Talking Movies

October 18, 2013

Axis Cinema

Axis Cinema on Ballymun Main Street is home to The Pictures, which started as a monthly film club and has grown to become a great social network for the over 55s in Ballymun. The Pictures will be presenting a season of ‘book to film’ screenings, including The Commitments, in partnership with access>Cinema and, for the first time, Ballymun Library; who will be making copies of the books available to borrow the month before the film.

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Dracula (with short film Suansceal)

Presented by Dublin City Council Arts Office and axis in association with access>Cinema and Ballymun Library

Date: 21st Oct 2.30pm

Tickets: €2 Members / €4 Non-Members / Membership: €3

October’s ‘Book to Screen’ film is, very appropriately, Hammer Horror’s Dracula starring an enigmatically terse Christopher Lee as Bram Stoker’s vampiric Count and Peter Cushing as his nemesis Van Helsing. Few actors have ever inhabited those parts to such indelible effect, and this is a rare opportunity to see Hammer’s lurid blood-soaked vision on a big screen. This screening will be preceded by Irish short Suanscéal, a visually beautiful, delicately told, tale of a young boy’s need for companionship and an old man’s need to leave his legacy. Director Colm Ó Foghlú will be in attendance on the day to introduce the short as part of Borradh Buan, axis’ Irish language festival; celebrating its 10th anniversary.

 

A Scare Before Bedtime: Axis Horror Screening

Presented by axis in association with access>Cinema

Date: 30th Oct 9pm

Tickets: €2

This is a chance for audiences to feel the fear at a secret screening of a favourite horror movie! As Halloween approaches, axis will be asking the people of Ballymun to vote for their favourite horror film to show on the big screen. I’d vote for Scream, but with the new Carrie coming out soon that could be a contender. What will win? All will be revealed on the night!

 

The Commitments

Presented by Dublin City Council Arts Office and axis in association with access>Cinema

Date: 25th Nov 2.30pm

Tickets: €2 Members / €4 Non-Members / Membership: €3

November’s ‘Book to Screen’ film is British director Alan Parker’s celebrated 1991 adaptation of The Commitments, Roddy Doyle’s 1980s novel of recessionary north side Dublin. Only the music scene is rich in this landscape, and so Jimmy Rabbitte envisions combining the raw talent of musicians, including Glen Hansard, Bronagh Gallagher and Maria Doyle Kennedy, with soul music to shake the Hibernian metropolis.

 

Breakfast at Tiffany’s

Presented by axis & Dublin City Council Arts Office in association with access>Cinema and Ballymun Library

Date: 16th Dec 2.30pm

Tickets: €2 Members/€4 Non-Members / Membership: €3

December’s ‘Book to Screen’ film is Blake Edwards’ 1961 toned-down adaptation of Truman Capote’s scandalous novella Breakfast at Tiffany’s. Audrey Hepburn’s most iconic poses, costumes and (dubbed) singing are modelled against a fantasy NYC as Holly Golightly’s naive eccentricity bedazzles George Peppard’s struggling writer when he moves into her apartment building. Try to ignore Mickey Rooney’s outrageously racist Japanese character…

 

Anna Karenina

Presented by axis& Dublin City Council Arts Office in association with access>Cinema and Ballymun Library

Date: 27th Jan 2.30pm

Tickets: €2 Members/€4 Non-Members Membership: €3

January’s ‘Book to Screen’ screening is Joe Wright’s 2012 film of Anna Karenina. Anna (an on-form Keira Knightley) falls uncontrollably in love with Count Vronsky (a callow Aaron Johnson), with tragic consequences when she leaves husband (a surprisingly empathetic Jude Law). Leo Tolstoy’s classic story of doomed love is adapted by the great Tom Stoppard as a determinedly theatrical tour-de-force; to hit-and-miss effect.

 

axis: Ballymun is a creative hub of stage, galleries, workshop spaces and a recording studio. More information at http://axis-ballymun.ie/, and do follow @axisBallymun on Twitter.

