Talking Movies

January 18, 2018

ADIFF 2018: Irish Documentaries

The announcement of the main ADIFF programme is  just under a week away, but a taste is being given with this year’s Irish documentary line-up being released early.


Festival Director, Gráinne Humphreys said This year’s Irish documentary line-up, full of World and Irish Premieres, reveals a preoccupation with the tensions between long-held traditions and the contemporary society. These extraordinary films ask questions of what we can treasure and protect, what can be re-invented, and what we need to learn to let go of. These profound and searching documentaries give a glimpse of what’s in store when the full ADIFF programme is announced on 24th January’.

One farmer’s courageous struggle to maintain a centuries-old lifestyle in the shadow of a huge multinational is traced in the Irish Premiere of Feargal Ward’s The Lonely Battle of Thomas Reid; the walk of the Camino is re-invented as a Kerry curragh sea journey in the Irish Premiere of Dónal Ó’Céilleachair’s The Camino Voyage, featuring Brendan Begley and Glen Hansard; and Paul Duane traces a hypnotic musical journey that brings us to the earliest Western music still in existence in the World Premiere of While You Live, Shine. The survival of dissident Republican vigilantism in pockets of the North, is explored in the Irish Premiere of Sinéad O’Shea’s much-anticipated A Mother Brings Her Son to Be Shot. The Troubles also reverberate through the Irish Premiere of Donal Foreman’s The Image You Missed, which sees the filmmaker grapple with the legacy of his estranged father, Arthur MacCaig, and the decades-spanning archive of the conflict in Northern Ireland that he created.

Each year the Arts Council’s Reel Art scheme, in association with ADIFF and Filmbase, commissions two films that offer filmmakers a chance to make highly creative, imaginative, and experimental documentaries on an artistic theme. Receiving their World Premieres at this year’s festival in the IFI are Rouzbeh Rashidi’s Phantom Islands, a visceral exploration of the boundaries between documentary and fiction, and Niall McCann’s reflective encounter with Irish musician and artist Adrian Crowley in The Science of Ghosts. Finally major Irish filmmaker Pat Collins returns to the documentary form with Twilight, a beautiful evocation of the end of day that was filmed over two years in Baltimore, West Cork.

Tickets for the Irish documentaries at ADIFF are available now at (www.diff.ie or 01 687 7974).

Season Tickets are also now on sale alongside tickets for the Fantastic Flix young people’s programme, the Paul Schrader season, the Surprise Film, Immersive Stories: Conference and Exhibition, and the silent film presentations in association with the San Francisco Silent Film Festival. The full ADIFF Programme will be released on Jan 24th.

Irish Documentaries at ADIFF 2018 – Schedule

Saturday 24th February
18.30 The Lonely Battle of Thomas Reid   Lighthouse 1
Filmmaker in attendance: Feargal Ward

Monday 26th February
18.30 The Science of Ghosts   IFI
Filmmaker in attendance: Niall McCann

Tuesday 27th February
18.30 Phantom Islands   IFI
In attendance: Rouzbeh Rashidi

Wednesday 28th February
17.50 Twilight   Lighthouse 2
In attendance: Pat Collins

18.45 While You Live, Shine   Lighthouse 2
In attendance: Paul Duane

Thursday 1st March
18.15 The Image You Missed   Lighthouse 2
In attendance: Donal Foreman

Friday 2nd March
18.15 The Camino Voyage   IFI
In attendance: Dónal Ó Céilleachair

Saturday 3rd March
18.15 A Mother Brings Her Son to Be Shot   Lighthouse 1
In attendance: Sinéad O’Shea

July 19, 2015

Once

John Carney’s indie film that could returns home as an unusual musical with a book by playwright Enda Walsh and originating director John Tiffany helming. Here’s a teaser of my review for HeadStuff.org.

Once-the-Musical-Dublin-Poster-image

Here’s a teaser.

Tiffany is responsible for the highly disconcerting set-up in which the audience can clamber onstage and buy a drink while the ensemble plays a number of Irish and Czech folksongs, so that the actual busking opening of the play emerges seamlessly out of a session. As our hero (Tony Parsons) finishes busking, he is accosted by a go-getting Czech musician (Megan Riordan) who insists he must (a) not give up on music, and (b) fix her vacuum cleaner. For he and Da (Billy Murphy) live above their hoover-repair shop in the North Strand, a life straitened by death and desertion. Her life is fuller. She lives with her mother Baruska (Sandra Callaghan), and three Czech flatmates; death metal drummer Svec (Rickie O’Neill), ambitious ‘burger-boy’ Andrej (Dylan Reid), and skimpily-clad man-eater Reza (Ruth Westley). With this injection of energy a burnt-out busker may stand a chance of recording a successful demo…

Click here to read the full review on HeadStuff.org.

