Reading through Talking Movies’ back catalogue after 10 years (sic), and archiving the lost reviews that came before, has set me thinking about memorable cinema trips of the past. So here are two great memories of unexpected audience interventions in screen 2 of the IFI.
In late 2004 I went along with three friends to see Bubba Ho-Tep. Let’s call one of these friends Friedrich Bagel, because that’s who it was. Herr Bagel was, at best, a Bruce Campbell agnostic, and two of us laid on the Bruce hero worship perhaps a bit too thick just before we all walked into the cinema. This led to some unfortunate timing of snippy remarks on the part of Bagel the Bruce agnostic, because as we took our seats he exploded at us, “Just who is this Bruce Campbell character anyway? And how many fans does he have? Just you two?” As we touched down on our seats 4 guys in the row in front of us rocketed up out of their seats. They turned to face us, all wearing Evil Dead t-shirts. Ah… The tallest, looming over the Bruce-baiting Bagel, waved his arms around while booming – “How dare you sir! This is the Church of Bruce! You shall not blaspheme in the Church of Bruce!” Luckily the other guilty party in boosting Bruce beyond Bagel’s breaking point was just as tall and far bigger in build. He stood up and assured the Pastor of the Church of Bruce that our Bruce agnostic did not need to be killed for heresy, but was a potential convert, and needed only this film to push him into Bruce’s arms. Calm returned to the cinema, even if it was a slightly cowed calm on the part of Bagel who now realised Bruce Campbell did indeed have more than just two fans.
2011 found me at one of the last screenings of The Tree of Life in the IFI, in the afternoon with an audience of Malick devotees. Well, maybe they weren’t true devotees. Maybe like me they just really liked Badlands. I’d been trying to concentrate on just luxuriating in the visuals of the creation of the universe montage, rather than thinking too critically about it. The choral soundtrack got louder and louder, and I was thinking about how on earth Terrence Malick was achieving this (was he adding in extra singers for each verse?), when an exasperated older man a few seats down from me suddenly turned to say to his female companion – “Oh, this is just pretentious f****** nonsense! It really is…” Unfortunately life imitates art far more often than art imitates life, and, in a hilarious occurrence straight out of the Hitchhiker’s Guide to the Galaxy film, at that precise and most wonderful moment the soundtrack abruptly went mute. His bellowed whisper bounded around the entire cinema and was heard by everyone. You could feel the audience stiffen in their seats like an electric current had been passed thru all the rows. Some were offended by this philistinism, but many more I think were suddenly roused, out of somnolent acceptance of Malick’s montage as being High Art, back into consciousness and began a critical evaluation of what the man had just said. And do you know what, I swear that I felt most of the audience suddenly silently agree and think, “It is pretentious f****** nonsense, isn’t it?!”
I can’t think of Bubba Ho-Tep or The Tree of Life to this day without remembering the odd way I saw them in the IFI.