Talking Movies

October 8, 2014

Spinning

SPINNING-DTFestival

Karl Shiels, Fiona Bell, Caitriona Ennis and Janet Moran are the weighty cast in Fishamble’s contribution to the Dublin Theatre Festival; a meditation on grief.

Conor (Shiels) arrives unannounced in an unnamed small town and heads for the seaside cafe run by Susan (Bell), who nearly collapses from shock – as he is the man responsible for the death of her teenage daughter Annie (Caitriona Ennis) some years before. Conor has just been released from prison for his role in her death, and has come to return Annie’s locket; and to try and explain what happened. Flashbacks that disrupt their confrontation help the audience piece together the closeness of Susan and Annie, and the courtship, marriage and divorce of Conor and Jen (Janet Moran). As more and more pieces of the puzzle are thrown at us the imminence and inevitability of tragedy weighs down on us; leading to a merciful lie and perhaps a suicide after that redemptive gesture – perhaps not; the crashing waves are ambiguous.

Sabine Dargent’s set impressionistically creates a seaside cafe with table and chairs on a raised platform; but for all other scenes the audience has to do the heavy lifting. Jim Culleton’s direction focuses attention on the great actors, but they’re not miracle workers. Deirdre Kinahan has crafted an intelligent structure, but unlike Our Few and Evil Days she hasn’t filled the structure with any surprising content. Susan and Annie’s close relationship is uncomfortably akin to Gilmore Girls, down to the decent absent father having proposed marriage and been rejected before fleeing; in this case to Melbourne. Annie is a less adorable and smart version of Rory Gilmore; and her plea that they should move to Melbourne because “Our life here is totally crap!” is unintentionally funny; even though Ennis essays a spirited teenager and Bell adeptly alternates tender with traumatised.

Spinning is so rife with cliché that it doesn’t reprise Kramer Vs Kramer or Blue Valentine so much as it descends to the level of soap opera. Moran is awful because she’s given a shrill social-climbing cipher to play. The pantomime ‘oooh!’ reaction of the audience to Conor’s “I let you go back to work” was particularly depressing. Jen insists they pay for a crèche rather than let Conor’s mother babysit, she volubly disparages his family business before happily snaffling up money and house derived from it, and full custody of daughter Kate to boot (odd that people still seriously talk about patriarchy when such sexism is legally enshrined by the courts daily isn’t it?). But all this was seemingly outweighed in the audience’s estimation by Conor’s line, even though she went back to work late hours with her ex-boyfriend.

Spinning is only 75 minutes long, yet I found myself almost checking a phantom wristwatch from its first scene; it was that quickly obvious that this wasn’t top drawer.

1/5

Spinning continues its run at Smock Alley until the 12th of October.

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July 22, 2014

Dublin Theatre Festival: 10 Plays

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Hamlet 25th – 27th September Grand Canal Theatre

You haven’t appreciated Shakespeare until you’ve heard him in the original German. Ahem. Berlin’s Schaubuhne theatre troupe returns under the direction of Thomas Ostermeier for an acclaimed production of the Bard’s magnum opus. 6 actors play 20 roles in a production characterised by a spectacular stage covered in loose earth, turning to mud as actors hose it, and film each other for projection.

 

Zoo 25th – 28th September Smock Alley

Teatro de Chile present a one-hour lecture, of sorts. Two scientists inform you of their astonishing discovery, the last two Tzoolkman people; and then bend their brains trying to figure out how to preserve a culture whose central feature is imitation. So far, so Monty Python, but this is intended to be a serious problematisation of the idea of academic ‘performance’ in serious lecturing.

 

The Mariner 25th September – October 11th Gate

Hugo Hamilton appears to be the Gate’s go-to guy for the theatre festival. Following an adaptation of his Speckled People memoir he unveils an original script about an Irish sailor traumatised by the Battle of Jutland whose mute state inspires very different reactions from his wife and his mother. Patrick Mason directs, but how much insight can novelist Hamilton deliver in 90 minutes?

 

After Sarah Miles 26th September – October 11th Axis/Civic/Pavilion/Draiocht

Don Wycherley’s received nothing but rave reviews for his solo performance as fisherman Bobeen in Michael Hilliard Mulcahy’s new play about a fisherman remembering his life from teenage days in 1969 to the present. As the touring element of this festival Wycherley will appear in four venues as the fisherman who worked as an extra on the filming of epic Ryan’s Daughter.

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Our Few and Evil Days 26th September – October 11th Abbey

Mark O’Rowe takes on directing duties for his first original play in some years and he has assembled a stunning cast for it: Charlie Murphy, Ciaran Hinds, Tom Vaughan-Lawlor, Sinead Cusack, and Ian Lloyd Anderson. We’re promised that a devoted daughter will find out a shocking secret about her parents from a menacing stranger. Violence and poetically abrasive language ensues…

 

Ganesh Versus The Third Reich 1st – 4th October Belvedere

The most ambitious of the three Australian plays at the festival sees the Hindu God Ganesh embark on a journey to reclaim the Swastika from the Nazis, only for things to lurch away from fantastical epic into behind the scenes bickering; as an overbearing director fights with his cast over their right to use the most sacred elements of other cultures.

 

DruidMurphy 1st – 5th October Olympia

DruidMurphy’s trilogy of plays was a highlight of the 2012 Festival, and Garry Hynes returns for a second helping with Marie Mullen and Marty Rea still in tow. Not only will Tom Murphy’s 1985 classic of a dying matriarch, Bailegangaire, be revived, but Murphy has also written a new play Brigit which acts as a prequel by filling in the back-story of matriarch Mommo’s husband.

 

Spinning 1st – 12th October Smock Alley

Fishamble presents the great Karl Shiels in a new play by Halcyon Days playwright Deirdre Kinihan. He plays a man trying to hold onto a life coming apart at the seams, who unexpectedly meets a woman coming to terms with the senseless murder of her daughter. With a cast that includes Caitriona Ennis and Janet Moran this looks set to be an absorbing production.

 

Jack Charles V The Crown 8th – 12th October Samuel Beckett

I can’t help but think of this Australian one-man show as being an eccentric kin to Jeffrey Bernard is Unwell. Jack Charles was part of the Stolen Generation, and then became part of Koori theatre in the 1970s and a film actor; having been a cat-burglar, heroin addict, and convict in the meantime. He performs his life-story with unrepentant brio.

 

Book Burning 8th – 11th October Project

Belgium story-teller Pieter De Buysser tells the story of Sebastian, a man he met at an Occupy demonstration. Sebastian had become embroiled in a WikiLeaks scandal; and from there De Buysser, and his visual artist Hans Op De Beeck, spin out the implications of one man’s struggles to make Sebastian’s story a synecdoche for a new mode of being in the impersonal globalised world.

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