October 18, 2013

Axis Cinema

Axis Cinema on Ballymun Main Street is home to The Pictures, which started as a monthly film club and has grown to become a great social network for the over 55s in Ballymun. The Pictures will be presenting a season of ‘book to film’ screenings, including The Commitments, in partnership with access>Cinema and, for the first time, Ballymun Library; who will be making copies of the books available to borrow the month before the film.

axis%20theatre

Dracula (with short film Suansceal)

Presented by Dublin City Council Arts Office and axis in association with access>Cinema and Ballymun Library

Date: 21st Oct 2.30pm

Tickets: €2 Members / €4 Non-Members / Membership: €3

October’s ‘Book to Screen’ film is, very appropriately, Hammer Horror’s Dracula starring an enigmatically terse Christopher Lee as Bram Stoker’s vampiric Count and Peter Cushing as his nemesis Van Helsing. Few actors have ever inhabited those parts to such indelible effect, and this is a rare opportunity to see Hammer’s lurid blood-soaked vision on a big screen. This screening will be preceded by Irish short Suanscéal, a visually beautiful, delicately told, tale of a young boy’s need for companionship and an old man’s need to leave his legacy. Director Colm Ó Foghlú will be in attendance on the day to introduce the short as part of Borradh Buan, axis’ Irish language festival; celebrating its 10th anniversary.

 

A Scare Before Bedtime: Axis Horror Screening

Presented by axis in association with access>Cinema

Date: 30th Oct 9pm

Tickets: €2

This is a chance for audiences to feel the fear at a secret screening of a favourite horror movie! As Halloween approaches, axis will be asking the people of Ballymun to vote for their favourite horror film to show on the big screen. I’d vote for Scream, but with the new Carrie coming out soon that could be a contender. What will win? All will be revealed on the night!

 

The Commitments

Presented by Dublin City Council Arts Office and axis in association with access>Cinema

Date: 25th Nov 2.30pm

Tickets: €2 Members / €4 Non-Members / Membership: €3

November’s ‘Book to Screen’ film is British director Alan Parker’s celebrated 1991 adaptation of The Commitments, Roddy Doyle’s 1980s novel of recessionary north side Dublin. Only the music scene is rich in this landscape, and so Jimmy Rabbitte envisions combining the raw talent of musicians, including Glen Hansard, Bronagh Gallagher and Maria Doyle Kennedy, with soul music to shake the Hibernian metropolis.

 

Breakfast at Tiffany’s

Presented by axis & Dublin City Council Arts Office in association with access>Cinema and Ballymun Library

Date: 16th Dec 2.30pm

Tickets: €2 Members/€4 Non-Members / Membership: €3

December’s ‘Book to Screen’ film is Blake Edwards’ 1961 toned-down adaptation of Truman Capote’s scandalous novella Breakfast at Tiffany’s. Audrey Hepburn’s most iconic poses, costumes and (dubbed) singing are modelled against a fantasy NYC as Holly Golightly’s naive eccentricity bedazzles George Peppard’s struggling writer when he moves into her apartment building. Try to ignore Mickey Rooney’s outrageously racist Japanese character…

 

Anna Karenina

Presented by axis& Dublin City Council Arts Office in association with access>Cinema and Ballymun Library

Date: 27th Jan 2.30pm

Tickets: €2 Members/€4 Non-Members Membership: €3

January’s ‘Book to Screen’ screening is Joe Wright’s 2012 film of Anna Karenina. Anna (an on-form Keira Knightley) falls uncontrollably in love with Count Vronsky (a callow Aaron Johnson), with tragic consequences when she leaves husband (a surprisingly empathetic Jude Law). Leo Tolstoy’s classic story of doomed love is adapted by the great Tom Stoppard as a determinedly theatrical tour-de-force; to hit-and-miss effect.

 

axis: Ballymun is a creative hub of stage, galleries, workshop spaces and a recording studio. More information at http://axis-ballymun.ie/, and do follow @axisBallymun on Twitter.

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