Talking Movies

March 18, 2019

The unshared experience is not worth having

Back in 2011 I outlined a perfect scenario: reading F Scott Fitzgerald’s The Great Gatsby while listening to Rhapsody in Blue and Piano Concerto in F by George Gershwin. This of course involves reading the sparkling prose of the poet laureate of the Jazz Age to the accompaniment of the music of the Jazz Age’s pre-eminent composer, whose works might well have been performed at Gatsby’s parties. This should be done lounging outside in the sunshine; usually possible if done on the 4th of July – which is a vital component of this scenario; and drinking something deliciously iced, but undertaken; as ‘a broken series of successful gestures’ if you will; over the course of an afternoon and evening so that you get to Nick Carraway’s magnificent peroration about night falling on Gatsby’s mansion just as the sun goes down…

I noted that I had once again failed to achieve this perfect scenario. For such a bittersweet novel as Gatsby I’m not sure that such continual anticipation followed by continual failure isn’t entirely appropriate.

Last month I had been thinking that the best way to mark Bastille Day, which falls on a Sunday this year, would be to breakfast on coffee and croissants somewhere, and then stroll, sorry, flaneur, to a grand civic park like St Stephen’s Green, there to idly sit on a park bench, and listen to something like this,

while reading something by Guy de Maupassant, marked with a Monet bookmark, and then boulevardier off somewhere like the Alliance Francasie on Kildare Street for the lunch of a bon vivant and raconteur.

Now it seems that this summer I may be in a position to achieve both of these perfect reading scenarios, and I don’t really want to, because there is no point in achieving such a scenario without sharing the experience with someone else.

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