabeth Olsen is Scarlet Witch, and Aaron Johnson is Quicksilver, but I find it hard to work up any enthusiasm for another ticked box on the Marvel business plan. Why? CGI and Marvel empire-building fatigue, a lack of interest in most of the characters, and great weariness with Whedon’s predictable subversion.

 

Lost River

What is the difference between a homage and le rip-off? The French should know and they loudly booed Ryan Gosling’s directorial debut as little more than Nicolas Winding Refn and David Lynch meeting up for a whimsical night out. Gosling also wrote this tale of a boy who finds a town under the sea down a river, and has to be rescued by his mother. Matt Smith, Christina Hendricks, Saoirse Ronan, Eva Mendes, and Ben Mendelsohn are the actors roped in by Gosling to flesh out his magical realist vision of a hidden beauty lurking underneath decrepit Detroit.

carey-mulligan-matt-far-from-the-madding-crowd

Far From the Madding Crowd
Bathsheba (Carey Mulligan), a wilful, flirtatious young woman unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men: rich landowner William Boldwood (Michael Sheen), dashing Sgt. Troy (Tom Sturridge), and poor farmer Gabriel Oak (Matthias Schoenaerts). John Schlesinger’s 1967 film of Hardy’s classic novel is a formidable predecessor for this May release. This version from director Thomas Vinterberg (Festen, The Hunt), was co-scripted with David Nicholls of One Day fame; another man whose tendencies are not exactly of a sunny disposition. Can the promising young cast overcome Vinterberg’s most miserabilist tendencies?

 

Tomorrowland

Well this is a curio… Brad Bird directs George Clooney and Secret Circle star Britt Robertson in a script he co-wrote with Damon LOST Lindelof about a genius inventor and a parallel universe, or something. Nobody really seems to know what it’s about. But then given Lindelof’s resume even after we’ve watched it we probably won’t know what it’s about. Bird proved extremely capable with live-action in Mission: Impossible 4, but explicitly viewed the talky scenes as mere connective tissue between well-executed set-pieces; pairing him with ‘all questions, no answers’ man seems like a recipe for more puzzled head-scratching.

_1415200490

Ant-Man

Ant-Man was in 2015: Hopes until director and co-writer Edgar Wright walked because Marvel shafted him after years of development. I was highly interested in seeing Paul Rudd’s burglar become a miniature super-hero who’s simpatico with ants after encountering mad scientist Michael Douglas and his hot daughter Evangeline Lilly; when it was from the madman who made Scott Pilgrim Vs the World. When this deservedly nonsensical take on a preposterous property is being helmed by Peyton Reed; whose only four features are Bring It On, Down With Love, The Break-Up, and Yes Man; my interest levels drop to zero.

 

Terminator: Genisys

Quietly brushing 2009’s Terminator: Salvation into the dustbin of history in July is this script by Laeta Kalogridis (Pathfinder, Night Watch) and Patrick Lussier (Drive Angry). Game of Thrones’ Alan Taylor directs, which presumably explains Emilia Clarke’s baffling casting as Jason Clarke’s mother. That’s going to take some quality Sarah Connor/John Connor timeline shuffling. And this is all about timelines. Arnie returns! Byung-Hun Lee is a T-1000! Courtney B Vance is Miles Dyson! YAY!!!!! Jai Courtney is Kyle Reese … BOOOOOO!!!!!!! Did we learn nothing from McG’s fiasco? We do not need another muscle-bound actor with zip charisma.

char5

Fantastic Four

August sees Josh Trank shoulder the unenviable task of rebooting the Fantastic Four after two amiable but forgettable movies. Trank impressed mightily with the disturbing found-footage super-yarn Chronicle, and scripted this effort with X-scribe Simon Kinberg and Jeremy Slater (The Lazarus Effect). The cast is interesting; Miles Teller as Reed Richards, Kate Mara as Sue Storm, Michael B Jordan as Johnny Storm, Jamie Bell as Ben Grimm, and Toby Kebbel as Dr Doom; but this has had a troubled production, and carries an albatross around its neck as it must bore us senseless with another bloody origin story.

