Talking Movies

April 8, 2015

The Man in Two Pieces: Interview with Gerard Adlum

 

The Man in Two Pieces, a new play starring Stephen Brennan and Gerard Adlum, premieres in Theatre Upstairs this week. It marks the beginning of a year-long residency in Theatre Upstairs for rising company Fast Intent (Nessa Matthews, Sarah Finlay, Gerard Adlum). I talked to actor and playwright Gerard Adlum ahead of his work’s debut.

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Here’s a taster of the full interview which will shortly appear on HeadStuff.org:

Q: The Man in Two Pieces premieres Tuesday April 7th in Theatre Upstairs. How would you describe your play about a young boy’s experiences with a ramshackle vaudeville troupe in 1920s Ireland?

A: I think it’s bittersweet, elegiac, a love-song to a lost way of life. Like The Boy in the play, the audience should get caught up in this whirlwind of a show.

It appeals, I hope, to the romantic inside all of us. Plus, it’s got a jittery strongman and a very serious hypnotist.

Q: Fast Intent take their name from King Lear’s first speech, their debut show was Harold Pinter’s Ashes to Ashes, and since then they’ve performed Macbeth and a Pinter double bill. Are Shakespeare and Pinter then the greatest theatrical influences, or are there other playwrights (or indeed directors) that are equally important: both to you as a playwright, and to the other members of the company?

A: Those two writers are, for me and most people really, about as good as it gets. There’s not a day goes by that one of their lines doesn’t pop into my head. I think all of us in the company hold them in high regard. There’s nothing worse, as an actor or director, than working with a poor script. You’re hamstrung from the beginning. You end up trying to hide the play, not celebrate it. Fast Intent like words. Pictures are important too, yes. But it begins with the written word.

Q: Fast Intent, apart from a Culture Night series of historical monologues in Dublin Castle, haven’t tackled Irish subjects. Was it important to begin the residency in Theatre Upstairs with a play set in Ireland?

A: It’s not something we were particularly conscious of at all. At the end of 2014 we did discuss certain themes we’d maybe like to explore during the residency, the notion of “Irishness” was one of them. Some of the others were “misfits and outsiders” and “togetherness”. This play does address all of that.

The Man in Two Pieces is now running at Theatre Upstairs.

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