Talking Movies

August 15, 2017

New Irish film The Lodgers to screen at TIFF

Tailored Films’ third and latest feature film The Lodgers has been selected by the Toronto International Film Festival (TIFF) as part of their Contemporary World Cinema programme. TIFF is one of the world’s most prestigious film festivals and is taking place this September 7th – 17th. The Lodgers is one of the few Irish films selected this year, and it is seen as a massive honour to be included at such a highly regarded festival.

The Lodgers is a gothic ghost story set in the 1920s about orphaned twins Edward (Bill Milner) and Rachel (Charlotte Vega) who live in a crumbling manor in 1920s rural Ireland – but they are not the only residents. They share the big house with unseen entities who control them with three absolute rules. As separate fates draw them apart, the twins must face the terrible truth about their family’s ghostly tormentors. The film also features Irish actors Moe Dunford, Deirdre O’Kane, and Roisin Murphy in support. The Lodgers was directed by Brian O’Malley (Let Us Prey), and, bravely, primarily shot in Loftus Hall in County Wexford, which is widely known as being the most haunted house in all Ireland.

Tailored Films is a growing film production company based in Dublin and The Lodgers is only their third feature film by company founders Ruth Treacy and Julianne Forde, and is their first time to be featured as part of the TIFF line-up. Treacy and Forde set up Tailored Films after graduating together from the Institute of Art, Design and Technology (IADT), and are delighted to be a part of the growing Irish film industry and representing Irish film abroad. “It’s a huge honour to have our gothic ghost story The Lodgers selected for the highly competitive and prestigious Toronto International Film Festival. It was always our dream to have our film premiere at an A-list international festival and we’re really excited to see how audiences and distributors respond to it” said Treacy of the news.

TIFF is dedicated to presenting the best of international and Canadian cinema to film lovers. What began as the Festival of Festivals over 40 years ago, has become the world’s most important publicly attended film festival, an Oscar launching pad, and grown to embrace programming 365 days a year. www.tiff.net

October 24, 2012

Stitches

Conor McMahon, writer/director of cult Irish zombie flick Dead Meat, teams up with stand-up Ross Noble for a goretastic horror-comedy about a revenant killer clown.

Noble plays Richard ‘Stitches’ Grindle, a jaded clown working the children’s birthday circuit. A particularly tough crowd of 10 year olds sees a regular gig, thru a series of unfortunate events, end in Stitches’ accidental and very grisly death at the hands of the unruly children. Six years later the children have grown up, even more obnoxious than their younger selves; with the exception of the traumatised birthday boy Tommy (Tommy Knight) and his old crush Kate (Gemma Leah Deveraux). Tommy’s mother travels for work just as his birthday looms, and so his friend Vinny bullies Tommy into holding his first birthday party since Stitches died. But gathering the other guests from that fatal party (boisterous Richie, camp Bulger, bullying Paul, and bitchy Sarah) on the anniversary inevitably summons up the vengeful ghost of Stitches…

Stitches’ opening will produce some deep cultural confusion. Stitches and Tommy are both English, as is Stitches’ girlfriend and Tommy’s mother, so you assume the film is set in England. But no, a licence plate reveals that it’s set in Wicklow, but no one makes any reference to stray accents; before a later reference to a girl being easier to get into than community college adds another layer of baffling cultural colonisation. Noble is a supporting presence for a surprisingly lengthy time leaving Knight to carry the film alongside Deveraux’s caring heroine. Both are fine but structural conventions allow them to be overshadowed by wonderfully colourful supporting performances from Roisin Barron as the verbally abrasive and physically abusive mean girl Sarah, and Tommy Cullen as Kate’s narcissistic boyfriend Dan who has something of the young Matthew Goode about his swagger.

Noble, the former circus stilt-walker, would seem perfect casting as a diabolical undead clown, but while he delivers some good one-liners amidst the mayhem, too often you feel his improv comedy skills are being subordinated to a not particularly sharp script. McMahon and his co-writer (and fellow IADT trained editor) David O’Brien seem happy to just insert shlock moments into a structurally sound horror. Brains being scooped out, arms ripped off, intestines being pulled out, heads kicked off, and eyes being poked out; all occur in slow motion, usually in close up, and are lingered on in loving and farcically gory detail. But, bar a truly delirious piece of practical magic involving a pump and an inflating head, this parade of gross-out shlock never quite hits the mark. The intentions are good, there’s even an in-joke cameo from a Dead Meat star as an archetypal teacher, but horror-comedy’s a trickier proposition than comedy-horror.

Stitches is competent work that is quite amusing in places, but it doesn’t match up to a top-notch horror-comedy like Slither.

2/5

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