Talking Movies

April 26, 2020

Cultivate the Interior Life

This very day last month Andrew Ferguson proclaimed in the Atlantic that the days of self-isolation would be springtime for introverts. That hasn’t quite happened.

I suppose it shouldn’t be that much of a surprise that extroverts really just can’t stop. And they can’t stop being enabled either. After all, it was not for nothing that Ferguson invoked Susan Cain’s seminal book Quiet:

“Introversion,” Cain wrote, “is now [considered] a second-class personality trait, somewhere between a disappointment and a pathology.” Her book was a catalog of the ways in which society is designed around the pleasures and benefits of the extroverted: open floor plans in the workplace, team-building exercises everywhere, office calendars that let the boss and co-workers track your every move. Our culture’s heroes on the screen or the athletic field are always extroverts, our weirdos and deviants invariably portrayed as introverts”

If you want evidence of that last point just look at how SEAL Team portrayed it as a radical and counter-intuitive choice to recruit a quiet frogman into Bravo rather than yet another blustering alpha male, in order to avoid a total echo chamber of gung-ho decision-making. And yet the show then reversed itself within episodes to reveal said quiet frogmen as, well, a devious soul willing to throw a brother under the bus to save himself. Those sneaky introverts, so quiet…

The lockdown has done away with team building nonsense, made group meetings easy to escape by faux freezing, revealed the idiocy of open plan houses and endless commuting, and its aftermath may well also do in the idiocy of open plan offices as people demand walls, doors, and their own personal easily sanitised and secured space. And yet the ongoing war on introversion (which after reading Cain’s book I realised to my regret I had been complicit in as a tutor owing to grading guidelines) has not lost a step. You would think that being ordered to stay indoors, and being thrown back on their own internal resources, people might cultivate the interior life. Not a bit of it. Everything has to be shared, everything has to be performed for an imaginary audience, everything has to be broadcast to the world. This is the true pathology: Man alone with himself – desperately turns to social media and dances a quick step with his long-suffering dog, desperate for likes.

I thought about writing some content specifically for coronavirus – the usual drivel, appropriate movies to watch, long books to read, music to listen to – and decided not to. Calvin Coolidge said National Education Week did not need his imprimatur, it could get along just fine by itself.

July 25, 2016

Jamie & Spencer Need Movie Dates

“Life imitates art far more than art imitates life” said Oscar Wilde, and so to celebrate the release of Mike & Dave Need Wedding Dates on August 10th, eligible bachelors Jamie Laing and Spencer Matthews are looking for two friends to join them as their dates to a preview screening of the film in London on August 2nd.

To enter the competition, applicants must comment on Jamie Laing’s post on Twitter or Instagram, tagging 1 friend that they would like to enter the competition with, explaining why they would make the best dates for Jamie and Spencer.

Entry for the competition is open now and closes Wednesday 27th of July at 11:59pm GMT.

See here for terms and conditions. Entrants must be 18 or older.

Mike & Dave Need Wedding Dates sees hard-partying brothers Mike (Adam Devine) and Dave (Zac Efron) place an online ad to find the perfect dates for their sister’s Hawaiian wedding. They’re looking for respectable girls at the insistence of their father (Stephen Root) who doesn’t want them ruining the wedding. But the ad soon goes viral and instead of respectable girls they get a conniving and uncontrollable duo (Aubrey Plaza, Anna Kendrick) and find themselves outsmarted and out-partied.

Kendrick’s 50/50 director Jonathan Levine produces a script by Bad Neighbours creators Andrew Jay Cohen and Brendan O’Brien as SNL and Funny Or Die director Jake Szymanski makes his cinematic debut.

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