You Have Been Listening To… : Part III

It is time to discreetly begin to draw the curtains for Christmas. There will be no more reviews by me of new releases on 103.2 Dublin City FM this year. But here’s a round-up of links to the previous editions of Sunday Breakfast with Patrick Doyle and a list of the many films we discussed since June if you’re eager to explore the back catalogue.

JUNE

X-Men: Dark Phoenix + Classic Ghostbusters II + Classic The Matrix

https://www.mixcloud.com/patrickdoyle/9619-the-sunday-breakfast-show-with-patrick-doyle/

Balloon + TV Choice The Accountant + Classic Dr Strangelove

https://www.mixcloud.com/patrickdoyle/16619-the-sunday-breakfast-show-with-patrick-doyle/

Brightburn + TV Choice Dial M for Murder + Classic Mean Girls

https://www.mixcloud.com/patrickdoyle/23619-the-sunday-breakfast-show-with-patrick-doyle/

Yesterday + TV Choice Casino Royale + Classic Superman II

https://www.mixcloud.com/patrickdoyle/30619-the-sunday-breakfast-show-with-patrick-doyle/

JULY

Apollo 11 + TV Choice Bullitt + Classic Rear Window

https://www.mixcloud.com/patrickdoyle/7719-the-sunday-breakfast-show-with-patrick-doyle/

Stuber + TV Choice Jaws + Classic Ma Nuit Chez Maud

https://soundcloud.com/patrickseandoyle/the-sunday-breakfast-show-film-review-14719

The Current War + TV Choice Arrival + Classic Gone with the Wind

https://soundcloud.com/patrickseandoyle/the-sunday-breakfast-show-film-review

AUGUST

Hobbs & Shaw + TV Choice The Guest + Classic It Happened One Night

https://soundcloud.com/patrickseandoyle/the-sunday-breakfast-show-film-review-1

The Art of Racing in the Rain + TV Choice Patriots Day + Classic Phase IV

https://soundcloud.com/patrickseandoyle/talking-film-on-the-sunday-breakfast-show

Once Upon A Time… In Hollywood + TV Choice Dirty Harry + Classic Army of Shadows

https://soundcloud.com/patrickseandoyle/talking-film-on-the-sunday-breakfast-show-1

Pain and Glory + TV Choice White House Down + Classic Little Women

 SEPTEMBER

Crawl + TV Choice Gone Girl + Classic Whiskey Galore!

IT: Chapter 2 + TV Choice X-Men: Days of Future Past + Classic The Italian Job

https://soundcloud.com/patrickseandoyle/talking-film-on-the-sunday-breakfast-show-2

Extra Ordinary + TV Choice Batman Begins + Classic Ghostbusters

https://www.mixcloud.com/patrickdoyle/15919-the-sunday-breakfast-show-with-patrick-doyle/

Ad Astra + TV Choice Glen Campbell: I’ll Be Me + Classic The Godfather: Part II

https://www.mixcloud.com/patrickdoyle/22919-the-sunday-breakfast-show-with-patrick-doyle/

Ready or Not + TV Choice L’Avenir + Classic Butch Cassidy and the Sundance Kid

https://www.mixcloud.com/patrickdoyle/29919-the-sunday-breakfast-show-with-patrick-doyle/

OCTOBER

Joker + Judy + Classic White Heat

https://www.mixcloud.com/patrickdoyle/61019-the-sunday-breakfast-show-with-patrick-doyle/

Gemini Man + TV Choice Now You See Me + Classic Fight Club

https://www.mixcloud.com/patrickdoyle/131019-the-sunday-breakfast-show-with-patrick-doyle/

Dark Lies the Island + TV Choice Good Night, and Good Luck + Classic Crimes & Misdemeanours

https://www.mixcloud.com/patrickdoyle/201019-the-sunday-breakfast-show-with-patrick-doyle/

Countdown + TV Choice The Shallows + Classic Them!

https://www.mixcloud.com/patrickdoyle/the-halloween-show-with-patrick-doyle/

NOVEMBER

Doctor Sleep + TV Choice Kingsman: The Secret Service + Classic Girl, Interrupted

https://www.mixcloud.com/patrickdoyle/101119-the-sunday-breakfast-show/

Le Mans ’66 + TV Choice Funeral in Berlin + Classic Rio Bravo

https://www.mixcloud.com/patrickdoyle/171119-the-sunday-breakfast-show-with-patrick-doyle/

DECEMBER

Marriage Story + TV Choice World War Z + Classic Field of Dreams

https://www.mixcloud.com/patrickdoyle/

Notes on Ad Astra

Brad Pitt’s sci-fi Ad Astra was the film of the week much earlier today on Sunday Breakfast with Patrick Doyle.

Pitt is Roy McBridge, son of legendary lost astronaut Clifford McBride (Tommy Lee Jones). Roy is renowned for having a preternaturally low pulse rate, never above 80, even in a crisis; such as at the start where he falls to earth off an atmosphere-scraping antennae following ‘The Surge’. He simply waits to stop spinning, thendeploys his parachute; no point getting het up about it. The Surge killed 43,000 people but, it transpires, is only the beginning. It was caused by a wave of anti-matter attacking the planet as it courses across the solar system, growing in power as it travels from its origin off Neptune. Which as John Finn and John Ortiz’s brass inform Roy is where Project Lima is, and where they believe Clifford is alive and well and liable to end all life unless dissuaded by Roy.