February 6, 2013

2013: Hopes

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Stoker

March sees the acclaimed South Korean director and Tarantino favourite Chan-Wook Park (Oldboy, Thirst) make his enigmatic English language debut with a movie scripted by the unlikely personage of Prison Break star Wentworth Miller. Riffing on Hitchock’s 1943 classic Shadow of a Doubt and the Southern Gothic literary tradition this slow-burning psychological horror sees Mia Wasikowska’s unhealthy affection for her Uncle Charlie (Matthew Goode) gradually transform into a possibly equally unhealthy suspicion to the point of madness when he comes to live with her recently widowed mother Nicole Kidman. Park has a wonderful eye for startling compositions and a willingness to challenge his audience with his pacing so this intrigues.

 

Mud

April sees the great Michael Shannon reunite with his regular collaborator the singular writer/director Jeff Nichols (Take Shelter, Shotgun Stories) but this time Matthew McConaughey is the focus as his roguish fugitive is helped evade bounty hunters and reunite with his lover Reese Witherspoon by two innocent teenage boys. Sam Shepard and Sarah Paulson round out the impressive cast in an Arkansas-set tale that’s been likened in feel to Huckleberry Finn. Nichols has adopted a more mobile style of directing for this endearing drama, written especially for McConaughey after Lone Star, which is also a world away in tone from the intensity and ambiguity of his apocalyptic drama Take Shelter.

 

The Iceman

Michael Shannon takes centre stage though as a notorious Mob hit-man Richard Kuklinski in this dark drama. Winona Ryder is his wife Deborah, who has no idea that this warm-hearted family man is also a cold-blooded contract killer with a huge and lengthening roll-call of victims. Director Ariel Vroman has rounded up an impressive supporting cast that includes Ray Liotta, Chris Evans, James Franco and Robert Davi. But the real draw here is, as ever, Shannon. He has a remarkable ability to project menace from a still centre as you sense bubbling fury beneath his calm face, and the ambiguities of this role recall his tour-de-force in Take Shelter.

 

Iron Man 3

April 26th sees the return of the only indispensable Marvel Studios property. Director Shane Black provided Robert Downey Jr with the definitive outing of his fast-talking ironist persona in Kiss Kiss Bang Bang so it’s a mouth-watering prospect to see Downey Jr again delivering Black dialogue. But… the pall of The Avengers hangs over this movie, which we’re promised sees Tony Stark suffering PTSD, before being attacked by Ben Kinsley’s not racist at all (now) super-villain The Mandarin. Rebecca Hall and Guy Pearce’s rival scientists join regulars Gwyneth Paltrow and Jon Favreau in the cast but can Downey Jr and Black really do sombre? And should they try?

 

Star Trek: Into Darkness

In 2009 I griped about both the intellectual con-job involved in the in-camera ret-conning plot and the poor villain of JJ Abrams’ Star Trek debut, but both gripes are now redundant. Rumours of Klingons conflict with Benedict Cumberbatch being Khan, but who cares? Cumberbatch is a genius terrorist destroying Starfleet from within and the crew of the USS Enterprise must travel into a warzone to stop him. May 17th should see another exuberant romp underscored with much seriousness as we fret about the fate of Zachary Quinto’s Spock. The only fly in the ointment is Peter Weller joining the cast. Have you seen 24: Day 5? Shudder.

 

The Wolverine

Yes, the first Wolverine movie in 2009 resembled a bad episode of Smallville at times, but it still had some good elements that could profitably be built on. Director James Mangold (Walk the Line) should bring more intelligence to proceedings and given Mark Millar’s new comics consultant role at Fox we can hope that the script is slightly more together as well. Plus this one’s got ninjas. And everything’s better with ninjas. And not just any old ninjas either, Will Yun Lee appears as the Silver Samurai. And Famke Janssen returns as Jean Grey! July 26th might see this franchise renew itself as effectively as its laconic super-healing hero.

 

The Dallas Buyers’ Club

Quebecois writer/director Jean-Marc Vallee follows his unsettling and emotional Cafe de Flore with a 1980s set film about the real life AIDS victim Ron Woodroof. A womanising homophobic Texan, he defied not just his doctors, but his own prejudices and the federal government to smuggle in from Mexico alternative drug treatments for himself and his fellow HIV+ victims. It stars, wait for it, Matthew McConaughey; who’s this year confirming his rebirth as a serious actor; with Jared Leto and Jennifer Garner. Vallee’s last Anglophone movie, Young Victoria, was essentially a cinematic curtsy by scriptwriter Julian Fellowes to the Famine Queen, so let’s hope this receives Vallee’s magic.

