Talking Movies

December 22, 2010

The Way Back

Australian auteur Peter Weir lethargically releases his first film in seven years. Sadly, it’s not worth rising from your post-Christmas stupor to see…

Weir’s laziness is usually matched by the quality of the movies emanating from his sabbaticals (The Truman Show, Master & Commander). But, like a pianist going without practice for too long, Weir’s directing skills have become rusty, and he hits wrong notes everywhere. Across the Universe star Jim Sturgess is our bland Polish hero Janusz, sent to a Siberian gulag in 1939 after the Russians defeat his army. Here he meets imprisoned actor Mark Strong, American immigrant Ed Harris, and Colin Farrell as the hardest of hard chaws, Valka. Farrell steals the film from the anaemic leading man on the showy side, while Ed Harris steals it on the Bogart side, but this miscasting is not the worst of Weir’s blunders.

By the end of this ‘inspiring’ true story it’ll feel as if you have trekked from Siberia to India so colossal is the accumulating boredom. Sam Mendes recreated tedium in trying to depict the effect of tedium on soldiers in Jarhead; Weir makes a film that is endless and gruelling in depicting men on an endless and gruelling trek. The trouble is that it’s hard to care about their hardships as Weir introduces these men so cavalierly. A reprise of Master & Commander’s subtle depiction of an all-male closed-society is abandoned almost instantly as the 7 trekkers escape to freedom in a terrifyingly vague fashion. If you later know for sure the name of the first of the trekkers to ‘poignantly’ die then I take my furry Russian hat off to you. Weir puts his characters in peril, and only then remembers that he was supposed to make us care about them first.

His attempts to retrospectively make us care by fleshing out minor characters are sunk by the tragicomic desertion of a star, which leads to the horrifying realisation (much like Speed Racer’s telegraphed story-structure) that we’re only half-way thru the trek, and we still have the guts of a continent to go… Saoirse Ronan tries to keep this section afloat by wringing as much pathos as she can from the weak material but all too often everyone is on auto-cue delivering platitudes. As for pay-off, The Way Back features the dumbest ending imaginable; its level of insight into character psychology heralded by Janus’ Forrest Gump like explanation of how he escaped a Siberian gulag, “I just kept walking”. And keep walking he does, by God, with his ever-ambling shoes super-imposed on a newsreel montage of the Cold War’s flash-points before 2010’s most inane finale.

It may seem harsh as a judgement but only co-producers National Geographic get their money’s worth on this picture. It educationally displays the varied climates and fauna of Asia. Meanwhile you, the paying audience, get less for your money in terms of suspense, action, and emotional involvement than 3 episodes of Bear Grylls’ ever-preposterous adventures back to back provides.

2/5

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