Talking Movies

October 6, 2016

War on Everyone

John Michael McDonagh’s third film as writer/director attempts to mash up the concerns of his first two films, The Guard and Calvary, with intermittent success.

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Terry Monroe (Alexander Skarsgard) is rarely sober. His work buddy Bob Bolano (Michael Pena) is rarely polite. But that doesn’t matter because they literally have a get out of jail free card, they’re cops. But they won’t be cops for much longer if Lt. Stanton (Paul Reiser) doesn’t see them rein in the lunacy. Dialling down the public drunkenness and excessive force is a huge ask when Terry and Bob stumble, via their CI Reggie (Malcolm Barrett), onto a complicated heist. Dazzled by the prospect of acquiring riches; and on Terry’s part, Jackie (Tessa Thompson), a moll at a loose end; the dirty duo unwittingly put themselves in the bad books with an unlikely mastermind after one beating a suspect mercilessly too far. Lord James Mangan (Theo James) is the nemesis fate has set up for these cheerfully corrupt detectives.

War on Everyone does not live up to the high expectations held for it as while it features any number of hilarious lines and ideas it never truly gels. It doesn’t rattle along like an absurdist procedural with philosophical tangents, but it isn’t an episodic tale in service of a larger philosophical meditation either, so it falls between the two stools of The Guard and Calvary. Lorne Balfe’s score is heroically in thrall to 1970s brass, funk and bombast, while Terry’s preoccupation with Glen Campbell finds full tuneful fulfilment on the soundtrack. The New Mexico locations are strikingly captured by Oren Moverman’s regular cinematographer Bobby Bukowski, a highlight being a distant tracking shot capturing Skarsgard chasing a perp. And in a delirious scripting touch Terry’s constant outrageous drinking is shown wreaking havoc on his memory and his ability to work.

War on Everyone is a memorable film, not a great one, but a patchwork that uses to the full its licence to offend is preferable to any cookie-cutter banality.

3.5/5

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