 

The Man from UNCLE

August sees CIA agent Napoleon Solo (Henry Cavill) and KGB man Illya Kuryakin (Armie Hammer) on a mission to infiltrate a mysterious criminal organization during the height of the cold war. Steven Soderbergh nearly made this with George Clooney from a Scott Z Burns script. Instead we get Guy Ritchie and Sherlock Holmes scribe Lionel Wigram. Sigh. Hugh Grant plays Waverley, while the very talented female leads Alicia (Omnipresent) Vikander and Elizabeth Debicki will highlight the lack of suavity and comic timing of the male leads; particularly troublesome given the show was dry tongue-in-cheek super-spy nonsense.

johnny-depp-black-mass-05272014-lead01-600x450

Black Mass

Poor old Johnny Depp is having something of an existential crisis at the moment. People moan and complain when he does his quirky thing (Mortdecai). But when he doesn’t do his quirky thing people moan and complain that he’s dull (Transcendence). September sees him team up with Benedict Cumberbatch and Joel Edgerton for Scott Cooper’s 1980s period thriller about the FBI’s real-life alliance with Boston crime boss Whitey Bulger, exploring how  the bureau’s original good intention of running an informant was derailed by Bulger’s clever connivance, ending up as a sort of state-sanctioned take-over of the criminal underworld.

 

The Martian

Ridley Scott just can’t stop making movies lately, but he’s having a considerably harder time making good movies. November sees the release of The Martian starring Matt Damon as an astronaut stranded on Mars after being presumed dead in a ferocious storm. The supporting cast includes Jeff Daniels, Kristen Wiig, Chiwetel Ejiofor, Sean Bean, Michael Pena, Sebastian Shaw, Kate Mara, and the regrettably inevitable Jessica Chastain. Damon must try to send an SOS forcing NASA to figure out how on earth to go back and rescue him. Drew Goddard wrote the script. There’s the reason this might work.

640_hateful_eight_poster

The Hateful Eight

November sees the return of Quentin Tarantino. The writer/director who never grew up follows his rambling gore-fest Django Unchained with another Western. But this one is shot in Ultra Panavision 70, despite being set indoors, and has more existential aspirations. Yeah… Samuel L Jackson, Kurt Russell, Tim Roth, Walton Goggins, and Zoe Bell return to the fold for this tale of bounty hunters holed up during a blizzard, while newcomers to Quentinland include Bruce Dern, Demian Bichir, and Jennifer Jason Leigh. Nobody’s told Tarantino to stop indulging himself in years so expect endless speechifying and outrageous violence.

June 2, 2011

Conspiracy Cinema at the IFI

The IFI is presenting a season of films this June playfully titled High Anxiety. As ‘filmnoia’ these are meant to encapsulate the post-Vietnam post-Watergate zeitgeist of chastened 1970s America. Invariably there is much idolatry of the faultless New Hollywood that was tragically killed off by Star Wars in this positioning, which regular readers of this blog will know I have little truck with. The truth is there are some great films here, some over-rated but good films, and by far the best film is the most defiantly Old Hollywood: The Manchurian Candidate, which is oblique in its violence, sexually charged without being sexual, and whip-smart and heart-breaking in its scripting; the kind of thing that Hitchcock might have directed on one of his darker days at the office. Let’s briefly trot thru the line-up of films in the season.

The Manchurian Candidate June 1st & 2nd @ 6:25pm

The pick of the bunch is the first out of the blocks. Catch this tonight if you can. A superb Laurence Harvey stars as Raymond Shaw, an unpopular soldier who unexpectedly returns as a war hero from the Korean War to the political machinations of his terrifying mother Angela Lansbury, a witch-hunting Senator’s wife. Frank Sinatra is his old army c/o trying to work out the mystery of just what happened in Korea that fills his men’s nightmares, and director John Frankenheimer ratchets up the tension as George Axelrod’s script satirically skewers McCarthyism while breaking your heart along the way.

Klute June 4th & 5th @ 4.50pm

Sex, lies, and audiotape. Widely regarded as the film that legitimised profanity as a hallmark of serious movies Alan J Pakula’s 1971 exercise in paranoia sees Donald Sutherland’s enigmatic small-town PI John Klute travel to the big city to investigate the possible involvement of his friend with Jane Fonda’s nervous call-girl, and her possible involvement in his mysterious disappearance. The sound design is extraordinary as ambient noise swamps the possibilities of recording the truth, and this arguably established the house-rules for all subsequent 1970s filmnoias. Keep an eye out for Roy Scheider’s ridiculous outfit in his cameo as a pimp.

