Talking Movies

November 9, 2010

23 Minutes of Tron:Legacy

I can’t help but have the strangest feeling of déjà vu in writing this, and not just because this is an incredibly belated sequel to a 1982 pop culture touchstone.

My second posting after properly launching this blog in September last year was a review of the 15 minutes of Avatar that James Cameron had chosen from the first and second acts to give a taste of the film without revealing spoilers. Now here I am again reviewing 23 minutes of scenes chosen from the first and second acts of another 3-D CGI heavy spectacular to give a taste of the film without revealing spoilers. The film this time is Disney’s Tron: Legacy which considerably changes the aesthetic of Tron and so has generated an inordinate amount of excitement for a sequel to a film that I don’t think I’m alone in not having seen in years, and which is remembered largely for its once nifty effects but not for being a great movie. The 1980s day-glo colours have now been replaced by black, white and orange and an oh-so-hip Daft Punk soundtrack.

The 2-D opening sees the estrangement of Jeff Bridge’s son from his father’s company and from his ‘surrogate father’ established. A mysterious page from a disconnected number summons our hero to a basement where the Eurhythmics and other 1980s music starts pounding as soon as he flicks the circuit-breaker. Before you can say Zap a laser has inserted him into his dad’s computer game. Now firmly in the land of 3-D and CGI he’s caught by a huge flying joystick and dumped into the underground programming lair where four women, dressed and moving like they’re in a Daft Punk music video, emerge from the walls to kit him out in his updated Tron suit and attach a disc-drive to his back. “What am I supposed to do?” he asks. “Survive”, one of the women replies before melting back into the wall. Survive he does, as he’s immediately thrown into The Games and fights another program in a ridiculous game that seems like it was invented after too much air-hockey and late-nights with writers’ block. You throw your disc-drives at each other, if you get hit, you splinter apart. If you hit the floor hard enough with the disc you can splinter it too. “Activate!”

Inter-textual jokes are never that funny: Thirteen requested a leave of absence to go to Rome but got sucked into an arcade-game-universe by accident. ‘Joking’ aside Olivia Wilde, dripping eye-liner, has a great entrance; pan-caking bat-pods in a bat-mobile, if they were animated in the style of Sin City. She then starts to dispense plot-points between flicks of her pageboy hair and settles into being the love interest. So, an actress so charismatic that The OC never recovered from the end of her recurring role becomes the latest TV heavy-hitter reduced to cinematic eye-candy. Our hero meets his father, Jeff Bridges, in the fabled ‘safe house’. “This means something” Olivia Wilde insists to him, but what? Well, the second and third acts then flit by in a trailer-flash of enticing images, one of which is surely a spoiler as it seems that a young ‘program’ Jeff Bridges is the one pulling all the strings…

The 3-D is as superfluous as ever. Far more interesting is that Tron: Legacy looks completely different to the original, yet much of the design is similar, just darkly coloured and more slickly realised. I’m not sure exactly why I’m excited about this film. Maybe Disney have correctly diagnosed a hitherto unsuspected nostalgia for revisiting Tron while Bridges was still able to reprise his part with beloved Academy Award winner Jeff Bridges eager to not just reprise but deepen his signature role from Tron. Whatever the reason is this is my recommended Christmas blockbuster.

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1 Comment »

  1. Well that finally happened, I’m sure that what really goes on in the Disney studios of Hollywood is a lot different than what goes on in the minds of the Hollywood that we know.

    Comment by Ben Vasquez — January 20, 2012 @ 5:32 am | Reply


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