Talking Movies

November 9, 2011

Miscellaneous Movie Musings

As the title suggests here are some short thoughts about the movies which aren’t quite substantial enough for each to merit an individual blog posting.

Bane
I’m expanding my tweeted reservations about Bane’s role in The Dark Knight Rises. I’ve heard it argued that Bane is a great villain because he makes Batman physically vulnerable. But Nolan’s Batman is already physically vulnerable. We’ve seen Scarecrow set him on fire, Ras Al’Ghul drop a log on him and Two-Face shoot him. Bane making Batman scared of a beating isn’t really that interesting, and it’s certainly not as interesting as what the Joker did to him. The Joker was able to wound Batman deeply both emotionally and ethically, and it’s not at all clear that you can actually top that combined intensity and subtlety of villainy. Ultimately Bane remains defined by his physique, hence the casting of the post-Bronson bulked-up Tom Hardy; he is a hulking villain in the proper sense of the word. But therein lies the problem, Bane’s physique is his defining characteristic to the exclusion of almost all else. His appearance instantly raises the question of whether this film will end with the Dark Knight crippled in a wheelchair after Bane easily breaks his back. Choose nearly any other villain in the Batman universe and it doesn’t lead to that sort of immediate mere physicality based second-guessing because they have multiple interesting storylines in the comics. Bane has Knightfall…

Just In Time
I’m becoming increasingly aggravated at the spoiler-filled trailers and TV spots being authorised by major studios for films. The Ides of March’s TV spot gives away all but one development in the entire freaking movie, which is meant to be twisty. Knowing beforehand how characters react to events you haven’t seen yet only diminishes a movie. But there’re worse examples. Olivia Wilde Thirteen dies in the first act of In Time. I knew this before I saw the film because it was flagged by a voiceover and accompanying dramatic images on a TV spot. If you know your story structure and can calculate her star value, you can easily guess that her death marks the end of the first act and is the traumatic plot-point that spurs our hero into violent action against the villains in the second act. And you’d be right. But it’d be nice to find that out in the cinema as a genuine shock rather than be told it on TV by seeing a frantic Thirteen running and collapsing into Timberlake’s arms with her body-clock showing all zeros as we’re warned ‘just don’t let your time run out’…

The Dark Knight Dies
Let’s second-guess Christopher Nolan shall we? Nolan said The Dark Knight had been chosen as a title for a very specific reason so I instantly assumed something sent Batman over the edge of his code, and predicted that it was Joker killing Alfred. I later refined that to Alfred or Rachel, and was thus not too surprised when it came to pass. I’m convinced that The Dark Knight Rises teaser trailer is subtly hinting that Batman is going to die in its final minutes. I think the closing images of rising up past skyscrapers are the hallucinations of a dying Batman imagining an ascent out of crumbling skylines, as Gotham’s consumed by evil, to the white light of Heaven. Bane will probably break someone’s back but I think it won’t be Batman it will be Gordon, and that’s why Gordon is in hospital in this trailer…

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