Talking Movies

December 15, 2010

Space, Technology & Modernity in Irish Literature & Culture

I delivered my paper ‘Competing Philosophies in That They May Face the Rising Sun’ to the ‘Space, Technology & Modernity in Irish Literature & Culture’ conference held in University College Dublin in May this year. With that paper now revised and submitted as a journal article I thought I’d look back at the proceedings held at the Humanities Institute of Ireland in UCD and organised by Graham Price and Liam Lanigan.

Friday 21 May

Panel 1: Beckettian Aesthetics
Chair: Dr Stanley van der Ziel (University College Dublin)

‘‘‘Antiquarians and Others”: Beckett’s Irish Modernists’
Alan Graham (University College Dublin)

‘The Phenomenology of Pain in Beckett: The Tedium and the Message’
Siobhan Purcell (University College Dublin)

Panel 2: Gender, Culture & Society in Ireland
Chair: Dr Anne Mulhall (University College Dublin)

‘Desire Lost and Found: Elizabeth Bowen’s The House in Paris and Kate O’Brien’s As Music and Splendour’
Maggie O’Neill (NUI Maynooth)

‘Kate O’Brien’s Modernism – Selves, Subtexts, “Mixed Media”’
Aintzane Legarreta Mentxaka (Independent Scholar)

‘“A Sweet Colleen and a Salty Sinner”: Conceptions of Irishness, Catholicism, Homosexuality and Modernity in the Fiction of Emma Donoghue’
Annie Galvin (Trinity College Dublin)

Panel 3: Comparative Modernisms
Chair: Dr Sharae Deckard (University College Dublin)

‘“A Place on the Road to Somewhere Else”: The Fictional Writing of Colm Toibin in the “World Republic of Letters
Sonia Howell (NUI Maynooth)

This Side of Princeton: Ireland and F Scott Fitzgerald’s This Side of Paradise’
Gavan Lennon (University College Dublin)

‘Adding “new beauties”: Joyce and Rushdie’s critical works’
Pauric Havlin (University College Dublin)

Keynote Address: Moynagh Sullivan (NUI Maynooth)
‘Space & Interspace: Medbh McGuckian’s Poetics, Maternal Aesthetics, and Matrixial Borderspaces’
Chair: Dr Graham Price (University College Dublin)

Saturday May 22

Panel 4: The Evolution of an Irish Modernist Aesthetic
Chair: Dr Lucy Collins (University College Dublin)

‘Modernism and Modernity in Joseph O’Neill’s Netherland
Stanley van der Ziel (University College Dublin)

‘“Pealing out a living message”: Sean O’Faolain, The Bell and The Artist’s New Ireland’
Muireach Shankey (University College Dublin)

‘“Dear Dirty Dublin” or “The Parable of the [Fair Trade] Plums”: Representing Dublin in Ulysses
George Legg (Trinity College Dublin)

Panel 5: Consumption, Globalisation and Tradition in Recent Irish Fiction
Chair: Dr Graham Price (University College Dublin)

‘“A Simple and Genuine Sense of Homecoming”: Transition in Brian Friel’s Faith Healer
Eoin Delap (Trinity College Dublin)

‘Binge and Purge: Excess, Ekstasis, and the Celtic Tiger’
Niamh Campbell (Trinity College Dublin)

‘Competing Philosophies in That They May Face the Rising Sun’
Fergal Casey (University College Dublin)

There were a number of universities represented at the proceedings and an even greater number of writers. Beckett finally triumphed over Joyce by getting his own panel which illuminated his off-beat early literary criticism and the philosophy of pain in his mature work. Kate O’Brien, Elizabeth Bowen and Emma Donoghue were usefully placed in a continuum of female writers complicating received notions of gender and sexuality. Joseph O’Neill justified the Gatsby comparisons for Netherland by not feeling out of place after a paper on F Scott which brought out his Irishness to a surprising degree. Moynagh O’Sullivan’s keynote address meanwhile was a suitably dazzling display of theoretical fireworks used to illuminate the dense rich poetry of Medbh McGuckian. My own panel looked at work by Brian Friel, Kevin Power, John McGahern and Paul Murray, proving that not only is Irish literature engaging with modernity, despite the constant complaints by some commentators, but that a hefty reading list of must-read Irish novels of the last decade could be jotted down from texts cited in discussion of any one panel of this conference.

Ireland remains a republic of letters…

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