Talking Movies

September 29, 2019

Notes on Ready or Not

Shlocky horror-comedy Ready or Not was the film of the week much earlier today on Sunday Breakfast with Patrick Doyle.

It is semi-remarkable that this is the work of directing duo Matt Bettinelli-Olpin and Tyler Gillett, who made the found footage Rosemary’s Baby riff Devil’s Due that (apparently unwittingly) used the Euro sign as a Satanic symbol. Admittedly Ready or Not boasts a far better script, by Guy Busick (Urge) and (no, not that) Ryan Murphy, but it also looks gorgeous. Andrew M Stearn’s production design for the De Lomas mansion and grounds are lit by Brett Jutkiewicz to bring out the warmth of the wood panelling and lamps and to cast us into a more Fincheresque colour scheme outdoors. Meanwhile in support John Ralston as major-domo Stevens gamely plays a kitchen sequence of Hitchcockian delight and a truly delirious conceit that would do Scream proud; featuring the most improbable and incredibly inopportune rocking along to Tchaikovksy’s 1812 Overture imaginable.

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