ONLY-GOD-FORGIVES

Only God Forgives

Danish auteur Nicolas Winding Refn and his Drive leading man Ryan Gosling reunite for another unhinged movie. I’m not kidding, Gosling said Refn’s script was the strangest thing he’d ever read. Shot on location in Bangkok, Gosling plays Julian, an Englishman running a boxing club as a front for his family’s drug-smuggling. Kristin Scott Thomas is his terrifying mother Jenna who instructs him to hunt down and kill the man who killed his brother. Refn has described this as a Western that takes place in the East, and a fairytale with Gosling as a cowboy. So expect virtuosity in visuals, sound, acting, oh, and some truly horrendous violence.

 

Carrie

Hallowe’en sees Stop-Loss director Kimberly Pierce’s delayed remake of Brian De Palma’s classic horror based on Stephen King’s hit debut novel. There are good and bad elements at work here that make this a toss-up between good and disaster. Chloe Moretz is the victimised teenager, Julianne Moore her crazy mother, Judy Greer the nice teacher, and Youth in Revolt’s Portia Doubleday the alpha mean girl. That’s a fine cast under a talented director. But, this has been mysteriously delayed, it’s been written by Roberto Aguirre-Sacasa who scripted the misfiring Spider-Man musical, and he’s promised to stick closer to the novel King insisted De Palma had improved on with his film.

 

Frank

Lenny Abrahamson is the opposite of a Talking Movies favourite, but he’s teamed up with the favourite di tutti favourites Michael Fassbender. Thankfully Abrahamson’s miserabilist tendencies and agonising inertness will perforce be put to one side for a rock-star comedy co-written by journalist Jon Ronson, a man with a verified eye for the absurd having written The Men Who Stare at Goats and The Psychopath Test. The original script loosely based on a cult English comic musician follows wannabe musician Jon (Domhnall Gleeson), who discovers he’s bitten off more than he can chew when he joins a pop band led by enigmatic Frank (Fassbender) and his scary girlfriend Maggie Gyllenhaal.

 

The Hunger Games: Catching Fire

On November 22nd the all-conquering Jennifer Lawrence returns as Katniss Everdeen for the second of four films adapted from Suzanne Collins’ best-selling YA trilogy. Having won the Hunger Games despite her seditious gestures Katniss finds herself thrown back into the fray as the 75th Hunger Games – the Quarter Quells – introduce new allies and enemies; including showy turns from Jena Malone and Philip Seymour Hoffman. Josh Hutcherson, Liam Hemsworth, Elizabeth Banks, and Woody Harrelson all return but, more importantly Gary Ross doesn’t; having been replaced in the director’s chair by Francis Lawrence who will presumably introduce a more considered visual style, more layered villains, and better action.

 

Twelve Years a Slave

Acclaimed director Steve McQueen’s first movie without Michael Fassbender in the lead role sees him instead working with Red Tails screenwriter John Ridley to adapt the true story of a free black man from the North who was kidnapped and forced into Slavery in the Antebellum South. The peerless Chiwetel Ejiofor stars as the indomitable hero Solomon Northrup. McQueen has rounded up an incredible supporting cast (Sarah Paulson, Paul Dano, Brad Pitt, Fassbender, Ruth Negga, Paul Giamatti, Garret Dillahunt, Scott McNairy, Alfre Woodard, Benedict Cumberbatch) but this film will undoubtedly belong to Ejiofor and McQueen’s visuals which may well become less abstract in dealing with this topic.

 

The Hobbit: The Desolation of Smaug

Yes, Peter Jackson, deserved everything he got at Christmas: to wit, being kicked like a dog with mange. But, even if the opportunistic and very ill-advised decision to adapt one short novel into three epic films represented the darkest hour for decent storytelling in the eternal battle between art and commerce, at least we won’t have to sit thru an hour of filler introducing dwarves we couldn’t care less about before the action starts with this second instalment. And we get to hear Benedict Cumberbatch and Martin Freeman together again! Freeman and Ian McKellen were reliably fantastic, let’s just hope this next film matches them.

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