It’s a minor miracle that neither Finn nor Ortiz instructs Roy to terminate Clifford’s command, with extreme prejudice. Because this is a film in thrall to Apocalypse Now and Joseph Conrad; Clifford’s out there operating without any decent restraint, and the journey to save or end him will be psychological as much as physical. Donald Sutherland’s mentor Colonel Pruitt and Ruth Negga’s enigmatic Martian pop up for an allotted span of time much like characters in Apocalypse Now, as Roy travels from vignette to vignette on his quest. There’s an unlikely action sequence on the surface of the Moon as this dystopian future paints the orb wracked by conflict between competing miners and pirates preying on their divisions. A tense sequence responding to an SOS while en route to Mars might as well proclaim “Never get out of the boat”.

Listen here:

Ad Astra

Brad Pitt follows his comeback turn in Once Upon A Time… In Hollywood with another stoic and very capable character housed in a curate’s egg.

Pitt is Roy McBridge, son of legendary lost astronaut Clifford McBride (Tommy Lee Jones). Roy is renowned for having a preternaturally low pulse rate, never above 80, even in a crisis; such as at the start where he falls to earth off an atmosphere-scraping antennae following ‘The Surge’. He simply waits to stop spinning, then deploys his parachute; no point getting het up about it. The Surge killed 43,000 people but, it transpires, is only the beginning. It was caused by a wave of anti-matter attacking the planet as it courses across the solar system, growing in power as it travels from its origin off Neptune. Which as John Finn and John Ortiz’s brass inform Roy is where Project Lima is, and where they believe Clifford is alive and well and liable to end all life unless dissuaded by Roy.

It’s a minor miracle that neither Finn nor Ortiz instructs Roy to terminate Clifford’s command, with extreme prejudice. Because this is a film in thrall to Apocalypse Now and Joseph Conrad; Clifford’s out there operating without any decent restraint, and the journey to save or end him will be psychological as much as physical. Donald Sutherland’s mentor Colonel Pruitt and Ruth Negga’s enigmatic Martian pop up for an allotted span of time much like characters in Apocalypse Now, as Roy travels from vignette to vignette on his quest. There’s an unlikely action sequence on the surface of the Moon as this dystopian future paints the orb wracked by conflict between competing miners and pirates preying on their divisions. A tense sequence responding to an SOS while en route to Mars might as well proclaim “Never get out of the boat”.

But as Roy suffers thru regret for his failed marriage to Liv Tyler and resentment at his father, the Conradian nature of things unravels. Director and co-writer James Gray splices in flashback imagery to show Roy hallucinating, but Ad Astra never gets hallucinatory. Cinematographer Hoyte van Hoytema may be onboard but there is nothing as trippy as Interstellar’s closing chapter even as we orbit Neptune, while Max Richter’s music makes less of an impact here than a sampling of his work on Arrival. Tyler and Jones are unsatisfactorily used, and the pay-off for everything in character terms is as unsatisfying as the emotionally false moment with the medallion at the end of Super 8. Pitt is on good form, but Gray has delivered a film whose excellent special effects belie a preponderance of pomposity over actual insight or a point.

Ad Astra is engaging, but not nearly as intelligent as it so clearly believes itself to be and, as Hunter S Thompson would lament, it never gets weird enough.

3/5

Hopes: 2019

Glass

They called him Mister…

Glass, an unlikely sequel

to Unbreakable

 

Cold Pursuit

U.S. remake, but…

with same director, Neeson

in for Skarsgard. Hmm.

 

Happy Death Day 2U

Groundhog Day: Part II.

I know what you Screamed before.

Meta-mad sequel.

 

Where’d You Go, Bernadette

Cate Blanchett missing,

Daughter on her trail, thru time,

Very Linklater…

Pet Sematary

Stephen King remake.

Yes, sometimes dead is better,

but maybe not here.

 

Shazam!

Chuck: superhero.

Big: but with superpowers.

This could be great fun.

 

Under the Silver Lake

It Follows: P.I.

Sort of, Garfield the P.I.

Riley Keough the femme

 

Pokemon: Detective Pikachu

Ryan Reynolds is voice

Pikachu is the shamus

PG Deadpool fun?

The Turning

of the screw, that is.

Mackenzie Davis the lead,

can the ghosts be real?

 

John Wick: Parabellum

Keanu is back

On a horse while in a suit

Killers in  pursuit

 

Ad Astra

James Gray does sci-fi,

Brad Pitt looks for dad in space,

Gets Conradian.

 

Flarksy

Rogen heart Theron;

High school crush, now head Canuck.

No problem. Wait, what?!

Ford v Ferrari

Mangold for long haul;

Le Mans! Ferrari must lose!

Thus spake Matt Damon

 

Hobbs and Shaw

The Rock and The Stath.

The director of John Wick.

This will be bonkers.

 

The Woman in the Window

Not the Fritz Lang one!

Amy Adams: Rear Window.

Joe Wright the new Hitch.

CR: Chris Large/FX

Gemini Man

Will Smith and Ang Lee,

Clive Owen and the great MEW,

cloned hitman puzzler.

 

Charlie’s Angels

K-Stew’s big comeback

French films have made her, um, hip?

Just don’t bite your lip…

 

The Day Shall Come

Anna Kendrick stars in-

Um, nobody knows a thing

Bar it’s Chris Morris

 

Jojo Rabbit

‘My friend Adolf H.’

is Taika Waititi-

this could get quite strange…