The Parallax View June 6th @ 3.00pm & 7.05pm

Alan J Pakula again, this time Warren Beatty is the lead in a 1974 thriller about a journalist investigating the possibility that the powerful corporation the Parallax Organisation has been behind not only a political assassination allegedly carried out by a conveniently dead lone gunman, but the clean-up murders of all the witnesses of the assassination. The dazzling and famous highlight comes when Beatty is subjected to a test to see whether he fits the criteria for maladjusted misfit that Parallax likes to use for its lone gunmen. You know, people like say Lee Harvey Oswald, or James Earl Ray…

Chinatown June 8th @ 2.10pm & 6.30pm

If Roman Polanski’s film was just a little less self-regarding it would be a far better film noir. Jack Nicholson gives a terrific performance as the cock-sure PI suddenly out of his depth against Faye Dunaway’s ambiguous femme fatale and John Huston’s monstrous patriarch, and there are wonderful moments and lines throughout. The enormous self-importance of Robert Towne’s screenplay sinks the film from its potential heights but is unsurprising given that he reputedly told anyone who would listen that the success of the 3 hrs plus The Godfather was entirely attributable to his dialogue polish on one 3 minute scene…

The Conversation June 9th @ 6.45pm

Francis Ford Coppola’s small personal movie between The Godfather and The Godfather: Part II stars Gene Hackman as a surveillance expert who finds a simple job developing into something much more disturbing, which eventually pushes him to the very limits of his sanity. Walter Murch’s sound design is extraordinary and best appreciated on a big screen, but I’ve never thought that Coppola’s script was good at making us care about the possible murder plot Hackman stumbles upon; the physical distance his camera maintains from the camera being sadly replicated as an emotional distance maintained by the audience from the characters.

Night Moves June 12th @ 5.00pm

A staple of late-night TV schedules (TV programmers can be very easily amused sometimes) this 1975 movie sees Arthur Penn and Gene Hackman reunite for a more subdued outing than their 1967 collaboration Bonnie & Clyde. Hackman is a defeated PI who discovers his wife in adultery, but is unable to satisfactorily resolve that situation or any other case he is working on. Perhaps a lament for the lost idealism of the New Frontier in the age of Watergate, or perhaps just another deconstruction of American myths by Penn that has aged far less well than his Bonnie & Clyde.

Rollover June 18th @ 3.15pm

Yes, Alan J Pakula for a third time. He never stopped making paranoia movies, and this 1981 effort may have had the amazing good fortune to become relevant thirty years after being dismissed as pessimistic and incomprehensible, because of the second defining event of the last decade, the credit crunch. Jane Fonda stars as a company director’s widow who romances Kris Kristofferson’s financial trouble-shooter, brought in to steady the corporation, who ends up involved in an extremely risky deal with Saudi Arabia that goes belly-up in such spectacular fashion that it leads to the meltdown of the entire Western economy.

Winter Kills June 25th & 26th @2.00p

Adapted from another book by Manchurian Candidate novelist Richard Condon, this thriller stars John Huston as Not Joe Kennedy, who after 19 years is told by his son Jeff Bridges that he finally has a good lead on who really assassinated Huston’s other son, the President Not John F Kennedy. Winter Kills had an extremely troubled production, with director William Richert having one of his producers murdered, so this is a welcome chance to belatedly see Huston chewing scenery in such a ripe scenario of what could be classified alongside Inglourious Basterds as the genre of fantasy historical revenge movies.

Missing June 25th & 26th @2.50pm

Jack Lemmon and Sissy Spacek star as the father and wife of an American missing in Chile, in acclaimed Greek director Costa-Gavras’ first American film. An attack on Henry Kissinger’s brand of realpolitik, here masked by hypocritical mutterings about truth, justice, and the American Way, this vividly recreates the feel of Pinochet’s Chile; a regime enabled by CIA connivance in the overthrow of Allende’s democratically elected socialist government. There is a sense of kicking a dead donkey about this as Nixon was already out of power, but Costa-Gavras at least clothes his political points in empathetic flesh and blood characters.

Blog at WordPress.com.