Talking Movies

July 31, 2013

RED 2

red_2_2013-wide

Bruce Willis and John Malkovich return for a second knowing outing as the retired and extremely dangerous spies who just want to be left alone.
 
Frank (Willis) is trying to play house with girlfriend Sarah (Mary-Louise Parker), but a trip to Costco sees Marvin (Malkovich) warning him that they’re in terrible danger because someone is sniffing around their botched Cold War Op codenamed Nightshade. And sure enough before long MI6 doyenne Victoria (Helen Mirren) cheerfully informs them she’s been hired to kill them, they’re running from a well-resourced bent spook Horton (Neal McDonough), and they’re also running from his employee – the world’s greatest assassin Han (Byung Hun Lee), who has a personal grudge against Frank. And that’s before Frank and Sarah’s relationship is strained to breaking point by Katja (Catherine Zeta-Jones), his Russian agent Ex, appearing. Can Frank and Marvin get their hands on Nightshade’s weaponry before it gets them killed? And what role does mad Professor Edward Bailey (Anthony Hopkins) play in all this?
 
RED 2 is a fun caper that works best when it’s at its most absurd. Too often director Dean Parisot is content to merely insert Mirren into daft scenarios and watch the audience smile rather than forcing us to laugh with good gags. But when the gags are forthcoming they’re good. There are a couple of terrific back and forth scenes between Frank and Sarah, and a Zen disagreement between Frank, Marvin and Han. There is also a daft sequence in the Kremlin where Marvin attempts to leave Sarah in charge of guarding a vault while he does spy stuff with Frank that is priceless. Parisot also stages a car chase thru Paris with elan and wit as he never loses focus on the chase’s real interest: it’s another example of ‘helpful’ intervention by Marvin in Frank and Sarah’s relationship.
 
Willis and Parker continue to be an appealingly believable couple, well, ‘believable’, and Malkovich Fassbenders his way thru proceedings. There is, however, a reason that scriptwriters Jon & Erich Hoeber’s previous work Battleship was instanced in the recent Slate article decrying the baneful effect of Blake Snyder’s scriptwriting book Save the Cat! becoming the literal playbook for all Hollywood blockbusters. You can see all 15 of Snyder’s story beats arriving at the appropriate moments here, including the inevitable and infuriating ‘apparent victory’ – whose ruthless application in The Avengers, Skyfall, Gangster Squad, et al is driving us all slowly crazy. But thankfully, unlike Battleship, there’s enough stupid fun here to counteract the formula. Especially as the ‘thematic statement’ from Marvin to Frank is so wonderfully dumb in concept and wording that its resolution can’t help but be a knowingly parodic moment.
 
There’s life in the old dogs yet, and while this probably won’t run as long as the Fast & Furious franchise it deserves to match Ocean’s with a trilogy.
 
3/5

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