Talking Movies

January 22, 2021

Top 10 Films of 2020

10) Vampires vs the Bronx

The Lost Boys meets Attack the Block? Sorta… This was a deliriously entertaining and knowing slice of genre nonsense as teenage heroes realise the gentrifying property company forcing them out is actually run by vampires.

9) Yes, God, Yes

Karen Maine’s directorial debut was uncomfortable but rewarding as Natalia Dyer’s innocent teenager gets victimised by scandalous gossip, and is sent to a religious retreat as punishment, but learns more there than was planned

8) Possessor

Brandon Cronenberg’s second film, after an eight year wait, proved he is quite good at the family business of body horror as an assassin hijacking a mark’s mind finds herself in a fight for survival as the mark and her meld eerily

7) The Boys in the Band

Matt Crowley’s 1968 play gets a second big screen adaptation, with Jim Parsons and Zachary Quinto heading the cast that gathers for a dinner party exposing the complications sinister and farcical of pre-Stonewall gay life.

6) Une Fille Facile

Rebecca Zlotowski makes the best Eric Rohmer film since he died in 2010. Mina Farid is the Cannes teenager at a crossroads who follows her glamorous cousin into high society, but like Pauline a la Plage learns too much.

5) An American Pickle

The dream team of writer Simon Rich and Seth Rogen (flexing his acting muscles) combined for a surprisingly more serious take on the absurdist comic novella Sell Out. Yes, Rogen was hysterically funny as Herschel the pickled immigrant, but he also conveyed the quiet desperation of Ben, leading to an unexpected affirmation of faith and family.

4) Wasp Network

Director Olivier Assayas made a sharp turn from last year’s French romantic comedy Non-Fiction with this multilingual sun-kissed thriller set in 1990s Havana and Miami following the exiles, spies, defectors, and double-agents playing merry hell with Castro’s regime, the CIA, and all points in between. Audaciously structured, this was always absorbing and frequently tense.

3) Spenser Confidential

Mark Wahlberg and director Peter Berg combined again for a thriller loosely based on the classic Robert B Parker PI creation. ‘Loosely’: because this took place in the sort of chaotic Boston milieu familiar from The Fighter, and seemed every bit as interested in setting up absurdist comedy riffs as it was in actually solving the mystery.

2) Tenet

In a normal year this film would’ve charted lower… The Protagonist’s quest to find pieces of an infernal machine dismantled in the future had a very enjoyable puzzle piece intricacy which will repay multiple viewings, but the Debicki/Branagh emotional motor did not hum, making me question whether this should’ve been a Memento noir rather than a plane-crashing blockbuster.

Cr. NIKO TAVERNISE/NETFLIX

1) The Trial of the Chicago 7

I had the odd complaint about Aaron Sorkin’s directorial debut Molly’s Game that it wasn’t Sorkin enough. No such concerns with this courtroom drama, this is a tour-de-force of Sorkin dialogue, once intended for Spielberg to direct. Every speaking part seems to have a zinger at some point, and the political import of 1968 to 2020 leaps off the screen without any need for the occasional anachronism. I watched this twice within a week with no loss of relish for the flashback structure, the fantastic ensemble, and the trademark Sorkin sincerity.

July 8, 2018

Notes on the First Purge

The First Purge is an incredible fourth entry in five years in the micro-budget horror series. Here are some notes on’t, prepared for Dublin City FM’s Sunday Breakfast with Patrick Doyle early this morning.

The Purge series has expanded dramatically in scope since the claustrophobia of 2013’s house under siege original with Ethan Hawke and Lena Headey trying to survive the night of annual temporarily legalised criminality. Arguably though as the series’ scope has become bigger it has become less unsettling; the government snuffing out a troublesome underclass isn’t as unnerving as your envious neighbours smiling as they come to dispatch you. If Rio Bravo/Assault on Precinct 13 was the model for that then writer/director James  DeMonaco was explicit in locating the sequels in Escape from New York territory. The First Purge features a hero shot to beat all hero shots as Y’lan Noel’s Dmitri decides to finally sort out this situation and stomps towards the tower block, wearing his Bruce Willis white vest, with a big gun over his shoulder, a trashcan on fire to his right, and the block shrouded in smoke from the mayhem across Staten Island. In some respects this film is Attack the Block with a more likeable lead and no jokes or aliens.

I didn’t get to chat about all of these points, but we did cover most of them. Tune into 103.2 FM to hear Patrick Doyle’s breakfast show every Sunday on Dublin City FM, and catch up with his excellent Classical Choice programme on Mixcloud now.

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