Talking Movies

January 27, 2019

Notes on Vice

Postmodern Dick Cheney biopic Vice was the film of the week much earlier today on Sunday Breakfast with Patrick Doyle.

Vice, perhaps fittingly, stands in relation to writer/director Adam McKay’s The Big Short as George Bush Jr stands in relation to Jeb Bush; not nearly as competent but more likely to be showered with unearned prizes. The Big Short was sprawling, but, despite following three storylines; Steve Carell and Ryan Gosling, Finn Wittrock and Brad Pitt, and Christian Bale; was surprisingly focused in explaining the housing bubble and credit crunch they were all betting on. You would think that following just one character, Dick Cheney, would make for a tighter movie. And you would be wrong. This is a ramshackle mess; exemplified by its opening in 1963, purposelessly jumping forward to 9/11, and then back to 1963 again, followed by opening credits that feel like they belong in an early 1970s crime movie, about 15 minutes in.  There’s another two hours to go after that conceit and McKay has here achieved the unenviable and baffling feat of making a film that is both far too long yet also doesn’t go into enough detail on anything.

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